Swinging Like Tate | ||||
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Studio album by | ||||
Released | 1958 | |||
Recorded | February 12 & 26, 1958 | |||
Studio | NYC | |||
Genre | Jazz | |||
Length | 40:29 | |||
Label | Felsted FAJ.7004 | |||
Producer | Stanley Dance | |||
Buddy Tate chronology | ||||
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Swinging Like Tate is an album by saxophonist Buddy Tate which was recorded in 1958 and released on the Felsted label. [1]
Review scores | |
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Source | Rating |
AllMusic | [2] |
Scott Yanow of AllMusic states, "The music overall is fine mainstream jazz of the 1950s that is easily recommended to straightahead jazz fans although little unexpected or all that memorable occurs". [2]
George Holmes "Buddy" Tate was an American jazz saxophonist and clarinetist.
Jazz at the Plaza Vol. II is a live album by American pianist, composer and bandleader Duke Ellington recorded in 1958 at a party for Columbia Records and released on the label in 1973. The Miles Davis Sextet was also recorded at the same event and released as the first volume of Jazz at the Plaza.
Goin' to Kansas City is an album by American jazz trumpeter Buck Clayton with Tommy Gwaltney's Kansas City 9 featuring tracks recorded in late 1960 for the Riverside label.
Conversin' with the Elders is the fourth album by saxophonist James Carter recorded in late 1995 and early 1996 and released on the Atlantic label. The album features guest appearances by veteran musicians, including trumpeters Harry "Sweets" Edison and Lester Bowie, and saxophonists Hamiet Bluiett, Larry Smith and Buddy Tate.
Carmen is an album by guitarist Barney Kessel performing adaptations of pieces from Georges Bizet's opera Carmen recorded in late 1958 and released on the Contemporary label.
Chico Hamilton Quintet featuring Buddy Collette is an album by drummer and bandleader Chico Hamilton's Quintet featuring multi-instrumentalist Buddy Collette, released on the Pacific Jazz label. The album was recorded in 1955 with one side recorded live and the other recorded in the studio.
The Total J.J. Johnson is an album by jazz trombonist and arranger J. J. Johnson and Big Band recorded in 1966 for the RCA Victor label.
All the Cats Join In is a song written by Ray Gilbert, Eddie Sauter and Alec Wilder, and first recorded by Benny Goodman. It later was a track on an LP with the same title by trumpeter Buck Clayton.
Jumpin' at the Woodside, subtitled A Buck Clayton Jam Session, is an album by trumpeter Buck Clayton which was recorded between 1953 and 1956 and released on the Columbia label.
Buck Meets Ruby is an album by trumpeters Buck Clayton and Ruby Braff which was recorded in 1954 and released on the Vanguard label originally as a four track 10-inch LP.
Copenhagen Concert is a live album by American trumpeter Buck Clayton recorded in Copenhagen, Denmark in 1959 and released on the SteepleChase label as a double LP in 1979. A similarly titled Copenhagen Concert was recorded by Dizzy Gillespie with Leo Wright in 1960.
Songs for Swingers is an album by trumpeter Buck Clayton which was recorded in 1958 and released on the Columbia label.
Buck & Buddy Blow the Blues is an album by trumpeter Buck Clayton and saxophonist Buddy Tate which was recorded in 1961 and released on the Swingville label.
Groovin' with Buddy Tate is an album by saxophonist Buddy Tate which was recorded in 1961 and released on the Swingville label.
Unbroken is an album by saxophonist Buddy Tate's Celebrity Club Orchestra which was recorded in Germany in 1970 and released on the MPS label.
Rendezvous with Rex is an album by cornetist Rex Stewart which was recorded in 1958 and released on the Felsted label.
Bones for the King is an album by trombonist Dicky Wells which was recorded in 1958 and released on the Felsted label.
Live at Sandy's is a live album by saxophonist Buddy Tate which was recorded at Sandy's Jazz Revival in 1978 and released on the Muse label in 1980.
Buddy Tate and His Buddies is an album by saxophonist Buddy Tate which was recorded in New York City in 1973 and released on the Chiaroscuro label.
Just Jazz, is an album by saxophonist Buddy Tate and trombonist Al Grey, which was recorded in 1984 and released by the Uptown label. The album was reissued on CD with two alternate takes by Reservoir in 1989.