Oscar-Claude Monet was a French painter and founder of impressionism painting who is seen as a key precursor to modernism, especially in his attempts to paint nature as he perceived it. During his long career, he was the most consistent and prolific practitioner of impressionism's philosophy of expressing one's perceptions of nature, especially as applied to plein air (outdoor) landscape painting. The term "impressionism" is derived from the title of his painting Impression, soleil levant, which was first exhibited in the so-called "exhibition of rejects" of 1874–an exhibition initiated by Monet and like-minded artists as an alternative to the Salon.
Alfred Sisley was an Impressionist landscape painter who was born and spent most of his life in France, but retained British citizenship. He was the most consistent of the Impressionists in his dedication to painting landscape en plein air. He deviated into figure painting only rarely and, unlike Renoir and Pissarro, he found that Impressionism fulfilled his artistic needs.
The Petit Palais is an art museum in the 8th arrondissement of Paris, France.
Haystacks is the common English title for a series of impressionist paintings by Claude Monet. The principal subject of each painting in the series is stacks of harvested wheat. The title refers primarily to a twenty-five canvas series which Monet began near the end of the summer of 1890 and continued through the following spring, though Monet also produced five earlier paintings using this same stack subject. A precursor to the series is the 1884 Haystack Near Giverny.
Claude Monet painted several series of nearly 100 impressionist oil paintings of different views of the Thames River in the autumn of 1899 and the early months of 1900 and 1901 during stays in London. One of these series consists of views of the Palace of Westminster, home of the British Parliament, and he began the first of these paintings at about 15.45 on 13 February 1900. All of the series' paintings share the same viewpoint from Monet's window or a terrace at St Thomas' Hospital overlooking the Thames and the approximate canvas size of 81 cm × 92 cm. They are, however, painted during different times of the day and weather conditions.
The Rouen Cathedral series was painted in the 1890s by French impressionist Claude Monet. The paintings in the series each capture the façade of Rouen Cathedral at different times of the day and year and reflect changes in its appearance under different lighting conditions.
Georges Petit was a French art dealer, a key figure in the Paris art world and an important promoter and cultivator of Impressionist artists.
Marie Bracquemond was a French Impressionist artist. She was one of four notable women in the Impressionist movement, along with Mary Cassatt (1844–1926), Berthe Morisot (1841–1895), and Eva Gonzalès (1847–1883). Bracquemond studied drawing as a child and began showing her work at the Paris Salon when she was still an adolescent. She never underwent formal art training, but she received limited instruction from Jean-Auguste-Dominique Ingres (1780–1867) and advice from Paul Gauguin (1848–1903) which contributed to her stylistic approach.
The Musée des Beaux-Arts de Rouen is an art museum in Rouen, in Normandy in north-western France. It was established by Napoléon Bonaparte in 1801, and is housed in a building designed by Louis Sauvageot and built between 1877, and 1888. Its collections include paintings, sculptures, drawings and objets d'art.
The Museum of Modern Art André Malraux - MuMa is a museum in Le Havre, France containing one of the nation's most extensive collections of impressionist paintings. It was designed by Atelier LWD, an architecture studio led by Guy Lagneau, Michel Weill and Jean Dimitrijevic. It is named after André Malraux, Minister of Culture when the museum was opened in 1961.
Robert Antoine Pinchon was a French Post-Impressionist landscape painter of the Rouen School who was born and spent most of his life in France. He was consistent throughout his career in his dedication to painting landscapes en plein air. From the age of nineteen he worked in a Fauve style but never deviated into Cubism, and, unlike others, never found that Post-Impressionism did not fulfill his artistic needs. Claude Monet referred to him as "a surprising touch in the service of a surprising eye".
Springtime or The Reader is an 1872 painting by the French Impressionist painter Claude Monet. It depicts his first wife, Camille Doncieux, seated reading beneath a canopy of lilacs. The painting is presently held by the Walters Art Museum.
Albert Lebourg, birth name Albert-Marie Lebourg, also called Albert-Charles Lebourg and Charles Albert Lebourg, was a French Impressionist and Post-Impressionist landscape painter of the Rouen School. Member of the Société des Artistes Français, he actively worked in a luminous Impressionist style, creating more than 2,000 landscapes during his lifetime. The artist was represented by Galerie Mancini in Paris in 1896, in 1899 and 1910 by : Galerie Bernheim-Jeune, 1903 and 1906 at the Galerie Paul Rosenberg, and 1918 and 1923 at Galerie Georges Petit.
Dance at Bougival is an 1883 oil-on-canvas painting by the French artist Pierre-Auguste Renoir, currently in the collection of the Museum of Fine Arts in Boston, Massachusetts, United States. Described as "one of the museum's most beloved works", it is one of three in a collection commissioned by Paul Durand-Ruel. It depicts a scene in the French village of Bougival, about 15 km from the center of Paris, a site utilized by many Impressionists besides Renoir including Claude Monet, Alfred Sisley, and Berthe Morisot.
The Watering Trough at Marly with Hoarfrost is an 1876 painting by Alfred Sisley. It was owned by François Depeaux, a Sisley collector, and passed through other collections before ending up in that of Paul Mellon. It is now in the Virginia Museum of Fine Arts in Richmond, United States. It was painted at Marly-le-Roi and is part of his Marly series. Sisley's works showing the watering trough and The Flood at Port-Marly are two series of Impressionist masterworks comparable to Claude Monet's Gare Lazare series, Renoir's The Swing and Bal du moulin de la Galette series, Berthe Morisot's Champs de blé series and Camille Pissarro's Vues de Pontoise and Toits rouges series. Sisley did not much change his point of view between each painting, but he dramatically changed the background, proving his ability to vary views of a limited section of countryside.
The Canal du Loing or The Canal du Loing at Moret is an 1892 painting by Alfred Sisley, donated to the Musée du Luxembourg after the painter's death in 1899 by a group of the painter's friends headed by Claude Monet. It is now in the Musée d'Orsay. A similar work, painted in winter 1891, is now in the National Museum of Fine Arts of Algiers.
The Forge at Marly-le-Roi is an oil on canvas painting by British-born French artist Alfred Sisley, created in 1875. It was part of the François Depeaux collection until its sale in 1906 by the Galerie Georges Petit to Étienne Moreau-Nélaton. Moreau-Nélaton left it to the French state later in 1906 and it has been displayed at the Musée d'Orsay, in Paris, since 1986.
Regatta at Molesey near Hampton Court is an 1874 painting by Alfred Sisley, now in the Musée d'Orsay, to which it was allocated in 1986. The work shows the Molesey Regatta on the River Thames, begun by an amateur sportsman in 1873 and still in existence. The viewpoint looks upstream from Molesey Boat Club, with the recently-constructed Island Hotel visible on Tagg's Island.
Rue de la Chaussée in Argenteuil or A Square in Argenteuil is an 1872 painting by Alfred Sisley, now in the Musée d'Orsay, where it has hung since 1986. It was left to the French state in 1906 by Étienne Moreau-Nélaton, who had bought it earlier that year from François Depeaux's collection via the art dealer Georges Petit.
The Church in Morning Sun- 1893 - Kunstmuseum Winterthur, Switzerland
The Church in Afternoon Sun - 1893
The Church in the Evening Sun - 1894 - Petit Palais, Paris
The Church in Morning Rain - 1893 - Hunterian Art Gallery, University of Glasgow, Scotland
The Church after Rain - 1894 - Detroit Institute of Arts, USA
The Church in Winter - 1893–94 - National Museum of Art of Romania, Romania
