Moss Rose | |
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![]() Theatrical release poster | |
Directed by | Gregory Ratoff |
Screenplay by | |
Adaptation by | Niven Busch |
Based on | Moss Rose by Joseph Shearing |
Produced by | Gene Markey |
Starring | |
Cinematography | Joseph MacDonald |
Edited by | James B. Clark |
Music by | David Buttolph |
Color process | Black and white |
Production company | |
Distributed by | 20th Century Fox |
Release date |
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Running time | 82 minutes |
Country | United States |
Language | English |
Moss Rose is a 1947 American film noir mystery film directed by Gregory Ratoff and starring Peggy Cummins, Victor Mature and Ethel Barrymore. [1] It is an adaptation of the 1934 novel Moss Rose by Marjorie Bowen based on a real-life Victorian murder case.
Set in Victorian London, the story concerns a music hall chorus girl, Belle Adair, aka Rose Lynton, who blackmails a gentleman, Michael Drego, after seeing him leave the house where another dancer, Daisy Arrow, was found murdered. Instead of accepting money she demands to be invited to the man's stately home to experience the life of a lady. The woman becomes friends with the man's mother, Lady Margaret Drego, and his fiancée, Audrey Ashton, but her peace is disturbed when Inspector Clinner, played by Vincent Price, arrives to question them further about the murder. Then another murder is committed in similar circumstances.
20th Century Fox announced they had paid their highest ever price for the screen rights to a 1934 novel by Marjorie Bowen for Moss Rose, but did not specify how much. The film was immediately assigned to Peggy Cummins, who had been fired from Forever Amber . [2]
"Ethel Barrymore was in it", Vincent Price said. "I was terrified of her until one day between takes she waddles up and whispers, 'Got a smoke?'" [3]
The film was a commercial disappointment. Darryl F. Zanuck called it "a catastrophe, for which I blame myself. Our picture was not as good as the original script and the casting was atrocious. The property lost $1,300,000 net." [4]
When the film was released, The New York Times film critic, Bosley Crowther, praised the film, writing, "Readers of thriller fiction have been talking for quite some time about a writer called Joseph Shearing, whose many period mysteries are said to have a flavor and distinction all their own. And now it appears that film-goers will have reason to join the claque, if all of this author's output is as adaptable as the first to reach the screen. For Moss Rose, the first of several promised Shearing films, which hit the Roxy yesterday, is a suave and absorbing mystery thriller, neatly plotted and deliciously played ... Thanks to a splendid performance by Peggy Cummins in the role of the girl, there is something to watch when she is acting besides the consequence of the makeup artist's work. Her job as the Cockney chorus girl has spirit, humor and brass—and a surprisingly tender quality which nicely rounds the role." [5]
The staff at Variety magazine also gave the film a positive review. They wrote, "Moss Rose is good whodunit. Given a lift by solid trouping and direction, melodrama is run off against background of early-day England that provides effective setting for theme of destructive mother love ... Gregory Ratoff's direction develops considerable flavor to the period melodramatics. He gets meticulous performances from players in keeping with mood of piece." [6]
Laura is a 1944 American film noir produced and directed by Otto Preminger. It stars Gene Tierney, Dana Andrews, and Clifton Webb along with Vincent Price and Judith Anderson. The screenplay by Jay Dratler, Samuel Hoffenstein, and Betty Reinhardt is based on the 1943 novel Laura by Vera Caspary. Laura received five nominations for the Academy Awards, including for Best Director, winning for Best Black and White Cinematography. In 1999, Laura was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant". The American Film Institute named it one of the 10 best mystery films of all time, and it also appears on Roger Ebert's "Great Movies" series.
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