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The golden age of American animation was a period in the history of U.S. animation that began with the popularization of sound cartoons in 1928 and gradually ended from 1957 to 1969, where theatrical animated shorts began losing popularity to the newer medium of television animation since in 1957, produced on cheaper budgets and in a more limited animation style by companies such as Terrytoons, UPA, Paramount Cartoon Studios, Jay Ward Productions, Hanna-Barbera, DePatie-Freleng, Rankin/Bass and Filmation. In artefact, the history of animation became very important in the United States.
Fleischer Studios was an American animation studio founded in 1929 by brothers Max and Dave Fleischer, who ran the pioneering company from its inception until its acquisition by Paramount Pictures, the parent company and the distributor of its films. In its prime, Fleischer Studios was a premier producer of animated cartoons for theaters, with Walt Disney Productions being its chief competitor in the 1930s.
Max Fleischer was a Polish-American animator, inventor, film director and producer, and studio founder and owner. Born in Kraków, Poland, Fleischer immigrated to the United States where he became a pioneer in the development of the animated cartoon and served as the head of Fleischer Studios, which he co-founded with his younger brother Dave. He brought such comic characters as Koko the Clown, Betty Boop, Popeye, and Superman to the movie screen, and was responsible for several technological innovations, including the rotoscope, the "follow the bouncing ball" technique pioneered in the Ko-Ko Song Car-Tunes films, and the "stereoptical process". Film director Richard Fleischer was his son.
Talkartoons is a series of 42 animated cartoons produced by Fleischer Studios and distributed by Paramount Pictures between 1929 and 1932.
My Old Kentucky Home is a short animation film originally released in June 1926, by Max and Dave Fleischer of Fleischer Studios as one of the Song Car-Tunes series. The series, between May 1924 and September 1926, eventually totaled 36 films, of which 19 were made with sound. This cartoon features the original lyrics of "My Old Kentucky Home" (1853) by Stephen Foster, and was recorded in the Lee de Forest Phonofilm sound-on-film system.
Patrick Anthony Powers was an American businessman who was involved in the movie and animation industry of the 1910s, 1920s, and 1930s as a distributor and producer. His firm, Celebrity Productions, was the first distributor of Walt Disney's Mickey Mouse cartoons (1928–1929). After one year, Disney split with Powers, who started another animation studio with Disney's lead animator, Ub Iwerks.
"(You're the Flower of My Heart,) Sweet Adeline" is a ballad best known as a barbershop standard. It was first published in 1903, with lyrics by Richard Husch Gerard to music by Harry Armstrong, from a tune he had written in 1896 at the age of 18. According to a 1928 newspaper story, the lyrics were inspired "by a girl who worked at the music counter of a New York department store." After failing to find a publisher with the initial title, "You're the Flower of My Heart, Sweet Rosalie", according to a story the two decided a new title was in order and were inspired by a poster advertising the farewell tour of opera singer Adelina Patti. It did not become a hit until it was performed in 1904 by the group The Haydn Quartet. The Haydn Quartet's version was #1 for 10 weeks in 1904, and the Peerless Quartet also hit #1 with their version in 1904, for three weeks, according to Joel Whitburn's Pop Memories.
Aesop's Fables is a series of animated short subjects, created by American cartoonist Paul Terry. Produced from 1921 to 1933, the series includes Scrambled Eggs (1926), The Window Washers (1925), Small Town Sheriff (1927), Dinner Time (1928), and Gypped in Egypt (1930). Dinner Time is the first cartoon with a synchronized soundtrack ever released to the public. The series provided inspiration to Walt Disney to found the Laugh-O-Gram Studio in Kansas City, Missouri, where he created Mickey Mouse.
Screen Songs are a series of animated cartoons produced at the Fleischer Studios and distributed by Paramount Pictures between 1929 and 1938. Paramount brought back the sing-along cartoons in 1945, now in color, and released them regularly through 1951. Two of Paramount's one-shot cartoons quietly revived the format later: Candy Cabaret (1954) and Hobo's Holiday (1963).
The bouncing ball is a virtual device used in motion picture films and video recordings to visually indicate the rhythm of a song, helping audiences to sing along with live or prerecorded music. As the song's lyrics are displayed on the screen in a lower third of projected or character-generated text, an animated ball bounces across the top of the words, landing on each syllable when it is to be sung.
Phonofilm is an optical sound-on-film system developed by inventors Lee de Forest and Theodore Case in the early 1920s.
"Old Black Joe" is a parlor song by Stephen Foster (1826–1864). It was published by Firth, Pond & Co. of New York in 1860. Ken Emerson, author of the book Doo-Dah! (1998), indicates that Foster's fictional Joe was inspired by a servant in the home of Foster's father-in-law, Dr. McDowell of Pittsburgh. The song is not written in dialect.
Ko-Ko Song Car-Tunes, Song Car-Tunes, or Sound Car-Tunes, is a series of short three-minute animated films produced by Max Fleischer and Dave Fleischer between May 1924 and September 1927, pioneering the use of the "Follow the Bouncing Ball" device used to lead audiences in theater sing-alongs. The Song Car-Tunes also pioneered the application of sound film to animation.
"Has Anybody Here Seen Kelly?", with music and lyrics by C. W. Murphy and Will Letters (1908), is a British music hall song, originally titled "Kelly From the Isle of Man". The song concerns a Manx woman looking for her boyfriend during a visit to London. It was adapted for American audiences by William McKenna in 1909 for the musical The Jolly Bachelors. Kelly is the most common surname on the Isle of Man.
Hugo Riesenfeld was an Austrian-American composer. As a film director, he began to write his own orchestral compositions for silent films in 1917, and co-created modern production techniques where film scoring serves an integral part of the action. Riesenfeld composed about 100 film scores in his career.
The Sidewalks of New York are two cartoon short films made by animation pioneers Max Fleischer and Dave Fleischer, both films using the 1894 song "The Sidewalks of New York".
Optical sound is a means of storing sound recordings on transparent film. Originally developed for military purposes, the technology first saw widespread use in the 1920s as a sound-on-film format for motion pictures. Optical sound eventually superseded all other sound film technologies until the advent of digital sound became the standard in cinema projection booths. Optical sound has also been used for multitrack recording and for creating effects in some musical synthesizers.
The musical short can be traced back to the earliest days of sound films.
Steamboat Willie is a 1928 American animated short film directed by Walt Disney and Ub Iwerks. It was produced in black and white by Walt Disney Studios and was released by Pat Powers, under the name of Celebrity Productions. The cartoon is considered the debut of both Mickey and Minnie Mouse, although both characters appeared several months earlier in a test screening of Plane Crazy. Steamboat Willie was the third of Mickey's films to be produced, but it was the first to be distributed, because Disney, having seen The Jazz Singer, had committed himself to produce one of the first fully synchronized sound cartoons.
Oh Mabel is a 1924 American animated short film, part of the Song Car-Tunes film series. This film is the first sound film of the series, and used the Phonofilm sound-on-film system. The Song Car-Tunes series, before it ended in September 1926, eventually totaled 36 films, of which 19 were made with sound.
References
- ↑ Lenburg, Jeff (2009). The Encyclopedia of Animated Cartoons (3rd ed.). New York: Checkmark Books. pp. 46–47. ISBN 978-0-8160-6600-1.
