Mountain of Destiny | |
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German | Berg des Schicksals |
Directed by | Arnold Fanck |
Written by | Arnold Fanck |
Produced by | Arnold Fanck |
Starring | |
Cinematography |
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Edited by | Arnold Fanck |
Music by | Florian C. Reithner (2010) |
Production companies | Berg- und Sportfilm Alpenfilm AG, Villars-sur-Glâne |
Release date |
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Running time | 87 minutes |
Country | Germany |
Languages | Silent film German intertitles |
Mountain of Destiny (German : Berg des Schicksals) is a 1924 German silent drama film written and directed by Arnold Fanck and starring Hannes Schneider, Frida Richard, Erna Morena, and Luis Trenker. The film is about an alpinist who falls to his death while climbing a dangerous peak. His son later succeeds where his father had failed. The film was released in the United Kingdom with the title The Mountaineers. After seeing Mountain of Destiny, Leni Riefenstahl, then a dancer, decided she wanted to start appearing in films. [1] She got in touch with Fanck and starred in his 1926 film The Holy Mountain .
After a mountaineer is killed attempting to climb a difficult mountain, his son dreams of conquering the peak that has defeated his father. But his mother makes him promise never to attempt it. Events eventually force her to release him from the promise, and he ascends the mountain successfully.
Helene Bertha Amalie "Leni" Riefenstahl was a German film director, photographer and actress known for producing Nazi propaganda.
Luis Trenker was a South Tyrolean film producer, director, writer, actor, architect, alpinist, and bobsledder.
Arnold Fanck was a German film director and pioneer of the mountain film genre. He is best known for the extraordinary alpine footage he captured in such films as The Holy Mountain (1926), The White Hell of Pitz Palu (1929), Storm over Mont Blanc (1930), The White Ecstasy (1931), and S.O.S. Eisberg (1933). Fanck was also instrumental in launching the careers of several filmmakers during the Weimar years in Germany, including Leni Riefenstahl, Luis Trenker, and cinematographers Sepp Allgeier, Richard Angst, Hans Schneeberger, and Walter Riml.
A mountain film is a film genre that focuses on mountaineering and especially the battle of human against nature. In addition to mere adventure, the protagonists who return from the mountain come back changed, usually gaining wisdom and enlightenment.
Johann "Hannes" Schneider was an Austrian ski instructor of the first half of the 20th century, famous for pioneering the Arlberg technique of instruction. Many consider him the Father of Modern Day Skiing. A statue of him in North Conway, New Hampshire, states the very same claim.
Andreas "Anderl" Heckmair was a German mountain climber and guide who led the first successful ascent of the Eiger north face in July 1938.
The Holy Mountain is a 1926 German mountain film directed by Arnold Fanck and starring Leni Riefenstahl, Luis Trenker and Frida Richard. It was the future filmmaker Riefenstahl's first screen appearance as an actress. Written by Arnold Fanck and Hans Schneeberger, the film is about a dancer who meets and falls in love with an engineer at his cottage in the mountains. After she gives her scarf to one of his friends, the infatuated friend mistakenly believes that she loves him. When the engineer sees her innocently comforting his friend, he mistakenly believes she is betraying him.
The White Ecstasy is a 1931 German mountain film written and directed by Arnold Fanck and starring Hannes Schneider, Leni Riefenstahl, Guzzi Lantschner, and Walter Riml. The film is about the skiing exploits of a young village girl, and her attempts to master the sport of skiing and ski-jumping aided by the local ski expert. Filmed on location in Sankt Anton am Arlberg, the film was one of the first to use and develop outdoor film-making techniques and featured several innovative action-skiing scenes.
The White Hell of Pitz Palu is a 1929 German silent mountain film co-directed by Arnold Fanck and G. W. Pabst and starring Leni Riefenstahl, Gustav Diessl, Ernst Petersen, and World War I pilot Ernst Udet. Written by Fanck and Ladislaus Vajda, the film is about a man who loses his wife in an avalanche while climbing the Piz Palü mountain, and spends the next few years searching the mountain alone for her body. Four years later he meets a young couple who agree to accompany him on his next climb. The White Hell of Pitz Palu was filmed on location in the Bernina Range in Graubünden, Switzerland.
Giuseppe Becce was an Italian-born film score composer who enriched the German cinema.
Hans Ertl was a German mountaineer and Nazi propagandist. He is most known for being the father of Monika Ertl, the Communist guerrilla who assassinated Roberto Quintanilla Pereira, the man responsible for chopping off Che Guevara's hands.
Walter Riml was an Austrian cameraman and actor.
The Mountain Calls is a film directed by Luis Trenker which recreates the struggle between Edward Whymper and Jean-Antoine Carrel for the first successful ascent of the Matterhorn in 1865.
Angelo Dibona was an Austro-Hungarian and Italian mountaineer. He is remembered as one of the great pioneers of climbing in the Dolomites and is responsible for many first ascents throughout the Alps. The Aiguille Dibona in France, the Campanile Dibona and the Dibona-Kante on the Cima Grande di Lavaredo are named after him.
The Great Leap is a 1927 German silent comedy film directed by Arnold Fanck and starring Leni Riefenstahl, Luis Trenker and Hans Schneeberger. A young Italian girl living in the Dolomites falls in love with a member of a tourist party skiing on the nearby mountains.
Struggle for the Matterhorn is a 1928 German-Swiss silent drama film co-directed by Mario Bonnard and Nunzio Malasomma and starring Luis Trenker, Marcella Albani, and Alexandra Schmitt. The film is part of the popular cycle of mountain films of the 1920s and 1930s. Art direction was by Heinrich Richter. Trenker later remade the film as The Challenge in 1938.
Josef “Sepp” Allgeier was a German cinematographer who worked on around fifty features, documentaries and short films. He began his career as a cameraman in 1911 for the Expreß Film Co. of Freiburg im Breisgau. In 1913, he filmed newsreels in the Balkans. He then became an assistant to Arnold Fanck, a leading director of Mountain films. He worked frequently with Luis Trenker and Leni Riefenstahl, both closely associated with the genre. He was Riefenstahl's lead cameraman on her 1935 propaganda film Triumph of the Will. During the Second World War, Allgeier filmed material for newsreels. He later worked in West German television. His son is the cinematographer Hans-Jörg Allgeier.
German: Stürme über dem Mont Blanc is a 1930 German film written and directed by Arnold Fanck and starring Leni Riefenstahl, Sepp Rist and Ernst Udet. The film is part of the German film genre of "mountaineering", popularized by Fanck. The story revolves around a man who works alone at the Mont Blanc weather station gathering data. His only contact with the world below is via Morse code signals. He is joined by a woman friend, who helps him survive a terrible storm over the mountain. Ernst Udet is featured as a pilot who is involved in a dangerous mountain rescue.
The Fate of the House of Habsburg is a 1928 German silent drama film directed by Rolf Raffé and starring Fritz Spira, Alfons Fryland, and Leni Riefenstahl. It is based on the Mayerling incident of 1889, wherein a Crown Prince of Austria killed his mistress and himself.
Ernst Petersen was a German architect and actor. Although Petersen was very successful as an architect and several of his buildings are now listed as historical monuments, he achieved greater fame in the short period of time as an actor in mountain films alongside Leni Riefenstahl.