Helene Bertha Amalie "Leni" Riefenstahl was a German film director, photographer and actress known for producing Nazi propaganda.
Triumph of the Will is a 1935 German Nazi propaganda film directed, produced, edited and co-written by Leni Riefenstahl. Adolf Hitler commissioned the film and served as an unofficial executive producer; his name appears in the opening titles. It chronicles the 1934 Nazi Party Congress in Nuremberg, which was attended by more than 700,000 Nazi supporters. The film contains excerpts of speeches given by Nazi leaders at the Congress, including Hitler, Rudolf Hess and Julius Streicher, interspersed with footage of massed Sturmabteilung (SA) and Schutzstaffel (SS) troops and public reaction. Its overriding theme is the return of Germany as a great power with Hitler as its leader. The film was produced after the Night of the Long Knives, and many formerly prominent SA members are absent.
Béla Balázs, born Herbert Béla Bauer, was a Hungarian film critic, aesthetician, writer and poet of Jewish heritage. He was a proponent of formalist film theory.
Luis Trenker was a South Tyrolean film producer, director, writer, actor, architect, alpinist, and bobsledder.
Arnold Fanck was a German film director and pioneer of the mountain film genre. He is best known for the extraordinary alpine footage he captured in such films as The Holy Mountain (1926), The White Hell of Pitz Palu (1929), Storm over Mont Blanc (1930), The White Ecstasy (1931), and S.O.S. Eisberg (1933). Fanck was also instrumental in launching the careers of several filmmakers during the Weimar years in Germany, including Leni Riefenstahl, Luis Trenker, and cinematographers Sepp Allgeier, Richard Angst, Hans Schneeberger, and Walter Riml.
The Holy Mountain is a 1926 German mountain film directed by Arnold Fanck and starring Leni Riefenstahl, Luis Trenker and Frida Richard. It was the future filmmaker Riefenstahl's first screen appearance as an actress. Written by Arnold Fanck and Hans Schneeberger, the film is about a dancer who meets and falls in love with an engineer at his cottage in the mountains. After she gives her scarf to one of his friends, the infatuated friend mistakenly believes that she loves him. When the engineer sees her innocently comforting his friend, he mistakenly believes she is betraying him.
S.O.S. Eisberg is a 1933 German-US pre-Code drama film directed by Arnold Fanck and starring Gustav Diessl, Leni Riefenstahl, Sepp Rist, Gibson Gowland, Rod La Rocque, and Ernst Udet. The film was written by Tom Reed based on a story by Arnold Fanck and Friedrich Wolf. S.O.S. Eisberg follows the account of the real-life Alfred Lothar Wegener polar expedition of 1929-30. Fritz Loewe and Ernst Sorge, two members of the ill-fated Wegener Expedition served as technical consultants to Universal.
The White Ecstasy is a 1931 German mountain film written and directed by Arnold Fanck and starring Hannes Schneider, Leni Riefenstahl, Guzzi Lantschner, and Walter Riml. The film is about the skiing exploits of a young village girl, and her attempts to master the sport of skiing and ski-jumping aided by the local ski expert. Filmed on location in Sankt Anton am Arlberg, the film was one of the first to use and develop outdoor film-making techniques and featured several innovative action-skiing scenes.
The White Hell of Pitz Palu is a 1929 German silent mountain film co-directed by Arnold Fanck and G. W. Pabst and starring Leni Riefenstahl, Gustav Diessl, Ernst Petersen, and World War I pilot Ernst Udet. Written by Fanck and Ladislaus Vajda, the film is about a man who loses his wife in an avalanche while climbing the Piz Palü mountain, and spends the next few years searching the mountain alone for her body. Four years later he meets a young couple who agree to accompany him on his next climb. The White Hell of Pitz Palu was filmed on location in the Bernina Range in Graubünden, Switzerland.
Giuseppe Becce was an Italian-born film score composer who enriched the German cinema.
Hans Ertl was a German mountaineer and Nazi propagandist. He is most known for being the father of Monika Ertl, the Communist guerrilla who assassinated Roberto Quintanilla Pereira, the man responsible for chopping off Che Guevara's hands.
Walter Riml was an Austrian cameraman and actor.
Peter the Pirate, also known in English as The Sea Wolves, is a 1925 German silent historical adventure film directed by Arthur Robison and starring Paul Richter, Aud Egede-Nissen, and Rudolf Klein-Rogge. It was based on a novel by Wilhelm Hegeler. Leni Riefenstahl was offered the role of female lead by producer Erich Pommer, but after doing a screen test she eventually turned it down.
Mountain of Destiny is a 1924 German silent drama film written and directed by Arnold Fanck and starring Hannes Schneider, Frida Richard, Erna Morena, and Luis Trenker. The film is about an alpinist who falls to his death while climbing a dangerous peak. His son later succeeds where his father had failed. The film was released in the United Kingdom with the title The Mountaineers. After seeing Mountain of Destiny, Leni Riefenstahl, then a dancer, decided she wanted to start appearing in films. She got in touch with Fanck and starred in his 1926 film The Holy Mountain.
Hans Schneeberger was an Austrian cinematographer who worked on over eighty films during his career. During the 1920s and early 1930s Schneeberger worked frequently with the director Arnold Fanck, including films starring Leni Riefenstahl. Schneeberger also made a handful of acting appearances, including playing opposite Riefenstahl in The Great Leap (1927). He filmed the famous final shot in The Third Man but was not credited. Schneeberger was later employed by the largest Austrian company Wien-Film for a number of productions.
Mountains on Fire is a 1931 German war film directed by Karl Hartl and Luis Trenker and starring Trenker, Lissy Arna and Luigi Serventi. The film was based on Luis Trenker's novel of the same title, partly based on his own experiences. Separate French and English-language productions were also made.
Struggle for the Matterhorn is a 1928 German-Swiss silent drama film co-directed by Mario Bonnard and Nunzio Malasomma and starring Luis Trenker, Marcella Albani, and Alexandra Schmitt. The film is part of the popular cycle of mountain films of the 1920s and 1930s. Art direction was by Heinrich Richter. Trenker later remade the film as The Challenge in 1938.
Josef “Sepp” Allgeier was a German cinematographer who worked on around fifty features, documentaries and short films. He began his career as a cameraman in 1911 for the Expreß Film Co. of Freiburg im Breisgau. In 1913, he filmed newsreels in the Balkans. He then became an assistant to Arnold Fanck, a leading director of Mountain films. He worked frequently with Luis Trenker and Leni Riefenstahl, both closely associated with the genre. He was Riefenstahl's lead cameraman on her 1935 propaganda film Triumph of the Will. During the Second World War, Allgeier filmed material for newsreels. He later worked in West German television. His son is the cinematographer Hans-Jörg Allgeier.
The Eternal Dream is a 1934 German historical film directed by Arnold Fanck and starring Sepp Rist and Brigitte Horney. The film's sets were designed by the art directors Robert Herlth and Werner Schlichting.
Ernst Petersen was a German architect and actor. Although Petersen was very successful as an architect and several of his buildings are now listed as historical monuments, he achieved greater fame in the short period of time as an actor in mountain films alongside Leni Riefenstahl.
