Claus Sluter was a Dutch sculptor, living in the Duchy of Burgundy from about 1380. He was the most important northern European sculptor of his age and is considered a pioneer of the "northern realism" of the Early Netherlandish painting that came into full flower with the work of Jan van Eyck and others in the next generation.
Philip II the Bold was Duke of Burgundy and jure uxoris Count of Flanders, Artois and Burgundy. He was the fourth and youngest son of King John II of France and Bonne of Luxembourg.
Anne of Burgundy, Duchess of Bedford was a daughter of John the Fearless, Duke of Burgundy (1371–1419), and his wife Margaret of Bavaria (1363–1423).
Isabella of Bourbon, Countess of Charolais was the second wife of Charles the Bold, Count of Charolais and future Duke of Burgundy. She was a daughter of Charles I, Duke of Bourbon and Agnes of Burgundy, and the mother of Mary of Burgundy, heiress of Burgundy.
Margaret of Bavaria was Duchess of Burgundy by marriage to John the Fearless. She was the regent of the Burgundian Low Countries during the absence of her spouse in 1404–1419 and the regent in French Burgundy during the absence of her son in 1419–1423. She became most known for her successful defense of the Duchy of Burgundy against Count John IV of Armagnac in 1419.
The Well of Moses is a monumental sculpture recognised as the masterpiece of the Dutch artist Claus Sluter (1340–1405–06), assisted by his nephew Claus de Werve. It was executed by Sluter and his workshop in 1395–1403 for the Carthusian monastery of Chartreuse de Champmol built as a burial site by the Burgundian Duke Philip the Bold just outside the Burgundian capital of Dijon, now in France.
The Chartreuse de Champmol, formally the Chartreuse de la Sainte-Trinité de Champmol, was a Carthusian monastery on the outskirts of Dijon, which is now in France, but in the 15th century was the capital of the Duchy of Burgundy. The monastery was founded in 1383 by Duke Philip the Bold to provide a dynastic burial place for the Valois Dukes of Burgundy, and operated until it was dissolved in 1791, during the French Revolution.
Jean Malouel, or Jan Maelwael in his native Dutch, was a Dutch artist who was the court painter of Philip the Bold, Duke of Burgundy and his successor John the Fearless, working in the International Gothic style.
The Palace of the Dukes and Estates of Burgundy or Palais des ducs et des États de Bourgogne is a remarkably well-preserved architectural assemblage in Dijon. The oldest part is the 14th and 15th century Gothic ducal palace and seat of the Dukes of Burgundy, made up of a logis still visible on place de la Liberation, the ducal kitchens on cour de Bar, the tour de Philippe le Bon, a "guette" overlooking the whole city, and tour de Bar. Most of what can be seen today, however, was built in the 17th and especially the 18th centuries, in a classical style, when the palace was a royal residence building and housed the estates of Burgundy. Finally, the 19th façade of the musée on place de la Sainte-Chapelle was added on the site of the palace's Sainte-Chapelle, demolished in 1802. The Palace houses the city's town hall and the musée des Beaux-Arts.
The Musée des Beaux-Arts de Dijon is a museum of fine arts opened in 1787 in Dijon, France. It is one of the main and oldest museums of France. It is located in the historic city centre of Dijon and housed in the former ducal palace which was the headquarters of the Burgundy State in the 15th century. When the duchy was assimilated to the Kingdom of France, the palace became the house of the King. In the 17th century it became the Palace of the Dukes of Burgundy following a project by Jules Hardouin-Mansart.
A tomb effigy, usually a recumbent effigy or, in French, gisant, is a sculpted figure on a tomb monument depicting an effigy of the deceased. These compositions were developed in Western Europe in the Middle Ages, and continued in use through the Renaissance and early modern period; they are still sometimes used. They typically represent the deceased in a state of "eternal repose", lying with hands folded in prayer and awaiting resurrection. A husband and wife may be depicted lying side by side. An important official or leader may be shown holding his attributes of office or dressed in the formal attire of his official status or social class.
Claus or Claux de Werve was a sculptor active at the Burgundian court under Philip the Bold between 1395 and 1439. He was probably born in the Dutch city of Haarlem around 1380.
Jean de Marville was a sculptor who worked at the end of the fourteenth century. He is known for his work on the Carthusian monastery of Champmol for Philip the Bold, Duke of Burgundy at a time when the Burgundy became a major cultural centre of Europe.
Antoine Le Moiturier (1425–1495) was a French sculptor. He was born in Avignon into a family of sculptors. His uncle was the itinerant French master Jacques Morel.
Jean de la Huerta was a Spanish sculptor of Aragonese origin. Most of his work was produced in the duchy of Burgundy.
Pleurants or weepers are anonymous sculpted figures representing mourners, used to decorate elaborate tomb monuments, mostly in the late Middle Ages in Western Europe. Typically they are relatively small, and a group were placed around the sides of a raised tomb monument, perhaps interspersed with armorial decoration, or carrying shields with this. They may be in relief or free-standing. In English usage the term "weepers" is sometimes extended to cover the small figures of the deceased's children often seen kneeling underneath the tomb effigy in Tudor tomb monuments.
The tomb of Philippe Pot is a life-sized funerary monument commissioned by the military leader and diplomat Philippe Pot for his burial at the chapel of Saint-Jean-Baptiste in Cîteaux Abbey, Dijon, France. His effigy shows him recumbent on a slab, his hands raised in prayer, and wearing armour and a heraldic tunic. The eight mourners are dressed in black hoods, and act as pallbearers carrying him towards his grave. Pot commissioned the tomb when he was around 52 years old, some 13 years before his death in 1493. The detailed inscriptions written on the sides of the slab emphasise his achievements and social standing.
The Tomb of Philip the Bold is a funerary monument commissioned in 1378 by the Duke of Burgundy Philip the Bold for his burial at the Chartreuse de Champmol, the Carthusian monastery he built on the outskirts of Dijon, in today's France. The construction was overseen by Jean de Marville, who designed the tomb and oversaw the building of the charterhouse. Marville worked on the tomb from 1384, but progressed slowly until his death in 1389. That year Claus Sluter took over design of Champmol, including the tomb. Philip died in 1404 with his funerary monument still incomplete. After Sluter's death c. 1405/06, his nephew Claus de Werve was hired to complete the project, which he finished in 1410.
The tomb of Isabella of Bourbon was a funeral monument built for Isabella of Bourbon, a member of the House of Valois-Burgundy, then rulers of the Burgundian State. Little is known about her due to her death of tuberculosis in 1465 aged 31. Her monument was commissioned by her daughter Mary of Burgundy and constructed in Brussels sometime between 1475 and 1476 by Jan Borman and Renier van Thienen. Originally placed in the church of St. Michael's Abbey, Antwerp in 1476, it was dismantled in August 1566 during the Iconoclastic Fury when parts were either destroyed or looted. Other elements of the tomb were lost during the French Revolution, when the church itself was destroyed.
The Tomb of Mary of Burgundy is a funeral monument completed in 1501 for Mary of Burgundy's grave in the Church of Our Lady, Bruges. She died in March 1482 aged 25, following injuries sustained during a hunting accident a number of weeks earlier.
