Mouvements d'Harmonie | |
---|---|
by Graham Waterhouse | |
Opus | 29 |
Year | 1991 |
Period | Contemporary |
Genre | Chamber music |
Dedication | William Waterhouse |
Published | 2000 | Accolade, Holzhausen
Duration | 12 minutes |
Scoring | Wind nonet |
Mouvements d'Harmonie op. 29 is a composition in one movement for wind ensemble, written by Graham Waterhouse in 1991, dedicated to William Waterhouse. It was first performed on 24 May 1991 in the Purcell Room, London. The piece was published in 2000 by Accolade, Holzhausen. It was recorded by Endymion in 2002 on a composer portrait CD.
Graham Waterhouse scored the work for two oboes, two clarinet, two horns, two bassoons and contra-bassoon or double bass. [1] [2] The title plays with the double meaning of both "mouvement" (movement and motion) and "harmonie" (harmony and wind ensemble). [3] The composer dedicated the piece in one movement to his father, the bassoonist William Waterhouse. It was premiered in a concert on his 60th birthday [4] on 24 May 1991 in the Purcell Room, London, by the Royal Northern College Wind Ensemble from the Royal Northern College where William Waterhouse was a professor. [3] The first performance in the US was in 1998 as part of the convention of the International Double Reed Society at the Arizona State University in Tempe, played by ASU Harmonie Ensemble with Henry Skolnick, contrabassoon. [5]
The piece was published in 2000 by Accolade. [2] It was recorded in 2002 on a composer portrait CD by Endymion, conducted by Yaron Traub. [6] Reviewer Culot noted: "Waterhouse’s father was the bassoonist William Waterhouse; the sound-world of the wind instrument holds no secret whatsoever for him." and described the work as an ABA structure in "a rather more austere idiom than the works for strings, but nevertheless quite attractive". [4]
The bassoon is a musical instrument in the woodwind family, which plays in the tenor and bass ranges. It is composed of six pieces, and is usually made of wood. It is known for its distinctive tone color, wide range, versatility, and virtuosity. It is a non-transposing instrument and typically its music is written in the bass and tenor clefs, and sometimes in the treble. There are two forms of modern bassoon: the Buffet and Heckel systems. It is typically played while sitting using a seat strap, but can be played while standing if the player has a harness to hold the instrument. Sound is produced by rolling both lips over the reed and blowing direct air pressure to cause the reed to vibrate. Its fingering system can be quite complex when compared to those of other instruments. Appearing in its modern form in the 19th century, the bassoon figures prominently in orchestral, concert band, and chamber music literature, and is occasionally heard in pop, rock, and jazz settings as well. One who plays a bassoon is called a bassoonist.
In music, a nonet is a chamber music composition which requires nine musicians for a performance. The standard nonet scoring is for wind quintet, violin, viola, cello, and double bass, though other combinations are also found. Additionally, the term may apply to a group of nine musicians regardless of whether they are playing chamber music.
William Waterhouse was an English bassoonist and musicologist. He played with notable orchestras, was a member of the Melos Ensemble, professor at the Royal Northern College of Music, author of the Yehudi Menuhin Music Guide "Bassoon", of The New Langwill Index, and contributor to the New Grove Dictionary of Music and Musicians.
Carl Maria von Weber's Concerto for Bassoon in F Major, Op. 75 was composed in 1811 for Munich court musician Georg Friedrich Brandt, was premiered on December 28, 1811, and then revised in 1822. Primarily an opera conductor and composer, Weber had only arrived a few months earlier in Munich, where he was extremely well received. The concerto is one of two pieces written for bassoon by Weber, the other being Andante e Rondo Ungarese, Op. 35. A typical performance lasts 18–20 minutes.
The Melos Ensemble is a group of musicians who started in 1950 in London to play chamber music in mixed instrumentation of string instruments, wind instruments and others. Benjamin Britten composed the chamber music for his War Requiem for the Melos Ensemble and conducted the group in the first performance in Coventry.
Graham Waterhouse is an English composer and cellist who specializes in chamber music. He has composed a cello concerto, Three Pieces for Solo Cello and Variations for Cello Solo for his own instrument, and string quartets and compositions that juxtapose a quartet with a solo instrument, including Piccolo Quintet, Bassoon Quintet and the piano quintet Rhapsodie Macabre. He has set poetry for speaking voice and cello, such as Der Handschuh, and has written song cycles. His compositions reflect the individual capacity and character of players and instruments, from the piccolo to the contrabassoon.
Gestural Variations, Op. 43, is a trio composition by Graham Waterhouse in 1997 originally for oboe, bassoon and piano. Later versions are scored for clarinet, cello and piano (1999) and flute, cello and piano (2009).
Celtic Voices and Hale Bopp, op. 36, are two independent compositions by Graham Waterhouse for string orchestra, which were published together in 1998 by Hofmeister, Leipzig. Celtic Voices was written in 1995, Hale Bopp was written in 1997 inspired by Comet Hale-Bopp, and scored for an additional boy soprano.
Ivor McMahon (1924–1972) was an English violinist. He played with notable orchestras including the Philharmonia Orchestra and the English Chamber Orchestra and is best known for playing second violin in the Melos Ensemble.
Graeme Peter Crump, known professionally as Peter Graeme and as 'Timmy' Crump to friends and family, was an English oboist and academic teacher. He was best known as the principal oboist of the Melos Ensemble.
The Bassoon Quintet is a quintet by Graham Waterhouse, composed in 2003 for bassoon and string quartet.
Bright Angel is a composition for three bassoons and contrabassoon by Graham Waterhouse. It was composed in 2008 for the annual conference of the International Double Reed Society.
Julie Price is an English bassoonist. She is principal bassoonist of the BBC Symphony Orchestra.
Victor Bruns was a German composer and bassoonist. He played with the Leningrad Opera, the Volksoper Berlin and the Staatskapelle Berlin. As a composer, he is known for his ballets and for bassoon concertos and sonatas.
Endymion, formerly Endymion Ensemble, is an English chamber music ensemble, founded in 1979 and dedicated to contemporary classical music.
Chieftain's Salute is a concerto in one movement for Great Highland Bagpipe and orchestra by Graham Waterhouse. The work is one of few to use the bagpipe with a classical orchestra. A version for bagpipe and string orchestra, Op. 34a, was composed in 2001. It is based on an earlier work for bagpipe and string quartet. Jacobean Salute was also derived from the early work, with a wind quintet replacing the bagpipe, published in 2003. A version for bagpipe and orchestra was composed and first performed in 2015.
Phoenix Arising is a composition for bassoon and piano by Graham Waterhouse, who wrote it in 2008 in memory of his father, the bassoonist and musicologist William Waterhouse. It premiered in London in 2009, and was published by Accolade the same year.
Four Epigraphs after Escher, Op. 35, is a chamber music composition by Graham Waterhouse, written in 1993 for viola, heckelphone and piano. Its four movements refer to graphic artworks by M. C. Escher. It was premiered in Munich in 1995, and the U.S. premiere was given in 1998. It was published by Hofmeister in 1998.
Elisabeth Waterhouse is an English pianist and music pedagogue. She founded the National Chamber Music Course, a summer school for young string players, in 1974, and has managed it since. She is the widow of the bassoonist and musicologist William Waterhouse.