Piccolo Quintet | |
---|---|
by Graham Waterhouse | |
Year | 1989 |
Period | contemporary |
Form | quintet |
Published | 2002 Frankfurt : Zimmermann |
Movements | 1 |
Scoring | piccolo, two violins, viola, cello |
Piccolo Quintet is short for the Quintet op. 26 of Graham Waterhouse, composed in 1989 for piccolo and string quartet and published by Zimmermann in 2002 as Quintet for piccolo, 2 violins, viola and violoncello.
In 1989 the composer Graham Waterhouse was a cellist of the orchestra of the Schleswig-Holstein Musik Festival, conducted by Sergiu Celibidache. The piccolo player of the orchestra suggested a quintet composition, Celibidache influenced the work. The quintet in one movement of about 16 minutes is in sonata form, framed by a slow introduction which reappears toward the end. A virtuoso coda concludes the work. The sound of the piccolo is combined with the strings similar to wind instrument and strings in clarinet quintets. The Quintet was first performed on 1 January 1990 in a private concert in London. [1]
In 2002 the Quintet was published by Zimmermann. It was performed in Munich at the 1. Sergiu Celibidache Festival on 13 October 2002 in a lecture concert, showing the influence of Celibidache on the composition. [2] The performers were Katharina Kutnewsky, Daniel Nodel, Anja Traub, Gunter Pretzel and Graham Waterhouse. The first performance in the UK was on 5 November 2002 in a composer portrait concert in St. Cyprian's Church, London, marking the 40th birthday of the composer. Monica McCarron played the piccolo with the Tippett String Quartet. The concert was also the premiere in the UK of the trio Gestural Variations .
On 5 October 2003 the Quintet was performed in a composer portrait concert in the Kleiner Konzertsaal of the Gasteig, Munich. Yaron Traub conducted music for one to ten players. The concert was the premiere of the composer's Bassoon Quintet. Ulrich Biersack played piccolo, Lyndon Watts bassoon, the string quartet for both works was formed by Odette Couch, Kirsty Hilton, Isabel Charisius and the composer. [3]
Piccolo Quintet was recorded in 2007 by Gudrun Hinze and other members of the Gewandhausorchester Leipzig on a CD piccolo concert, together with Allan Stephenson's Concertino for piccolo, strings and harpsichord, Mike Mower's Sonata for piccolo and piano, Vivaldi's Concerto for flautino in C major, RV 443, and Erwin Schulhoff's Concertino for flute, viola and double Bass. [4]
Mario Davidovsky was an Argentine-American composer. Born in Argentina, he emigrated in 1960 to the United States, where he lived for the remainder of his life. He is best known for his series of compositions called Synchronisms, which in live performance incorporate both acoustic instruments and electroacoustic sounds played from a tape.
Daniel Dorff is an American classical musician and classical composer.
Alan Ridout was a British composer and teacher.
Bernhard Heinrich Romberg was a German cellist and composer.
Gian Paolo Chiti is an Italian composer and pianist.
Johannes Paul Thilman was a German composer.
In music, a decet—sometimes dectet, decimet, decimette, or even tentet—is a composition that requires ten musicians for a performance, or a musical group that consists of ten people. The corresponding German word is Dezett, the French is dixtuor. Unlike some other musical ensembles such as the string quartet, there is no established or standard set of instruments in a decet.
Graham Waterhouse is an English composer and cellist who specializes in chamber music. He has composed a cello concerto, Three Pieces for Solo Cello and Variations for Cello Solo for his own instrument, and string quartets and compositions that juxtapose a quartet with a solo instrument, including Piccolo Quintet, Bassoon Quintet and the piano quintet Rhapsodie Macabre. He has set poetry for speaking voice and cello, such as Der Handschuh, and has written song cycles. His compositions reflect the individual capacity and character of players and instruments, from the piccolo to the contrabassoon.
Andreas Makris was a Greek-American composer and violinist, born in Kilkis, Greece, on March 7, 1930. He was a Composer-in-Residence for many years at the National Symphony Orchestra in Washington DC, working with conductors such as Howard Mitchell, Mstislav Rostropovich, Antal Dorati, and Leonard Slatkin. He composed around 100 works for orchestra, chamber ensembles, and solo instruments, including the Aegean Festival Overture, which, transcribed for concert band by Major Albert Bader of the USAF Band, became a popular piece with US bands. Grants and awards he received include the Damroch Grant, National Endowment for the Arts Grant, the Martha Baird Rockefeller Award, ASCAP Award, the Fulbright Scholarship, and citations from the Greek Government.
Ivor McMahon (1924–1972) was an English violinist. He played with notable orchestras including the Philharmonia Orchestra and the English Chamber Orchestra and is best known for playing second violin in the Melos Ensemble.
The Bassoon Quintet is a quintet by Graham Waterhouse, composed in 2003 for bassoon and string quartet.
Lyndon Jeffrey Frank Watts is an Australian bassoonist. He is principal bassoonist of the Münchner Philharmoniker and an academic teacher.
In music, a duodecet—sometimes duodectet, or duodecimette—is a composition which requires twelve musicians for a performance, or a musical group that consists of twelve people. In jazz, such a group of twelve players is sometimes called a "twelvetet". The corresponding German word is Duodezett. The French equivalent form, douzetuor, is virtually unknown. Unlike some other musical ensembles such as the string quartet, there is no established or standard set of instruments in a duodecet.
Epitaphium is a composition for string trio by Graham Waterhouse. In 2007, after the death of his father William Waterhouse, he composed Epitaphium in Memoriam W.R.W. as a tribute to his memory.
Chinese Whispers is a composition for string quartet in three movements by Graham Waterhouse. Premiered in 2010, it combines elements from the music of China with composition techniques of Western classical music. Similar to the children's game, phrases change as they pass from part to part. The work was awarded the "BCMS Composition Prize" of the Birmingham Chamber Music Society in 2011.
Graham Waterhouse, cellist and composer especially of chamber music, has written a number of works for string quartet, three major works in several movements, several smaller works and compositions for a solo instrument and string quartet.
Chieftain's Salute is a concerto in one movement for Great Highland Bagpipe and orchestra by Graham Waterhouse. The work is one of few to use the bagpipe with a classical orchestra. A version for bagpipe and string orchestra, Op. 34a, was composed in 2001. It is based on an earlier work for bagpipe and string quartet. Jacobean Salute was also derived from the early work, with a wind quintet replacing the bagpipe, published in 2003. A version for bagpipe and orchestra was composed and first performed in 2015.
Skylla and Charybdis is a 2014 composition for piano quartet by Graham Waterhouse, played in four movements without a break. The title refers to Scylla and Charybdis, two sea monsters from Greek mythology. In performances in German-speaking countries, it has also appeared in English surroundings as Between Scylla and Charybdis.