Graham Waterhouse is an English composer and cellist who specializes in chamber music. He has composed a cello concerto, Three Pieces for Solo Cello and Variations for Cello Solo for his own instrument, and string quartets and compositions that juxtapose a quartet with a solo instrument, including Piccolo Quintet, Bassoon Quintet and the piano quintet Rhapsodie Macabre. He has set poetry for speaking voice and cello, such as Der Handschuh, and has written song cycles. His compositions reflect the individual capacity and character of players and instruments, from the piccolo to the contrabassoon.
Gestural Variations, Op. 43, is a trio composition by Graham Waterhouse in 1997 originally for oboe, bassoon and piano. Later versions are scored for clarinet, cello and piano (1999) and flute, cello and piano (2009).
Celtic Voices and Hale Bopp, op. 36, are two independent compositions by Graham Waterhouse for string orchestra, which were published together in 1998 by Hofmeister, Leipzig. Celtic Voices was written in 1995, Hale Bopp was written in 1997 inspired by Comet Hale-Bopp, and scored for an additional boy soprano.
Helmut Degen was a German composer.
Bei Nacht, op. 50, is a piano trio, composed in 1999 by Graham Waterhouse, published by Hofmeister, Leipzig.
Der Handschuh is a composition by Graham Waterhouse. He wrote the setting of Friedrich Schiller's ballad for cello and speaking voice in 2005. It was published in 2007 in Heinrichshofen's Verlag.
Three Pieces for Solo Cello op. 28, is a composition for cello in three movements by Graham Waterhouse, dedicated to cellist Siegfried Palm in 1992. The composer, a cellist himself, wrote it to "exploit the characteristics" of his instrument. In 1996, a revised version won a composition prize and was performed at the Hochschule für Musik München. The work was published by the Friedrich Hofmeister Musikverlag in 1996 and recorded on a Portrait CD of chamber music in 2001.
Rhapsodie Macabre is a composition for piano and string quartet in one movement by Graham Waterhouse, written in 2011 as a homage to Franz Liszt. It was first performed at a Liszt festival of the Gasteig, Munich, with the composer playing the cello part.
Zeichenstaub is a composition for string trio in four movements by Graham Waterhouse, written in 2010. It was first performed in Arnstadt, Germany, on 18 September 2010, with the composer playing the cello part.
Graham Waterhouse, cellist and composer especially of chamber music, has written a number of works for string quartet, three major works in several movements, several smaller works and compositions for a solo instrument and string quartet.
The Cello Concerto, Op. 27, is a concerto for cello and orchestra by Graham Waterhouse, composed in 1990. It was first performed in 1995 in Toluca and Mexico City with the composer as the soloist, and published by Friedrich Hofmeister Musikverlag in Leipzig in 2000.
Chieftain's Salute is a concerto in one movement for Great Highland Bagpipe and orchestra by Graham Waterhouse. The work is one of few to use the bagpipe with a classical orchestra. A version for bagpipe and string orchestra, Op. 34a, was composed in 2001. It is based on an earlier work for bagpipe and string quartet. Jacobean Salute was also derived from the early work, with a wind quintet replacing the bagpipe, published in 2003. A version for bagpipe and orchestra was composed and first performed in 2015.
Bells of Beyond is a piano trio, composed in 2013 by Graham Waterhouse.
Katharina Sellheim is a German classical pianist, with a focus on chamber music and lied accompaniment. She has appeared in recitals internationally, collaborating with members of the Münchner Philharmoniker, and has been a lecturer at the Musikhochschule Hannover.
Konstantin Sellheim is a German classical violist, who has appeared internationally with a focus on chamber music. He is a violist of the Münchner Philharmoniker, and lecturer of viola at the Universität der Künste Berlin.
Skylla and Charybdis is a 2014 composition for piano quartet by Graham Waterhouse, played in four movements without a break. The title refers to Scylla and Charybdis, two sea monsters from Greek mythology. In performances in German-speaking countries, it has also appeared in English surroundings as Between Scylla and Charybdis.
Scylla and Charybdis is a metaphor relating to two monsters of Greek mythology:
Praeludium (Prelude), Op. 32, is a piece for piano by Graham Waterhouse, composed in 1992 and published by Lienau in 2002. The virtuoso composition has been played in concert internationally, and was recorded.
Variations for Cello Solo is a composition written by Graham Waterhouse in 2019. The variations depict characters of personalities. The cellist and composer performed the world premiere in Vienna in 2020. The composition was published by Schott the same year.
Vier Epigraphe nach Escher, Op. 35, is a chamber music composition by Graham Waterhouse, written in 1995 for viola, heckelphone and piano. Its four movements refer to graphic artworks by M. C. Escher. It was commissioned by Dr. Gunter Joppig and premiered in Munich in 1995. The piece was published by Hofmeister in 1998 and first performed in the U.S. in the same year.
