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Mr. Country & Western Music | ||||
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Studio album by | ||||
Released | April 1965 | |||
Genre | Country | |||
Label | Musicor | |||
Producer | Pappy Daily | |||
George Jones chronology | ||||
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Review scores | |
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Source | Rating |
AllMusic |
Mr. Country & Western Music is an album by American country music artist George Jones released in 1965 on the Musicor Records label.
Although Mr. Country and Western Music includes many of the heartache and drinking songs that Jones had become famous for, this collection of new recordings sees the singer moving towards the more refined Nashville Sound that had been spearheaded by Chet Atkins, Owen Bradley, and a handful of other producers who saw the potential of sweetening the backing tracks with strings and female singers as a way to compete with the ever-increasing popularity of rock and roll. As Bob Allen observes in his book George Jones: The Life and Times of a Honky Tonk Legend, "These men figured - correctly, as it turned out - that they could make those dollar signs even bigger if they could produce country records that captured the imagination of the much larger, urban-dwelling, pop music-orientated record buying public." In addition to this change in Jones's music, his singing voice had matured and grown noticeably deep since his earliest recordings. Adds Allen: "He was now in his mid-thirties, and fewer and fewer of his performances in the studio were charged with the youthful, high-whining honky-tonk fervor and raw rockabilly fire that had echoed so clearly through his early hits. He had come to be more comfortable with the lower and mid-range registers of his voice. Ever so gradually, he was becoming less ill at ease with the mellower "uptown"-style songs that Pappy (Daily, Jones's producer) was starting to bring around for him to record." By this point, Jones' singing style had evolved from the full-throated, high lonesome sound of Hank Williams and Roy Acuff on his early Starday records to the more refined, subtle style of Lefty Frizzell. In a 2006 interview with Billboard , Jones acknowledged the fellow Texan's influence on his idiosyncratic phrasing: "I got that from Lefty. He always made five syllables out of one word."
Jones would re-record "Don't You Ever Get Tired (Of Hurting Me) in his 1989 album One Woman Man .
A honky-tonk is both a bar that provides country music for the entertainment of its patrons and the style of music played in such establishments. It can also refer to the type of piano used to play such music. Bars of this kind are common in the South and Southwest United States. Many eminent country music artists, such as Jimmie Rodgers, Loretta Lynn, Patsy Cline, Ernest Tubb, Johnny Horton, and Merle Haggard, began their careers as amateur musicians in honky-tonks. The modern-day honky-tonk atmosphere has continued with the likes of Dwight Yoakam, Turnpike Troubadours, and Mike and the Moonpies.
George Glenn Jones was an American musician, singer, and songwriter. He achieved international fame for his long list of hit records, including his best-known song "He Stopped Loving Her Today", as well as his distinctive voice and phrasing. For the last 20 years of his life, Jones was frequently referred to as the greatest living country singer. Country music scholar Bill Malone writes, "For the two or three minutes consumed by a song, Jones immerses himself so completely in its lyrics, and in the mood it conveys, that the listener can scarcely avoid becoming similarly involved." Waylon Jennings expressed a similar opinion in his song "It's Alright": "If we all could sound like we wanted to, we'd all sound like George Jones." The shape of his nose and facial features earned Jones the nickname "The Possum". George Jones has been called "The Rolls Royce Of Country Music" and had more than 160 chart singles to his name from 1955 until his death in 2013.
William Orville "Lefty" Frizzell was an American country music singer-songwriter and honky-tonk singer.
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Memories of Us is an album by American country music artist George Jones, released in 1975 on the Epic Records label. It peaked at #43 on the Billboard Country Albums chart.
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George Jones Sings the Great Songs of Leon Payne is an album by American country music artist George Jones, released in 1971 on the Musicor Records label containing nine Leon Payne covers and one Jones co-write with Payne, "Take Me". Eight of the ten songs on this album had been released on earlier Jones albums. Of those eight, three were re-recorded in 1970 and included here, and the other five are just re-releases of the original 1960s recordings. The two previously unreleased songs, "Brothers of a Bottle" and "Lifetime to Regret", were also recorded in 1970. This was the last Jones "studio" album that was released by Musicor as he had already signed with Epic Records.
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Country Favorites-Willie Nelson Style is the fourth studio album by country singer Willie Nelson. He recorded it with Ernest Tubb's band, the Texas Troubadours and Western Swing fiddler-vocalist Wade Ray with studio musicians Jimmy Wilkerson and Hargus "Pig" Robbins. At the time of the recording, Nelson was a regular on a syndicated TV show hosted by Tubb.
Arthur Leo "Doodle" Owens was an American country music songwriter and singer. He had a long songwriting partnership with Dallas Frazier, with whom he wrote "All I Have to Offer You " (1969), "(I'm So) Afraid of Losing You Again" (1969), "I Can't Believe That You've Stopped Loving Me" (1970) and "Then Who Am I" (1974), all number-one country hits for Charlie Pride. In the 1980s, Owens wrote many songs with fellow songwriter Dennis Knutson for George Jones and other artists.
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