Max Allan Collins is an American mystery writer, noted for his graphic novels. His work has been published in several formats and his Road to Perdition series was the basis for a film of the same name. He wrote the Dick Tracy newspaper strip for many years and has produced numerous novels featuring the character as well.
Michael Hammer is a fictional character created by the American author Mickey Spillane. Hammer debuted in the 1947 book I, the Jury. Hammer is a no-holds-barred private investigator who carries a Colt .45 M1911A1 in a shoulder holster under his left arm. His love for his secretary Velda is outweighed only by his willingness to kill a killer. Hammer's best friend is Pat Chambers, Captain of Homicide NYPD. Hammer was a World War II army veteran who spent two years fighting jungle warfare in the Pacific Ocean theater of World War II against Japan.
Cerebus is a comic book series created by Canadian cartoonist Dave Sim, which ran from December 1977 until March 2004. The title character of the 300-issue series is an anthropomorphic aardvark who takes on a number of roles throughout the series—barbarian, prime minister, and Pope among them. The series stands out for its experimentation in form and content, and for the dexterity of its artwork, especially after background artist Gerhard joined with the 65th issue. As the series progressed, it increasingly became a platform for Sim's controversial beliefs.
Dave Sim is a Canadian cartoonist and publisher, known for his comic book Cerebus, his artistic experimentation, his advocacy of self-publishing and creators' rights, and his controversial political and philosophical beliefs.
Alternative comics or independent comics cover a range of American comics that have appeared since the 1980s, following the underground comix movement of the late 1960s and early 1970s. Alternative comics present an alternative to mainstream superhero comics which in the past have dominated the American comic book industry. Alternative comic books span a wide range of genres, artistic styles, and subjects.
The Jack Kirby Comics Industry Awards were a set of awards for achievement in comic books, presented from 1985-1987. Voted on by comic-book professionals, the Kirby awards were the first such awards since the Shazam Awards ceased in 1975. Sponsored by Amazing Heroes magazine, and managed by Amazing Heroes managing editor Dave Olbrich, the Kirby Awards were named after the pioneering writer and artist Jack Kirby.
Flaming Carrot Comics is an American superhero comic book created by Bob Burden, featuring the absurd, surreal adventure of the Flaming Carrot.
Jim Valentino is an American writer, penciler, editor and publisher of comic books, best known for his 1990–1992 work on Guardians of the Galaxy for Marvel Comics, and for co-founding Image Comics, a company publishing creator-owned comics.
The DNAgents is a comic-book series created by writer Mark Evanier and artist Will Meugniot and published by Eclipse Comics from 1983. The series centers on a team of superheroes created through genetic engineering by the Matrix Corporation to act as superhuman enforcers for the head of the company.
William Marshall Rogers III, known professionally as Marshall Rogers, was an American comics artist best known for his work at Marvel and DC Comics in the 1970s.
Joey Cavalieri is an American writer and editor of comic books. He is best known for his work on the characters Green Arrow and Huntress as well as the co-creation of Helena Bertinelli, the third Huntress, for DC Comics.
Aardvark-Vanaheim is a Canadian independent comic book publisher founded in 1977 by Dave Sim and Deni Loubert and is best known for publishing Sim's Cerebus.
Renegade Press was an American comic book company, founded by Canadian Deni Loubert, that operated from 1984 to 1988. Notable titles published by Renegade included Flaming Carrot, Ms. Tree, and normalman.
Notable events of 1977 in comics. See also List of years in comics.
Journey: The Adventures of Wolverine MacAlistaire is an independent comic book created by William Messner-Loebs about Michigan frontier life in the 19th century. An ensemble piece, it tells the story of the Fort Miami settlement and the characters, both real and fictional, that occupy it. Among these is the title character, Joshua "Wolverine" MacAlistaire.
Neil the Horse is a comic book character created by Canadian cartoonist Katherine Collins in 1975. Neil is a happy, singing and dancing horse who likes bananas and milkshakes. Neil's adventures were syndicated in Canadian newspapers, published in a comic book series, and adapted for a radio musical.
normalman is a limited series of American comic books created by Jim Valentino. It began in November 1983 as a four-page story in Cerebus #56 and #57 before being launched as a full-color 12-issue series which was published by Aardvark-Vanaheim before moving to Renegade Press. There was also a crossover with Journey. The story of normalman concluded in normalman 3D Annual #1.
Denise "Deni" Loubert is a Canadian comics publisher, co-founder of Aardvark-Vanaheim, and founder of Renegade Press. She is the ex-wife of Dave Sim, with whom she founded Aardvark-Vanaheim and published Cerebus from issues #1 to #77 (1977–1985).
High Society is the second collected volume, and first volume-length story, of Canadian cartoonist Dave Sim's Cerebus comic book series. It focuses mainly on politics, including Cerebus's campaign for the office of Prime Minister, in the fictional city-state of Iest in Sim's world of Estarcion. It is generally considered the best book for beginning Cerebus readers to start reading, and has been called "one of the finest storylines of the 1980s". The story was published in individual issues from May 1981 to May 1983 (#50), with the collection published in 1986.
Cerebus phonebooks are the paperback collections that Dave Sim has collected his comic book series Cerebus in since 1986. They have come to be known as "phonebooks" as their thickness and paper stock resemble that of phone books. The format had a large influence on alternative comics publishing and was key in the move from the periodical-centric publishing style that was once dominant.
