Cerebus is a comic book series created by Canadian cartoonist Dave Sim, which ran from December 1977 until March 2004. The title character of the 300-issue series is an anthropomorphic aardvark who takes on a number of roles throughout the series—barbarian, prime minister and Pope among them. The series stands out for its experimentation in form and content, and for the dexterity of its artwork, especially after background artist Gerhard joined with the 65th issue. As the series progressed, it increasingly became a platform for Sim's controversial beliefs.
Gerhard is the professional name of a Canadian artist known for the elaborately detailed background illustrations in the comics series Cerebus the Aardvark.
Dave Sim is a Canadian cartoonist and publisher, best known for his comic book Cerebus, his artistic experimentation, his advocacy of self-publishing and creators' rights, and his controversial political, philosophical and religious beliefs.
Alternative comics cover a range of American comics that have appeared since the 1980s, following the underground comix movement of the late 1960s and early 1970s. Alternative comics present an alternative to mainstream superhero comics which in the past have dominated the American comic book industry. Alternative comic books span a wide range of genres, artistic styles, and subjects.
The Jack Kirby Comics Industry Award was an award for achievement in comic books, presented from 1985-1987. Voted on by comic-book professionals, the Kirby was the first such award since the Shazam Awards ceased in 1975. Sponsored by Amazing Heroes magazine, and managed by Amazing Heroes managing editor Dave Olbrich, the Kirby Award was named after the pioneering writer and artist Jack Kirby.
Archie Goodwin was an American comic book writer, editor, and artist. He worked on a number of comic strips in addition to comic books, and is best known for his Warren and Marvel Comics work. For Warren he was chief writer and editor of landmark horror anthology titles Creepy and Eerie between 1964 and 1967. At Marvel, he served as the company's editor-in-chief from 1976 to the end of 1977. In the 1980s, he edited the publisher's anthology magazine Epic Illustrated and its Epic Comics imprint. He is also known for his work on Star Wars in both comic books and newspaper strips. He is regularly cited as the "best-loved comic book editor, ever."
Flaming Carrot Comics is a comic book series by cartoonist Bob Burden. The title character first appeared in Visions #1, a magazine published by the Atlanta Fantasy Fair in 1979. Flaming Carrot can be seen as a parody of various aspects of the superhero genre. Burden refers to the character as "the World's first surrealist superhero!" Flaming Carrot is often noted for his distinctive exclamation "Ut!" Flaming Carrot adventures have been published by Aardvark-Vanaheim, Renegade Press, Dark Horse Comics, and Image Comics, among others. He has guest-starred and made cameos in comics published by Fantagraphics, Mirage Studios, Atomeka Press, and others.
William Francis Messner-Loebs is an American comics artist and writer from Michigan, also known as Bill Loebs and Bill Messner-Loebs. His hyphenated surname is a combination of his and his wife Nadine's unmarried surnames.
Jim Valentino is an American writer, penciler, editor and publisher of comic books, best known for his 1990–1992 work on Guardians of the Galaxy for Marvel Comics, and for co-founding Image Comics, a company publishing creator-owned comics.
Aardvark-Vanaheim is a Canadian independent comic book publisher founded in 1977 by Dave Sim and Deni Loubert and is best known for publishing Sim's Cerebus.
Renegade Press was an American comic book company, founded by Canadian Deni Loubert, that operated from 1984 to 1988. Notable titles published by Renegade included Flaming Carrot, Ms. Tree, and Normalman.
Neil the Horse is a comic book character created by Canadian cartoonist Katherine Collins in 1975. Neil is a happy, singing and dancing horse who likes bananas and milkshakes. Neil's adventures were syndicated in Canadian newspapers, published in a comic book series, and adapted for a radio musical.
Wasteland was an American anthology-style horror comic book published by DC Comics in 1987–1989 and intended for adult readers. Written by John Ostrander and comedian Del Close, the series lasted 18 issues.
glamourpuss is a Canadian independent comic book written and illustrated by Dave Sim which was published from April 2008 to July 2012 and ran for 26 issues. The comic was published bimonthly, with 24 pages of story and art, and back issues remaining available throughout the comic's print run. The premise of the book is threefold: a parody of fashion magazines, a history of photorealism in comics, and a surreal super-heroine comic.
Denise "Deni" Loubert is a Canadian comics publisher, co-founder of Aardvark-Vanaheim, and founder of Renegade Press. She is the ex-wife of Dave Sim, with whom she founded Aardvark-Vanaheim and published Cerebus from issues #1 to #77 (1977–1985).
High Society is the second collected volume, and first volume-length story, of Canadian cartoonist Dave Sim's Cerebus comic book series. It focuses mainly on politics, including Cerebus' campaign for the office of Prime Minister, in the fictional city-state of Iest in Sim's world of Estarcion. It is generally considered the best book for beginning Cerebus readers to start with, and has been called "one of the finest storylines of the 1980s". The story was published in individual issues from May 1981 to May 1983 (#50), with the collection published in 1986.
Church & State is the third novel in Canadian cartoonist Dave Sim's Cerebus comic book series. In it, Cerebus once again becomes Prime Minister, and eventually Pope. The story was published in individual issues from July 1983 to June 1988 (#111).
Jaka's Story is the fourth major storyline in Canadian cartoonist Dave Sim's Cerebus comics series.
Cerebus phonebooks are the paperback collections that Dave Sim has collected his comic book series Cerebus in since 1986. They have come to be known as "phonebooks" as their thickness and paper stock resemble that of phone books. The format had a large influence on alternative comics publishing and was key in the move from the periodical-centric publishing style that was once dominant.
