 | |
| Location | Algiers, Algeria |
|---|---|
| Type | Art museum |
| Collection size | Displays Algerian art, including rugs, jewellery, pottery and costumes |
The Museum of Popular Arts and Traditions is an art museum located in Algiers, the capital of Algeria. Its displays Algerian art, including rugs, jewellery, pottery and costumes. [1] The museum is housed in a former 16th-century Ottoman era palace. [1] The former Turkish residence was formerly known as Dar Bakri. [2]
Islamic art is a part of Islamic culture and encompasses the visual arts produced since the 7th century CE by people who lived within territories inhabited or ruled by Muslim populations. Referring to characteristic traditions across a wide range of lands, periods, and genres, Islamic art is a concept used first by Western art historians in the late 19th century. Public Islamic art is traditionally non-representational, except for the widespread use of plant forms, usually in varieties of the spiralling arabesque. These are often combined with Islamic calligraphy, geometric patterns in styles that are typically found in a wide variety of media, from small objects in ceramic or metalwork to large decorative schemes in tiling on the outside and inside of large buildings, including mosques. Other forms of Islamic art include Islamic miniature painting, artefacts like Islamic glass or pottery, and textile arts, such as carpets and embroidery.
A kaftan or caftan is a variant of the robe or tunic. Originating in Asia, it has been worn by a number of cultures around the world for thousands of years. In Russian usage, kaftan instead refers to a style of men's long suit with tight sleeves.
A prayer rug or prayer mat is a piece of fabric, sometimes a pile carpet, used by Muslims, some Christians, especially in Orthodox Christianity and some Baha'i during prayer.
The Museum of Marrakech is a historic palace and museum located in the old center of Marrakesh, Morocco. In addition to its notable architecture, the museum's collection showcases various historic art objects and contemporary art from Morocco.
Qal'at Bani Hammad, also known as Qal'a Bani Hammad or Qal'at of the Beni Hammad, is a fortified palatine city in Algeria. Now in ruins, in the 11th century, it served as the first capital of the Hammadid dynasty. It is in the Hodna Mountains northeast of M'Sila, at an elevation of 1,418 metres (4,652 ft), and receives abundant water from the surrounding mountains. The site is near the town of Maadid, about 225 kilometres (140 mi) southeast of Algiers, in the Maghreb.
Ottoman miniature is a style of illustration found in Ottoman manuscripts, often depicting portraits or historic events. Its unique style was developed from multiple cultural influences, such as the Persian Miniature art, as well as Byzantine and Mongol art. It was a part of the Ottoman book arts, together with illumination (tezhip), calligraphy (hat), marbling paper (ebru), and bookbinding (cilt). The words taswir or nakish were used to define the art of miniature painting in Ottoman Turkish.
Anatolian rug or Turkish carpet is a term of convenience, commonly used today to denote rugs and carpets woven in Anatolia and its adjacent regions. Geographically, its area of production can be compared to the territories which were historically dominated by the Ottoman Empire. It denotes a knotted, pile-woven floor or wall covering which is produced for home use, local sale, and export, and religious purpose. Together with the flat-woven kilim, Anatolian rugs represent an essential part of the regional culture, which is officially understood as the Culture of Turkey today, and derives from the ethnic, religious and cultural pluralism of one of the most ancient centres of human civilisation.
Turkish art refers to all works of visual art originating from the geographical area of what is present day Turkey since the arrival of the Turks in the Middle Ages. Turkey also was the home of much significant art produced by earlier cultures, including the Hittites, Ancient Greeks, and Byzantines. Ottoman art is therefore the dominant element of Turkish art before the 20th century, although the Seljuks and other earlier Turks also contributed. The 16th and 17th centuries are generally recognized as the finest period for art in the Ottoman Empire, much of it associated with the huge Imperial court. In particular the long reign of Suleiman the Magnificent from 1520 to 1566 brought a combination, rare in any ruling dynasty, of political and military success with strong encouragement of the arts.
The Turkish and Islamic Arts Museum is a museum located in Sultanahmet Square in Fatih district of Istanbul, Turkey. Constructed in 1524, the building was formerly the palace of Pargalı Ibrahim Pasha, who was the second grand vizier to Suleiman the Magnificent, and was once thought to have been the husband of the Sultan's sister, Hatice Sultan.
Jordanian art has a very ancient history. Some of the earliest figurines, found at Aïn Ghazal, near Amman, have been dated to the Neolithic period. A distinct Jordanian aesthetic in art and architecture emerged as part of a broader Islamic art tradition which flourished from the 7th-century. Traditional art and craft is vested in material culture including mosaics, ceramics, weaving, silver work, music, glass-blowing and calligraphy. The rise of colonialism in North Africa and the Middle East, led to a dilution of traditional aesthetics. In the early 20th-century, following the creation of the independent nation of Jordan, a contemporary Jordanian art movement emerged and began to search for a distinctly Jordanian art aesthetic that combined both tradition and contemporary art forms.
Azerbaijan National Museum of Art is the biggest art museum of Azerbaijan. It was founded in 1936 in Baku and in 1943 was named after Rustam Mustafayev, a prominent Azerbaijani scenic designer and theater artist. The museum consists of two 19th century buildings standing next to each other. The museum's total collection includes over 15,000 artworks. There are over 3,000 items in 60 rooms on permanent display. About 12,000 items are kept in storage. The museum changes the exhibits periodically so that more of these artworks can be displayed temporarily.
Hardstone carving, in art history and archaeology, is the artistic carving of semi-precious stones, such as jade, rock crystal, agate, onyx, jasper, serpentinite, or carnelian, and for objects made in this way. Normally the objects are small, and the category overlaps with both jewellery and sculpture. Hardstone carving is sometimes referred to by the Italian term pietre dure; however, pietra dura is the common term used for stone inlay work, which causes some confusion.
Persian art or Iranian art has one of the richest art heritages in world history and has been strong in many media including architecture, painting, weaving, pottery, calligraphy, metalworking and sculpture. At different times, influences from the art of neighbouring civilizations have been very important, and latterly Persian art gave and received major influences as part of the wider styles of Islamic art. This article covers the art of Persia up to 1925, and the end of the Qajar dynasty; for later art see Iranian modern and contemporary art, and for traditional crafts see arts of Iran. Rock art in Iran is its most ancient surviving art. Iranian architecture is covered at that article.
The Tareq Rajab Museum is located in Kuwait and houses an extensive collection of artefacts accumulated over a fifty-year period commencing in the 1950s. The Museum is housed at two separate locations in Jabriya, Kuwait. The Tareq Rajab Museum, which was founded in 1980, and the Tareq Rajab Museum of Islamic Calligraphy in 2007. The Tareq Rajab Museum includes collections of manuscripts and miniatures, ceramics, metalwork, glass, arms and armour as well as textiles, costumes and jewellery. The museum's ceramics collection is very large and comprehensive, and includes objects from pre-Islamic times up to the early 20th century and from across the breadth of the Islamic world. The museum houses one of the foremost collections of silver jewellery as well as a fine collection of gold jewellery much of which dates from pre-Islamic times. There is a large collection of Qurans and manuscripts from all periods, with the earliest dating to the 7th century AD and from across the whole Islamic world. From important Qurans, to rare manuscripts such as the Al-Kindi book on optics and a folio from the Shahnameh of Shah Tahmasp, the range of works is comprehensive and representative of many styles and regions.
Gülru Necipoğlu is a Turkish American professor of Islamic Art/Architecture. She has been the Aga Khan Professor and Director of the Aga Khan Program for Islamic Architecture at Harvard University since 1993, where she started teaching as Assistant Professor in 1987. She received her Harvard Ph.D. in the Department of History of Art and Architecture (1986), her BA in Art History at Wesleyan, her high school degree in Robert College, Istanbul (1975). She is married to the Ottoman historian and Harvard University professor Cemal Kafadar. Her sister is the historian Nevra Necipoğlu.
The architecture of Algeria encompasses a diverse history influenced by a number of internal and external forces, including the Roman Empire, Muslim conquest of the Maghreb, French colonization, and movements for Algerian independence.
The Khalili Collections are eight distinct art collections assembled by Nasser D. Khalili over five decades. Together, the collections include some 35,000 works of art, and each is considered among the most important in its field.
The Nasser D. Khalili Collection of Islamic Art includes 28,000 objects documenting Islamic art over a period of almost 1400 years, from 700 AD to the end of the twentieth century. It is the largest of the Khalili Collections: eight collections assembled, conserved, published and exhibited by the British-Iranian scholar, collector and philanthropist Nasser David Khalili, each of which is considered among the most important in its field. Khalili's collection is one of the most comprehensive Islamic art collections in the world and the largest in private hands.
Jewelleryof the Berber cultures is a historical style of traditional jewellery that was worn by women mainly in rural areas of the Maghreb region in North Africa and inhabited by indigenous Berber people. Following long social and cultural traditions, Berber or other silversmiths in Morocco, Algeria and neighbouring countries created intricate jewellery with distinct regional variations. In many towns and cities, there were Jewish silversmiths, who produced both jewellery in specific Berber styles as well as in other styles, adapting to changing techniques and artistic innovations.
the Museum of Popular Arts and Traditions in a fine, 16th-century Ottoman palace with good displays of rugs, jewellery, pottery and costumes.
The Palace of Dar Bakri is a fine Turkish residence now given over to a permanent exposition of Algerian art...
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