Forever Changes is the third studio album by the American rock band Love, released by Elektra Records in November 1967. The album saw the group embrace a subtler folk-oriented sound and orchestration, while primary songwriter Arthur Lee explored darker themes alluding to mortality and his creeping disillusionment with the 1960s counterculture. It was the final album recorded by the original band lineup; after its completion, Bryan Maclean left the group acrimoniously and the other members were dismissed by leader Lee.
It is the debut studio album by English rock band Pulp, released on 18 April 1983 by Red Rhino Records.
Script for a Jester's Tear is the debut studio album by British neo-progressive rock band Marillion, released in the United Kingdom on 14 March 1983 by EMI Records. The album reached number seven and spent 31 weeks in the UK Albums Chart, eventually achieving a platinum certificate, and produced the Top 40 single "He Knows You Know" and the Top 20 single "Garden Party".
Venus and Mars is the fourth studio album by the British–American rock band Wings, and the sixth album by Paul McCartney after the break-up of the Beatles in 1970. Released in May 1975 as the follow-up to Band on the Run, Venus and Mars continued Wings' run of commercial success and provided a springboard for a year-long worldwide tour. The album was McCartney's first post-Beatles album to be released worldwide by Capitol Records rather than Apple.
The Visitors is the eighth studio album by Swedish pop group ABBA. It was released on 30 November 1981.
Muswell Hillbillies is the tenth studio album by the English rock group the Kinks. Released in November 1971, it was the band's first album for RCA Records. The album is named after the Muswell Hill area of North London, where band leader Ray Davies and guitarist Dave Davies grew up and the band formed in the early 1960s.
Cool for Cats is the second studio album by the English new wave group Squeeze, released in 1979. Cool for Cats contains four UK hit singles, more than any other album the band has issued. The album peaked at number 45 in the UK Albums Chart, spending 11 weeks in that listing.
The Slider is the seventh studio album by English rock band T. Rex, and the third since abbreviating their name from Tyrannosaurus Rex. It was released on 21 July 1972 by record labels EMI and Reprise. Two number-one singles, "Telegram Sam" and "Metal Guru", were released to promote the album. Issued at the height of the band's popularity, The Slider received acclaim from critics, and reached number 4 in the UK charts and number 17 in the US.
Porcupine is the third studio album by the English post-punk band Echo & the Bunnymen. First released on 4 February 1983, it became the band's highest-charting release when it reached number two on the UK Albums Chart despite initially receiving poor reviews. It also reached number 137 on the American Billboard 200, number 85 on the Canadian RPM 100 Albums and number 24 on the Swedish chart. In 1984, the album was certified gold by the British Phonographic Industry. The album includes the singles "The Back of Love" and "The Cutter."
A Brand New Me is the sixth studio album by English singer Dusty Springfield, released in 1970.
Part 3 is the fourth studio album by the funk and disco group KC and the Sunshine Band. The album was produced by Harry Wayne Casey and Richard Finch and was released in October 1976 on the TK label.
The Bongos were a power pop band from Hoboken, New Jersey that emerged from the New York City arts scene, primarily active in the 1980s, led by Richard Barone. With their unique musical style, they were major progenitors of the Hoboken indie-pop community, college radio favorites, and made the leap to national recognition with the advent of MTV. Their breakthrough song "Numbers with Wings" garnered the group a major cult following and was nominated at the first MTV Video Music Awards. Along with a handful of others, the Bongos were instrumental in the advancement of the alternative rock movement.
Dark Room is the fourth studio album by Australian band The Angels, released in June 1980. It was their first album for CBS/Epic and was co-produced by the group's John and Richard Brewster (brothers). It peaked at number five on the Kent Music Report Albums Chart. It reached number 37 on the New Zealand Albums Chart in July 1980.
Quartet is the sixth studio album by the British new wave band Ultravox. The album peaked at no.6 on the UK Albums Chart and was certified Gold by the BPI in December 1982 for 100,000 copies sold. It also peaked at #13 in Germany, and at #61 in the United States.
"D" Train is the debut album by the American urban/post-disco group D-Train, released in United States on 1982 by Prelude Records, and in United Kingdom by Epic Records. The album was remastered by Canadian label Unidisc Music in 1992 including five bonus tracks.
Boytronic is a German music group that plays electropop. It was founded in 1983 by Holger Wobker and Peter Sawatzki in Hamburg, Germany as Kapitän Sehnsucht. The original Boytronic released two synthpop albums: The Working Model (1983) and The Continental (1985). The record company, claiming rights to the band name, put together a completely different line-up in 1986. It was headed by Hayo Lewerentz and continued to record under the Boytronic name until the mid-1990s. In 2002, Boytronic was revived by Wobker from the original group and Panarinfo from the second incarnation. They released the albums Autotunes, Maxi and remastered editions of The Working Model (Reverse) and The Continental (Replace) with bonus tracks. The albums was released on Hayo Lewerentz label Major Records.
Something's on Your Mind is the third studio album by the American urban/post-disco group D Train, released in 1984 by Prelude Records in the US and United Kingdom. The album was remastered by Canadian label Unidisc Music in 1992 including five bonus tracks.
Miracles of the Heart is the first solo studio album by James D-Train Williams known also as part of the American urban/post-disco group D Train. The record was released in 1986 by Columbia Records in the US and via CBS Records in the United Kingdom.
In Your Eyes is the second solo studio album by James "D-Train" Williams, known also as part of the American urban/post-disco group D-Train. The record was released in 1988 by Columbia Records in the US and via CBS Records in the United Kingdom. The album's biggest hit single, "In Your Eyes" was a number 11 R&B hit in Billboard. The album itself reached number 46 on Billboard's R&B albums chart.
Forever by Your Side is the 13th studio album of American popular R&B vocal group the Manhattans, originally released in 1983 by Columbia Records. The album was recorded at Celestial Sound Studios, Studio Sound Recorders, Universal Recording Studio and produced by George Tobin Productions Inc, Leo Graham Enterprises, Mighty M. Productions Ltd. This album brought the two singles by The Manhattans of 1983: the song "Crazy" and the title track "Forever by Your Side". The ballad "Crazy" was the big hit of this album, peaked at #4 on the R&B chart. The love song "Forever by Your Side" had moderate success in the United States, peaked at #30 on the R&B chart, but has become a great success and a romantic classic in Brazil two years later, when she was part of the soundtrack of a soap opera in the country in 1985. Another highlight of this album was the song "Just The Lonely Talking Again", which was later re-recorded by Whitney Houston in 1987, on her second studio album Whitney. The original release of "Forever by Your Side" from 1983 in Vinyl LP has only eight tracks. In 2014, the album was remastered on CD with the caption "Expanded Edition" and brought five bonus tracks, totaling 13 tracks. These bonus tracks include the single version of "Crazy", "Just The Lonely Talking Again" and "Love Is Gonna Find You", with shorter durations than the original songs on the album. There is also the instrumental version of great success "Crazy", without the voices of The Manhattans. The final track number 13, "Lovin' You Did not Come Easy", was also recorded by The Manhattans, but, curiously, was never released in any album of the group. The song was released in 2014 remastered as a previously unreleased song, over thirty years after it was recorded.
