My Big Break is a 2009 documentary film directed by Tony Zierra starring Wes Bentley, Brad Rowe, Chad Lindberg, Greg Fawcett and Zierra himself. The film was produced by MBB Group, Elizabeth Yoffe and Zierra. It mostly consists of footage taken by Zierra in 1999, when he and the other four were aspiring actors and roommates living in Los Angeles; the film shows some of them (most notably Bentley) enjoying career successes, while others (notably Fawcett) struggle with rejection. Much of the footage had already been included in Zierra's 2001 documentary Carving Out Our Name, which played only once, at the Toronto International Film Festival. My Big Break shows the footage in re-edited form, and includes newer footage of Lindberg, Rowe and Fawcett, discussing their lives in the intervening years.
Filmed over ten years, this controversial documentary follows five roommates trying to make it in Hollywood who face the unexpected consequences of fame.
Tony Zierra, an aspiring filmmaker with no money, stars or crew, resorts to filming the lives of his four struggling actor roommates. Three of the actors, Brad Rowe, Chad Lindberg and Wes Bentley quickly hit it big, while the fourth actor, Greg Fawcett, is nearly driven insane watching the others get famous.
It doesn't take long for the unsettling reality of stardom to set in. Lindberg's hope of becoming a leading man is crushed when he's repeatedly told he doesn't have the right look; Rowe ends up typecast as a pretty boy and can't break past his uncanny resemblance to Brad Pitt; while Bentley, who has a fast career launch, is quickly drawn into the darker side of the L.A. lifestyle. As the actors struggle with life in the public eye, Zierra deals with constant obstacles while he tries to complete his film - including being scrutinized and blocked by the actors' nervous agents. Each of the subjects is tested and changed by their encounters with the film industry.
The documentary ends with a follow-up Zierra filmed when he returns to Hollywood after a five-year absence to find out what happened to each of his former roommates.
'The production of My Big Break was fraught with setbacks and challenges. Tony Zierra originally intended to shoot a fiction film but while trying to find a script and secure financing he decided to film his roommates, Wes Bentley, Chad Lindberg, Brad Rowe and Greg Fawcett, who were struggling actors. He thought that their pursuit of success in the film business would make an interesting story. He self-financed the production through the money he made at various jobs and by other means such as holding garage sales.
Zierra ended up filming almost every aspect of his roommates' lives. He thought that it was possible that one of them might beat the odds and get some kind of break but more likely they would all end up leaving Hollywood discouraged. Whatever happened, Zierra felt that it would make for an intriguing film. However, three of the roommates ended up becoming successful quickly. Brad Rowe was cast as the love interest in Billy's Hollywood Screen Kiss, an independent gay-themed romantic comedy that was a hit at the Sundance Film Festival. The film launched Rowe's career, he was featured prominently on the cover of US Magazine and labeled "The Next Big Thing".[citation needed]Billy's Hollywood Screen Kiss also launched the career of actor Sean Hayes who played the main character, Billy, in the film and went on to play Jack McFarland on the long-running television series Will & Grace.[citation needed]
Wes Bentley won the coveted part of Ricky Fitts in the Oscar-winning film American Beauty and became an overnight sensation. Zierra, who had already been following his roommates lives before they got their break was able to capture their success on camera as it happened.
Once the actors became successful, Zierra's project began to draw interest from the media and film industry insiders. However, that interest didn't immediately translate into financial backing which, as years passed, made continuing to film increasingly difficult. Additionally, the interest also brought problems as the people who handled the business end of the actors' burgeoning careers began to worry about the content of the footage that Zierra had of his roommates.[citation needed] The representatives of Wes Bentley at the William Morris Agency were particularly concerned.[citation needed] Zierra refused requests to show the footage to anyone until he had finished filming.[citation needed]
In 2001, Zierra began to edit the 200+ hours of footage into a film titled Carving Out Our Name, a name taken from a line in the Counting Crows song Round Here.[1] At the time, there were no non-linear editing systems that could allow independent filmmakers a way to edit their projects on a modest budget. Editing costs were exorbitant, so from week to week Zierra had to find a variety of ways to raise money to continue with post-production. He bartered, negotiated percentages of ownership in the future finished film, and borrowed on credit cards. After dealing with repeated obstacles he finally completed Carving Out Our Name with backing from his friends Alex Ebert and Tim Anderson of the bandIma Robot. Ebert and Anderson became the executive producers and wrote most of the score for the film.[2]
Carving emphasized the friendship among the roommates and their personal relationships with the women in their lives. The documentary was completed at a relatively high point in the actors' careers so it didn't show a full range of highs and lows in their lives.[3]Carving was accepted into the 2001 Toronto International Film Festival and premiered on the evening of September 10, 2001. It was extremely well received by the audience of 1000 people and generated a great deal of interest from the media and potential distributors.[4]
At the film premiere afterparty, Zierra's agent, Cassian Elwes from William Morris Independent, wanted to discuss the deals that were being offered by distributors, but Zierra felt he should honor the friendship that Carving had captured over the years and just let everybody "enjoy themselves"; he decided to wait until the morning to discuss business with Elwes.[5] The attacks on America the next day, September 11, 2001, brought everything to a halt and emotionally devastated all of the festival attendees. The Toronto International Film Festival was cancelled.
Carving Out Our Name was never released due to a combination of factors, including changes in the market after the 9/11 and concerns by insiders in Hollywood that the film might have a negative impact on the actors' careers. In the early 2000s, filmmakers in Zierra's position were completely dependent on the tightly controlled Hollywood distribution system. There were no alternatives for independent filmmakers to distribute or market their own films because online outlets didn't exist. An independent film without Hollywood backing had no chance of being seen by the audience.
Zierra was extremely affected by the experience and suffered an emotional breakdown.[citation needed] He destroyed all copies of Carving Out Our Name, left Hollywood, and cut ties with everyone he had known there, including his former roommates. [citation needed]
Years later, Zierra decided to take the original footage out of storage and begin editing another film that would include his own experience making Carving. By this time, editing a film had become much more cost effective because of the introduction of the user friendly and affordable non-linear editing system Final Cut Pro. Still, starting the film over from the 200+ hours was a massive undertaking. Whereas Carving focused on the success of the actors and their personal relationships, the new film, My Big Break, focuses on the ups and downs of the film business and how fame – or the lack thereof – affected all of them. Alex Ebert, one of the executive producers of "Carving Out Our Name" contributed to My Big Break by composing music for the film. Ebert subsequently won a Golden Globe for Best Original Score in 2014 for All Is Lost starring Robert Redford. [citation needed]
After contacting his former roommates, Zierra shot an update with Lindberg, Rowe and Fawcett, each of whom had gone through disappointments and setbacks in the film business. Despite Zierra's repeated attempts, Bentley wasn't willing to see him and communicated only through text messages. Bentley was reputed to be struggling with severe drug addiction but Zierra couldn't verify this.[citation needed]
Zierra ended up re-editing My Big Break numerous times. During the process he once again found himself dealing with the emotional impact of delving deeply into the story and had to put the film aside for periods of time.[citation needed] The ending of the film proved particularly difficult to lock down because the unresolved tensions between him and Bentley required him to construct Bentley's "update" in ways that never fully satisfied him. [citation needed]
In 2010, Bentley came forward and admitted to the press that his sudden rise to fame had sent him into a spiral of drug addiction from which he was now recovering. Zierra felt that the story finally had closure. He cut an ending that he was satisfied with and completed the documentary.[citation needed] From start to finish, My Big Break took 15 years to finish.[citation needed]
Portrayal of drug use
My Big Break includes scenes of drug use as the aspiring actors and filmmaker get caught up in the negative side of the Hollywood lifestyle. The film deglamorizes what is euphemistically referred to as "partying" by showing the destructive consequences that substance abuse has on the careers and personal lives of those who become famous. In the film, Professor Mark Schaller, author of "The Psychological Consequences of Fame", discusses how celebrities often turn to the excessive use of drugs and alcohol to "escape the fishbowl of Hollywood" when they feel overwhelmed by pressure and scrutiny. Zierra decided to directly address the problem of substance abuse in Hollywood after Heath Ledger, who had been his friend,[citation needed] died in 2008. My Big Break is dedicated to Ledger.
My Big Break and American Beauty
When Zierra first began filming his roommate Wes Bentley, the young actor had recently screen tested for the coveted role of Ricky Fitts in American Beauty but hadn't yet heard if he got the part. In My Big Break, Bentley discusses the experience of screen testing and his hope that he will be cast in the movie. Once Bentley landed the part, Zierra filmed him going to the Los Angeles premiere of American Beauty before the actor had any idea how the film or his performance would be received. The filmmaker was given rare access by DreamWorks to film the premiere from the vantage point of the red carpet. Zierra subsequently filmed Bentley attending the film's premiere in Toronto as well as the media frenzy that surrounded Bentley after American Beauty became a critically acclaimed hit. My Big Break then follows Bentley through his fast rise to fame and his misgivings about the pressures of the film industry. The final cut of My Big Break incorporates Bentley's admissions to the press, a decade after American Beauty, that he became a heroin addict after his initial success and how his career is now getting back on track.[6][7] Coincidentally, Ricky Fitts, the character Bentley played, became an iconic figure in popular culture because of his unusual habit of filming everything and everybody with his digital camera. At the time, the concept of people filming everything around them was strange and new[citation needed]. While Bentley was playing a character that represented the advent of a new digital media generation, his own life was being digitally chronicled by Zierra.
My Big Break has received strong support and glowing reviews from its fans and in the blogosphere.[10][11][12][13][14] The film won Best Documentary at the Boston Film Festival and Best Documentary at the Artsfest Film Festival 2009.[15] It was also an official selection of The American Cinematic Experience Festival (Acefest) 2009, and Raindance Film Festival 2009 where it was nominated for Best Documentary.[9]
Multiple versions
In order to build a buzz and test audience reaction an early cut of My Big Break was given an extremely limited release on DVD in 2008. This longer version is no longer available and did not include Wes Bentley's admission that he had been struggling with drug addiction. In 2009 a tightened cut of the documentary was shown at festivals, universities and conferences but was not made available to a wider audience. The final cut of My Big Break released, in 2011, deals directly with issues of substance abuse. It also includes a text update of what the main subjects of the documentary are doing as of the release. [citation needed]
The film was also nominated for Best Documentary at the Raindance Film Festival in London.
Related Research Articles
An independent film, independent movie, indie film, or indie movie is a feature film or short film that is produced outside the major film studio system in addition to being produced and distributed by independent entertainment companies. Independent films are sometimes distinguishable by their content and style and how the filmmakers' artistic vision is realized. Sometimes, independent films are made with considerably lower budgets than major studio films.
Wes Bentley is an American actor. He is best known for his roles as Ricky Fitts in American Beauty (1999), which earned him a nomination for the BAFTA Award for Supporting Actor; Seneca Crane in The Hunger Games (2012); Doyle in Interstellar (2014); Erik in Mission: Impossible – Fallout; and Jamie Dutton in Yellowstone. He was one of four subjects in the documentary My Big Break (2009), which covered his fame after American Beauty and his subsequent struggles with substance abuse. Rebuilding his career, he starred in the premiere of Venus in Fur by David Ives in the off-Broadway production in 2010. Other film roles include The Four Feathers (2002), Ghost Rider (2007), P2 (2007), and Pete's Dragon (2016).
William Garfield Greaves was an American documentary filmmaker and a pioneer of film-making. After trying his hand at acting, he became a filmmaker who produced more than two hundred documentary films, and wrote and directed more than half of these. Greaves garnered many accolades for his work, including four Emmy nominations.
The Revolution Will Not Be Televised, also known as Chávez: Inside the Coup, is a 2003 Irish documentary film. It focuses on events in Venezuela leading up to and during the April 2002 coup d'état attempt, which saw President Hugo Chávez removed from office for two days. With particular emphasis on the role played by Venezuela's private media, the film examines several key incidents: the protest march and subsequent violence that provided the impetus for Chávez's ousting; the opposition's formation of an interim government headed by business leader Pedro Carmona; and the Carmona administration's collapse, which paved the way for Chávez's return. The Revolution Will Not Be Televised was directed by Irish filmmakers Kim Bartley and Donnacha Ó Briain. Given direct access to Chávez, the filmmakers intended to make a fly-on-the-wall biography of the president. They spent seven months filming in Venezuela, following Chávez and his staff and interviewing ordinary citizens. As the coup unfolded on 11 April, Bartley and Ó Briain filmed on the streets of the capital, Caracas, capturing footage of protesters and the erupting violence. Later, they filmed many of the political upheavals inside Miraflores, the presidential palace.
A fan edit is a version of a film modified by a viewer, that removes, reorders, or adds material in order to create a new interpretation of the source material. This includes the removal of scenes or dialogue, replacement of audio and/or visual elements, and adding material from sources such as deleted scenes or even other films.
The Other Side of the Wind is a 2018 satirical drama film co-written, co-edited, and directed by Orson Welles, and posthumously released in 2018 after 48 years in development. The film stars John Huston, Bob Random, Peter Bogdanovich, Susan Strasberg, and Oja Kodar.
Bradley Thomas Rowe is an American actor, writer, producer, and public policy advocate. He appeared in Billy's Hollywood Screen Kiss (1998) and TNT's Purgatory. Other roles include a short stint as recurring character Walt on NewsRadio, Murphy Sinclair on General Hospital, Ty Swindle on Wasteland, and Dan Murphy on Leap of Faith.
Chad Tyler Lindberg is an American actor. He is known for his film roles in The Fast and the Furious and October Sky, as well as television roles on Sons of Anarchy and Supernatural. Lindberg was also the co-host of the television series Ghost Stalkers.
Zmovies are low-budget films with production qualities lower than Bmovies.
King Gimp is a 1999 documentary that was awarded the 2000 Oscar for Best Short Subject Documentary and 2000 Peabody Award. King Gimp follows the life of artist Dan Keplinger of Towson, Maryland, who has cerebral palsy. Filmmakers Susan Hannah Hadary and William A. Whiteford, of the University of Maryland Video Press and Tapestry International Productions produced the film. Geof Bartz, A.C.E. edited the final version.
Gregory Wendell Fawcett is an American film and television actor, producer and screenwriter. He attended a private boarding school on the East Coast and graduated with his BA in the Dramatic Arts program at the University of Southern California. He has appeared and worked alongside some of Hollywood's biggest names and has performed in numerous television shows such as The New Adventures of Robin Hood, Point Pleasant, Fashion House and Sunset Beach as well as the films Ca$h, Jack Woody and the adaption of Beyond the Wall of Sleep. In 2015, Gregory was an executive producer and actor in the movie Street which went on to generate worldwide success on Netflix with a second movie in development planned for 2018. Fawcett also has an uncredited role as “Handsome Young Man” in Fox’s 1992 television film Count DeClues' Mystery Castle starring Max Maven. One of his most well known roles is as himself in Tony Zierra's 2011 documentary My Big Break which follows the early careers of Fawcett, Wes Bentley, Chad Lindberg and Brad Rowe. In 2022 Gregory worked opposite Ron Perlman in "The Last Victim"
Tony Zierra is an American director and producer. He is best known for the documentaries: My Big Break (2009), in which he also appeared, and Filmworker (2017).
Archie's Final Project is a 2009 American comedy-drama film produced and directed by David Lee Miller and written by Miller, Eric J. Adams, and Gabriel Sunday, who also served as second unit director, additional camera operator, and music editor along with starring in, co-editing, and co-producing the film. It won the best feature film prize for the 2009 Berlin International Film Festival's youth film section Generation 14plus. Music producers Jimmy Iovine and Polly Anthony and actor Harold Ramis served as executive producers, It received a limited theatrical release in the United States on September 23, 2011, and was released to home media on December 6, 2011.
Don Quixote is an unfinished film project written, co-produced and directed by Orson Welles. Principal photography took place between 1957 and 1969. Test footage was filmed as early as 1955, second-unit photography was done as late as 1972, and Welles was working on the film intermittently until his death in 1985. The film was eventually edited by Jesús Franco and was released in 1992, to mixed reviews.
Filming 'The Trial' is an unfinished making-of film by Orson Welles, made in 1981, which focuses on the production of his 1962 film The Trial.
Elizabeth Yoffe is an independent media producer and the producing partner of award-winning filmmaker Tony Zierra.
Alexander Tuschinski is a German film director, film producer, writer, actor and musician. Internationally, he is best known for his feature films which have won awards at various film festivals. His documentary "Caligari in the Desert" was a submission to the 91st Academy Awards. Additionally, he is known for his academic writing on the early works of Tinto Brass. Notably, his research into, and interest in, Brass's work on Caligula was examined in his feature documentary Mission: Caligula. At the documentary's premiere, Penthouse announced plans to work with Tuschinski on a new cut of Caligula aimed at restoring Brass's original version of the film.
Margaret Sixel is an Australian and South African film editor. She is best known for her work as editor on her husband George Miller's films, including Babe: Pig in the City (1998), Happy Feet (2006), and Mad Max: Fury Road (2015). For Fury Road, she won the Academy Award for Best Film Editing and the BAFTA Award for Best Editing.
Ryusuke Hamaguchi is a Japanese film director and screenwriter. An alumnus of the University of Tokyo and the Tokyo National University of Fine Arts and Music, he started gaining attention in his home country with the graduate film Passion (2008).
Steve Markle is a Canadian filmmaker, actor, writer, editor and producer best known for Shoot To Marry (2020), Testees (2008), and Camp Hollywood (2004).
This page is based on this Wikipedia article Text is available under the CC BY-SA 4.0 license; additional terms may apply. Images, videos and audio are available under their respective licenses.
