Notes and references
Notes
- ↑ Mike Todd, a theatrical producer and impresario, ran the four largest and most popular attractions at the 1939 New York World's Fair, three of which were cabarets. The first, he took over George Jessel's Old New York and transformed it into Gay New Orleans – a three-acre park; the second he converted the Hall of Music into the Streets of Paris; the third he created the Old Time Op'ry House on the midway; the fourth, he built the Dancing Campus, reportedly the world's biggest outdoor dance arena, featuring big bands nightly with a floor large enough for 12,000 dancing patrons.
Recording personnel
- ↑ Larry Clinton Band: June 24, 1940, New York: Larry Clinton (trumpet, tuba, trombone, arranger, leader); Bob Alexy (né Robert James Alexy; 1910–1985), Ivor Lloyd (né Ivor Mark Lloyd; 1911–1988), Jack Palmer (né Joseph J. Palmieri; 1912–2000) (trumpets); George Mazza, Al George (né Alfred A. George; 1910–1977), Jimmy Curry (trombones); Steve Benoric (1912–1976), Ben Feman (né Benjamin C. Feman; 1908–1994) (clarinets, alto saxes); Frank Ludwig (né Francis Ludwig Reudelhuber; 1915–1988), Don Hammond (né William Don Hammond; 1914–1964) (clarinets, tenor saxes); Bill Straub (piano); George Rose (né George August Rose; 1909–1978) (guitar); Hank Wayland (double bass); Charlie Blake (drums); Terry Allen (vocalist)
- ↑ Frankie Masters Band (partial list): Frankie Masters (director, trombone); "Bud" Shiffman (later "Buddy Shaw;" né Herman Shiffman; 1912–2010) (lead alto sax); Vincent Claude Ferrini (1914–2013) (alto sax); Carl C. Bean (1909–1969) (tenor sax); Howard John Barkell (1903–1971) (bari sax, piano, guitar, drums, bass); Marion Francis (vocals); The Masters Voices (vocals)
- ↑ Duke Ellington Band: July 24, 1940, RCA-Victor, New York, recording session at Studio 2, 155 East 24th Street, Manhattan: Rex Stewart (conductor); Wallace Jones, Cootie Williams (trumpets); Lawrence Brown, Joe Nanton (trombones); Juan Tizol (valve trombone); Barney Bigard (clarinet); Johnny Hodges (alto & soprano sax); Otto Hardwick (alto sax, clarinet); Ben Webster (tenor sax); Harry Carney (baritone & alto sax, clarinet); Duke Ellington (piano); Fred Guy (guitar); Jimmie Blanton (bass); Sonny Greer (drums) ("A Duke Ellington Panorama: 1940 Discography", The Duke Ellington Society, Washington, D.C.)
- ↑ Duke Ellington Band: September 10, 1940, NBC Blue broadcast, Hotel Sherman, Panther Room: (same personnel as Ellington's July 24, 1940, session at RCA-Victor Studio 2 in New York)
- ↑ Ben Webster with the Ralph Burns Orchestra: September 9, 1955, New York: Danny Bank (flute, clarinet); Albert Epstein (1921–2016; clarinet, English horn, bass clarinet); Ben Webster (tenor sax); Hank Jones (piano); Harold Coletta, Martin Donegan, Leo Kruczek (1908–1977), Harry Lookofsky, Gene Orloff, Tosha Samaroff (aka Zama Dworman; né Salmon Dworman; 1906–2005), Paul Winter (violins); Burt Fisch (viola); Abe Borodkin, George Ricci (brother of Ruggiero Ricci), Lucien Schmit (cellos); Chet Amsterdam (né Chester G. Amsterdam; 1926–2010), Wendell Marshall (bass); Osie Johnson (drums); Ralph Burns (arranger; conductor)
Copyrights
- ↑ Original copyright: Catalog of Copyright Entries, Part 3 Musical Compositions, New Series, Library of Congress, Copyright Office Vol. 35, Part 2, July 1940, No. 7 (1941), p. 1030
- ↑ Copyright renewal: Catalog of Copyright Entries, Music: Current and Renewal Registrations, Third Series, Library of Congress, Copyright Office Vol. 21, Part 5, No. 2, Sec. 1, July-December 1967 (1968), p. 2357
Related Research Articles
The Dorsey Brothers were an American studio dance band, led by Tommy and Jimmy Dorsey. They started recording in 1928 for OKeh Records.
"Mood Indigo" is a jazz song with music by Duke Ellington and Barney Bigard and lyrics by Irving Mills.
The Blanton–Webster Band is a compilation album that combines the master takes of all the recordings by Duke Ellington's Orchestra during the years of 1940 to 1942, involving bassist Jimmy Blanton and tenor saxophonist Ben Webster. The recordings were originally made for RCA Victor during what many critics regard as the Ellington orchestra's golden period. The three CDs contain many numbers which were to become classics, and the arrangements were frequently inventive and innovative.
Lewis Burr Anderson was an American actor and musician. He is widely known by TV fans as the third and final actor to portray Clarabell the Clown on Howdy Doody between 1954 and 1960. He famously spoke Clarabell's only line on the show's final episode in 1960, with a tear visible in his right eye, "Goodbye, kids." Anderson is also widely known by jazz music fans as a prolific jazz arranger, big band leader, and alto saxophonist. Anderson also played the clarinet.
Herschel "Tex" Evans was an American tenor saxophonist who was a member of the Count Basie Orchestra. He also worked with Lionel Hampton and Buck Clayton. He is also known for starting his cousin Joe McQueen's interest in the saxophone. Joe McQueen, living until 2019 at age 100, may well have been the last surviving person to have known Herschel during his lifetime.
Never No Lament: The Blanton-Webster Band is a 2003 three-disc compilation combining the master takes of all the recordings by Duke Ellington's Orchestra during the years of 1940 to 1942 with an additional nine tracks, including five alternative takes and four additional masters. An expanded version of The Blanton–Webster Band, this reissue, according to Allmusic, "truly worth either an initial investment or reinvestment". All About Jazz: New York observed that these performances, from what is often considered "the band in its prime", "not only set the standard for big bands and jazz orchestras, but created an ideal near insurmountable to improve upon". The Penguin Guide to Jazz selected this compilation as part of its suggested "Core Collection."
"Whispering" is a popular song. "Whispering" was first published in 1920 by Sherman, Clay & Co., of San Francisco. The initial 1920 copyright and first publishing attributes the lyrics to Malvin Schonberger and the music to John Schonberger.
Bob Lively(néBobby Gene Lively 10 February 1923 Little Rock, Arkansas – 22 September 1994 Los Angeles) was an American jazz saxophonist who flourished during the 1940s swing era.
"There'll Be Some Changes Made" ("Changes") is a popular song by Benton Overstreet (composer) and Billy Higgins (lyricist). Published in 1921, the song has flourished in several genres, particularly jazz. The song has endured for as many years as a jazz standard. According to the online The Jazz Discography, "Changes" had been recorded 404 times as of May 2018. The song and its record debut were revolutionary, in that the songwriters (Overstreet and Higgins, the original copyright publisher, Harry Herbert Pace, the vocalist to first record it, the owners of Black Swan, the opera singer for whom the label was named, and the musicians on the recording led by Fletcher Henderson, were all African American. The production is identified by historians as a notable part of the Harlem Renaissance.
Johnny Mathis is the first studio album by vocalist Johnny Mathis that was released by Columbia Records in 1956. The subtitle A New Sound in Popular Song can be found on the back cover but not on the front of the album or the disc label; in fact, this Mathis LP has been referred to as "the jazz album".
Lucius Antoine Tyson, who performed as Dr. Sausage or Doc Sausage, was an American singer, dancer, drummer and bandleader. He was active from the 1930s to the 1950s and is best known for his 1950 recording of "Rag Mop".
"Drifting and Dreaming, Sweet Paradise," is an American popular song written, copyrighted, published, and licensed by ASCAP in 1925. Lyrics are by Haven Gillespie, music is by Egbert Van Alstyne and Erwin Roeder Schmidt (1890–1966), and Loyal B. Curtis (1877–1947), L.B. Curtis, Music Publisher, New York. It was a major hit in 1926 for George Olsen.
"Harlem Chapel Chimes" is a 1935 jazz instrumental composed by Glenn Miller. The song was released as an A-side 78 single by the Dorsey Brothers Orchestra.
Jacky June was a Belgian jazz saxophonist, clarinetist, and bandleader.
"Singin' the Blues" is a 1920 jazz composition by J. Russel Robinson, Con Conrad, Sam M. Lewis, and Joe Young. It was recorded by the Original Dixieland Jass Band in 1920 as an instrumental and released as a Victor 78 as part of a medley with "Margie". The song was released with lyrics by vocalist Aileen Stanley in 1920 on Victor. In 1927, Frank Trumbauer, Bix Beiderbecke, and Eddie Lang recorded and released the song as an Okeh 78. The Trumbauer recording is considered a jazz and pop standard, greatly contributing to Frank Trumbauer and Bix Beiderbecke's reputation and influence. It is not related to the 1956 pop song "Singing the Blues" first recorded and released by Marty Robbins in 1956.
Marilyn (Marylin) Duke(néeManfrey Lecta Duke; October 3, 1916 Jackson, Georgia – August 7, 1995 Clayton County, Georgia), was an American singer from the swing era of the mid to late 1930s and early 1940s. She began as a soloist in 1933 on radio in Atlanta, then, beginning 1936, was carried on syndicated and network radio from New York City. In the first half of the 1940s, Duke traveled and recorded as a featured singer with big bands, notably with Vaughn Monroe. She distinguished herself as a rhythm singer – that is, a singer who swings. And, while with the Monroe Orchestra, she was acclaimed for having an engaging personalty. Duke was a tall brunette, and, according to journalists, attractive. As for her hair color, Duke was a blonde when she re-joined Monroe's band in 1944. After her career with big bands – after 1945 – and into the late 1960s, she performed on-and-off as a nightclub pianist-singer in the metropolitan areas of Boston, New York City, and Newport, Rhode Island. Her recorded hits with Vaughn Monroe include "There'll Be Some Changes Made" and "The Trolley Song" — the latter being a late-1944, post-Petrillo-ban, rush-to-market, swing band vocal duet with Monroe.
Ginny Gibson was the professional name of a prolific New York recording vocalist, Virginia Nelson(néeVirginia Marie Shoemaker; 22 November 1924 Rochester, New York – 27 November 1998 Nyack, New York). Gibson recorded jingles and popular songs. Her married surname, beginning around 1946, was Nelson. In 1958, she married Richard Dennis Criger (1925–2001). She divorced Criger in 1976. Ginny Gibson also recorded under the alias "Ginny Blue."
Ollie Shepard(néOliver Shepard; born July 1909, Oberlin, Louisiana, United States – 1960) was an American blues pianist, vocalist, and songwriter.
The Tune Twisters was an American jazz vocal trio founded in 1934 as The Freshmen by Andy Love, Robert "Bob" Wacker, and Jack Lathrop, who also played guitar. They were featured on radio broadcasts and recorded with jazz artists that included (i) Ray Noble in 1935, (ii) Bob Crosby in 1935, (iii) Glenn Miller in 1937, and (iv) Adrian Rollini in 1938. The Tune Twisters performed in the 1937 Broadway production, Between the Devil, singing "Triplets." The production ran from December 22, 1937, to March 12, 1938. During the audition, the Tune Twisters were known as the Savoy Club Boys. Lathrop was a member of the Tune Twisters in 1939 when they recorded the first radio jingle of its kind for Pepsi – "Pepsi-Cola Hits the Spot" (aka "Nickel, Nickel"). The trio also performed in two 1935 films, Sweet Surrender and Melody Magic, the latter directed by Fred Waller. Gene Lantham, in 1940, replaced Lathrop, who went on to become guitarist and vocalist with Glenn Miller.
The Chocolate Dandies was the name of several American jazz combos from 1928 through the 1940s. The name was an outgrowth of the Broadway production, The Chocolate Dandies, that debuted in 1924.
References
- ↑ "O'Brien, Jack (John Roger O'Brien)," ASCAP Biographical Dictionary of Composers, Authors and Publishers, p. 374
- ↑ Decca Labels: A Discography, compiled by Michel Ruppli, Greenwood Press (1996); OCLC 36344113 (originally published in hardcover by Greenwood Press, now an imprint of ABC-CLIO)