Scarlet Street is a 1945 American film noir directed by Fritz Lang. The screenplay concerns two criminals who take advantage of a middle-aged painter in order to steal his artwork. The film is based on the French novel La Chienne by Georges de La Fouchardière, which had been previously dramatized on stage by André Mouëzy-Éon, and cinematically as La Chienne (1931) by director Jean Renoir.
The Three Faces of Eve is a 1957 American film noir mystery drama film presented in CinemaScope, based on the book of the same name about the life of Chris Costner Sizemore, which was written by psychiatrists Corbett H. Thigpen and Hervey M. Cleckley, who also helped write the screenplay. Sizemore, also known as Eve White, was a woman they suggested might have dissociative identity disorder. Sizemore's identity was concealed in interviews about this film and was not revealed to the public until 1977. The film was directed by Nunnally Johnson.
Dame Mary Louise Webster,, known professionally as May Whitty and later, for her charity work, Dame May Whitty, was an English stage and film actress. She was one of the first two women entertainers to become a Dame. The British actors' union Equity was established in her home in 1930.
A boyfriend is a man who is a friend or acquaintance to the speaker, often specifying a regular male companion with whom a person is platonically, romantically or sexually involved.
Shock is a 1946 American film noir directed by Alfred L. Werker and starring Vincent Price, Lynn Bari and Frank Latimore.
The Narrow Margin is a 1952 American film noir starring Charles McGraw and Marie Windsor. Directed by Richard Fleischer, the RKO picture was written by Earl Felton, based on an unpublished story written by Martin Goldsmith and Jack Leonard. The screenplay by Earl Felton was nominated for an Academy Award.
Phantom Lady is a 1944 American film noir directed by Robert Siodmak and starring Franchot Tone, Ella Raines, and Alan Curtis. Based on the novel of the same name by Cornell Woolrich, it follows a young Manhattan secretary and her endeavors to prove that her boss did not murder his wife.
Gaslight is a 1944 American psychological thriller film directed by George Cukor, and starring Charles Boyer, Ingrid Bergman, Joseph Cotten and Angela Lansbury in her film debut. Adapted by John Van Druten, Walter Reisch, and John L. Balderston from Patrick Hamilton's play Gas Light (1938), it follows a young woman whose husband slowly manipulates her into believing that she is descending into insanity.
So Dark the Night is a 1946 American crime film with film noir influences, featuring Steven Geray, Micheline Cheirel, and Eugene Borden. Based on a story written by Aubrey Wisberg, the screenplay was written by Dwight V. Babcock and Martin Berkeley, and directed by Joseph H. Lewis.
Mary Elizabeth Hughes was an American film, television, and stage actress best known for her roles in B movies.
The Damned Don't Cry is a 1950 American film noir crime-drama directed by Vincent Sherman and featuring Joan Crawford, David Brian, and Steve Cochran. It tells of a woman's involvement with an organized crime boss and his subordinates. The screenplay by Harold Medford and Jerome Weidman was based on the story "Case History" by Gertrude Walker. The plot is loosely based on the relationship of Bugsy Siegel and Virginia Hill. The film was directed by Vincent Sherman and produced by Jerry Wald. The Damned Don't Cry is the first of three cinematic collaborations between Sherman and Crawford, the others being Harriet Craig (1950) and Goodbye, My Fancy (1951).
Nina Foch was an American actress who later became an instructor. Her career spanned six decades, consisting of over 50 feature films and over 100 television appearances. She was the recipient of numerous accolades, including an Academy Award nomination for Best Supporting Actress, and a National Board of Review Award for Best Supporting Actress. Foch established herself as a dramatic actress in the late 1940s, often playing cool, aloof sophisticates.
Woman on the Run is a 1950 American crime film noir directed by Norman Foster and starring Ann Sheridan and Dennis O'Keefe. The film was based on the April 1948 short story "Man on the Run" by Sylvia Tate and filmed on location in San Francisco.
The Elephant Man is a play by Bernard Pomerance. It premiered at the Hampstead Theatre in London on 7 November 1977. It later played in repertory at the National Theatre in London. It ran Off-Broadway from 14 January to 18 March 1979, at The Theatre at St. Peter's. The production's Broadway debut in 1979 at the Booth Theatre was produced by Richmond Crinkley and Nelle Nugent, and directed by Jack Hofsiss. The play closed in 1981 after eight previews and 916 regular performances, with revivals in 2002 and 2014.
Danger Signal is a 1945 film noir starring Faye Emerson and Zachary Scott. The screenplay was adapted from the 1939 novel of the same name by Phyllis Bottome.
The Sign of the Ram is a 1948 American film noir directed by John Sturges and screenplay by Charles Bennett, based on a novel written by Margaret Ferguson. The drama features Susan Peters, Alexander Knox and Phyllis Thaxter. It also featured Ron Randell. The film's title alludes to people born under the astrological sign Aries, who are supposedly strong-willed and desire to be admired, as explained in the dialogue.
I Love a Mystery is a 1945 American mystery film directed by Henry Levin and starring Jim Bannon, Nina Foch, George Macready, and Barton Yarborough. Based on Carlton E. Morse's popular radio serial of the same name, I Love a Mystery was the first of three Columbia "B" pictures inspired by the radio series and the only one actually based on a script written by Morse for the radio series. The Devil's Mask and The Unknown followed in 1946.
Johnny Allegro is a 1949 American film noir directed by Ted Tetzlaff and starring George Raft. An ex-gangster (Raft), temporarily working as a federal agent, runs afoul of a counterfeiting crime lord (Macready) who enjoys hunting. It was one of several thrillers Raft made in the late 1940s.
Strangers in the Night is a 1944 American film noir mystery film directed by Anthony Mann and starring William Terry, Virginia Grey and Helene Thimig.
The Woman in Red is a 1941 mystery thriller novel by Anthony Gilbert, the pen name of British writer Lucy Beatrice Malleson. It is the ninth in her series featuring the London solicitor Arthur Crook, one of the more unscrupulous characters of the Golden Age of Detective Fiction. It was first published by the Collins Crime Club.
