N. Dash is an American artist who works primarily in painting. Dash lives and works in New York. Born in 1980 in Miami, Dash studied at New York University (B.A. 2003), before earning a Master's in Fine Art from Columbia University [1] (M.FA. 2010).
N. Dash is an American artist who works primarily in painting. Dash lives and works in New York. Born in 1980 in Miami, Dash studied at New York University (B.A. 2003), before earning a Master's in Fine Art from Columbia University [1] (M.FA. 2010).
In 2023-2024, the artist has presented N. Dash: and water, a solo exhibition at SITE Santa Fe, [2] NM. In the same years, the artist was also included in WORLD FRAMED Contemporary Drawing Art of the Schering Stiftung Collection at the Kupferstichkabinett at Staatliche Museen zu Berlin, [3] Berlin, Germany, and in the group exhibition This is Us at Z33 House of Contemporary Art, Design and Architecture, Hasselt, Belgium. In 2022, the artist presented earth, a solo exhibition at Stedelijk Museum voor Actuele Kunst (S.M.A.K.), [4] Ghent, Belgium. In 2019, the work was the subject of exhibitions at The Aldrich Contemporary Art Museum [5] in Ridgefield, CT and the Museum of Contemporary Art Santa Barbara, [6] CA. In 2015, Dash presented a solo exhibition at the Hammer Museum [7] in L.A. Additional solo institutional exhibitions include: Fondazione Giuliani, [8] Rome and White Flag Projects, [9] St. Louis as well as solo presentations at Zeno X Gallery, [10] Antwerp; Casey Kaplan, [11] New York; and Galerie Mehdi-Chouakri, [12] Berlin. Dash's work has been included in numerous group exhibitions at institutions including the San Francisco Museum of Modern Art; [13] the Dallas Museum of Art; [14] Sammlung Goetz, Munich; American University Museum, [15] Washington D.C.; Fowler Museum at UCLA, [16] Los Angeles; the Jewish Museum, [17] New York; Birmingham Museum of Art, Alabama; MAXXI Museum, [18] Rome; Palazzo Strozzi, [19] Florence, as well as the Flag Art Foundation, [20] New York.
N. Dash is the subject of a comprehensive monograph [21] published by Gregory R. Miller [22] and Hatje Cantz Verlag which includes major works from 2011 to 2021, and essays by Suzanne Hudson, Ajay Kurian, Ross Simonini, Michael Taussig and a poem by John Giorno, which explore Dash's work in art historical, anthropological, and environmental contexts.
Raymond Pettibon is an American artist who lives and works in New York City. Pettibon came to prominence in the early 1980s in the southern California punk rock scene, creating posters and album art mainly for groups on SST Records, owned and operated by his older brother, Greg Ginn. He has subsequently become widely recognized in the fine art world for using American iconography variously pulled from literature, art history, philosophy, and religion to politics, sport, and sexuality.
Miroslaw Balka is a Polish contemporary sculptor and video artist.
Amy Sillman is a New York-based visual artist, known for process-based paintings that move between abstraction and figuration, and engage nontraditional media including animation, zines and installation. Her work draws upon art historical tropes, particularly postwar American gestural painting, as both influences and foils; she engages feminist critiques of the discourses of mastery, genius and power in order to introduce qualities such as humor, awkwardness, self-deprecation, affect and doubt into her practice. Profiles in The New York Times, ARTnews, Frieze, and Interview, characterize Sillman as championing "the relevance of painting" and "a reinvigorated mode of abstraction reclaiming the potency of active brushwork and visible gestures." Critic Phyllis Tuchman described Sillman as "an inventive abstractionist" whose "messy, multivalent, lively" art "reframes long-held notions regarding the look and emotional character of abstraction."
Dashiell A. Snow was an American artist based in New York City. Snow's photographs included scenes of sex, drugs, violence, and the art world; his work often depicted the decadent lifestyle of young New York City artists and their social circle.
Michael Buthe was a German artist who lived and worked between Germany and Morocco. He exhibited widely throughout Europe during his life and is known for his eclectic and prolific oeuvre which encompasses painting, sculpture, and installation.
The Aldrich Contemporary Art Museum is located in Ridgefield, Connecticut. The Aldrich has no permanent collection and is the only museum in Connecticut that is dedicated solely to the exhibition of contemporary art. The museum presents the first solo museum exhibitions by emerging artists, significant exhibitions of established and mid-career artists whose work is under recognized, thematic group exhibitions exploring topics in contemporary art and society, and newly commissioned work.
Yun-Fei Ji is a Chinese-American painter who has been based largely in New York City since 1990. His art synthesizes old and new representational modes, subverting the classical idealism of centuries-old Chinese scroll and landscape painting traditions to tell contemporary stories of survival amid ecological and social disruption. He employs metaphor, symbolic allusion and devices such as caricature and the grotesque to create tumultuous, Kafka-esque worlds that writers suggest address two cultural revolutions: the first, communist one and its spiritual repercussions, and a broader capitalist one driven by industrialization and its effects, both in China and the US. ARTnews critic Lilly Wei wrote, "Ancestral ghosts and skeletons appear frequently in Ji’s iconography; his work is infused with the supernatural and the folkloric as well as the documentary as he records with fierce, focused intensity the displacement and forced relocation of people, the disappearance of villages, and the environmental upheavals of massive projects like the controversial Three Gorges Dam."
Mark Manders is a Dutch artist, currently living and working in Ronse, Belgium. His work consists mainly of installations, drawings and sculptures. He is probably best known for his large bronze figures that look like rough-hewn, wet or peeling clay. Typical of his work is also the arrangement of random objects, such as tables, chairs, light bulbs, blankets and dead animals.
Arturo Herrera is a Venezuelan-born (1959), Berlin-based visual artist known for wide-ranging work that is rooted in the practice of collage. His colorful, often rhythmic art intertwines bits of pop iconography, gestural marks, and nonrepresentational shapes using pictorial strategies of fragmentation, repetition, effacement, and dislocation. The resulting imagery often balances between abstraction and figuration, detached from inherent narratives yet vaguely familiar. Critics suggest that this ambiguity engages memory, fantasy and a viewer's unconscious private interpretive schemes, evoking a multiplicity of references and readings. In 2020, Art in America writer Ara H. Merjian described Herrera's practice—which includes works on paper, paintings, reliefs, sculpture, public art and books—as "chameleonic as [it] is consistent," one that "breathes life into modernist collage, exploring the tensions between exactitude and spontaneity, placement and displacement."
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Aïda Ruilova is an American contemporary artist.
Claudia Hart is an artist and associate professor in the Department of Film, Video, New Media, Animation at the School of the Art Institute of Chicago, Chicago, Illinois. She has been active as an artist, curator and critic since 1988. She creates virtual representations that take the form of 3D imagery integrated into photography, animated loops and multi-channel animation installations.
Saâdane Afif is a French conceptual artist.
Lindsey White (1980) is a visual artist working across many disciplines including photography, video, sculpture, and book making. Her work has been described as "reveling in lighthearted gags and simple gestures to create an experience that is all the more satisfying for the puzzles it contains."
Judith Barry is an American multimedia artist, writer and educator. Art critics regard her as a pioneer in performance art, video, electronic media and installation art who has contributed significantly to feminist theories of subjectivity and the exploration of public constructions of gender and identity. Her work draws on a diverse background, which includes studies in critical theory and cinema, dance, and training in architecture, design and computer graphics. Rather than employ a signature style, Barry combines multiple disciplines and mediums in immersive, research-based works whose common methodology calls into question technologies of representation and the spatial languages of film, urbanism and the art experience. Critic Kate Linker wrote, "Barry has examined the effects and ideological functions of images in and on society. Her installations and writings … have charted the transformation of representation by different 'machines' of image production, from the spatial ensembles of theater to computer and electronic technologies."
Nairy Baghramian is an Iranian-born German visual artist, of Armenian ethnicity. Since 1984, she has lived and worked in Berlin. When the Solomon R. Guggenheim Museum selected Baghramian as a finalist for the 2020 Hugo Boss Prize, they described Baghramian’s statues as: "...[Exploring] the workings of the body, gender, and public and private space."
Danielle Dean is a British-American visual artist. She works in drawing, installation, performance and video. She has exhibited in London and in the United States; her work was included in an exhibition at the Hammer Museum focusing on new or under-recognized artists working in Los Angeles.
Loretta Fahrenholz (1981) is a contemporary artist working in experimental film and photography. She is based in Berlin, Germany.
Brenna Youngblood is an American artist based in Los Angeles who is known for creating photographic collages, sculpture, and paintings. Her work explores issues of African-American identity and representation.
Martin Beck is a visual artist based in New York and Vienna. His artworks often derive from in-depth research into narratives from the fields of architecture, design and popular culture and are characterized by his usage of diverse media, including installation, photography, video, writing, sculpture, and drawing. Beck also works collaboratively and has, since the late 1990s, co-authored various exhibitions, publications, and exhibit design projects with artist Julie Ault.
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