The Hugo Boss Prize was an award given every other year to an artist working in any medium, anywhere in the world. Upon its establishment in 1996, it distinguished itself from other art awards because it has no restrictions on nationality or age. The prize was administered by the Solomon R. Guggenheim Foundation and sponsored by the Hugo Boss clothing company, which since 1995 has been sponsoring various exhibitions and activities at the Solomon R. Guggenheim Museum. It included a cash award of US$100,000 and a tetrahedral trophy.
Opened in 2003, the Nasher Sculpture Center is a museum in Dallas, Texas, that houses the Patsy and Raymond Nasher collection of modern and contemporary sculpture. It is located on a 2.4-acre (9,700 m2) site adjacent to the Dallas Museum of Art in the Dallas Arts District.
Wangechi Mutu is a Kenyan-born American visual artist, known primarily for her painting, sculpture, film, and performance work. Born in Kenya, she has lived and established her career in New York City for more than twenty years. Mutu's work has directed the female body as subject through collage painting, immersive installation, and live and video performance while exploring questions of self-image, gender constructs, cultural trauma, and environmental destruction and notions of beauty and power.
Lynne Cooke is an Australian-born art scholar. Since August 2014 she has been the Senior Curator, Special Projects in Modern Art, at the National Gallery of Art, Washington, DC.
Huma Bhabha is a Pakistani-American sculptor based in Poughkeepsie, New York. Known for her uniquely grotesque, figurative forms that often appear dissected or dismembered, Bhabha often uses found materials in her sculptures, including styrofoam, cork, rubber, paper, wire, and clay. She occasionally incorporates objects given to her by other people into her artwork. Many of these sculptures are also cast in bronze. She is equally prolific in her works on paper, creating vivid pastel drawings, eerie photographic collages, and haunting print editions.
SculptureCenter is a not-for-profit, contemporary art museum located in Long Island City, Queens, New York City. It was founded in 1928 as "The Clay Club" by Dorothea Denslow. In 2013, SculptureCentre attracted around 13,000 visitors.
Hou Hanru is an international art curator and critic based in San Francisco, Paris and Rome. He is artistic director of the MAXXI in Rome, Italy.
Bettina Pousttchi is a German artist of German-Iranian descent. She currently lives in Berlin. She has worked in photography, sculpture, video and site-specific installation.
Carolyn Christov-Bakargiev is an Italian-American writer, art historian and exhibition maker who has been serving as the Director of Castello di Rivoli Museo d'Arte Contemporanea and Fondazione Francesco Federico Cerruti in Turin since 2016. She was Edith Kreeger Wolf Distinguished Visiting Professor in Art Theory and Practice at Northwestern University (2013-2019). She is the recipient of the 2019 Audrey Irmas Award for Curatorial Excellence.
Dame Phyllida Barlow was a British visual artist. She studied at Chelsea College of Art (1960–1963) and the Slade School of Art (1963–1966). She joined the staff of the Slade in the late 1960s and taught there for more than forty years. She retired from academia in 2009 and in turn became an emerita professor of fine art. She had an important influence on younger generations of artists; at the Slade her students included Rachel Whiteread and Ángela de la Cruz. In 2017 she represented Great Britain at the Venice Biennale.
Danh Võ is a contemporary artist of Vietnamese descent. He lives and works in Berlin and Mexico City.
Nicole Eisenman is a French-born American artist known for her oil paintings and sculptures. She has been awarded the Guggenheim Fellowship (1996), the Carnegie Prize (2013), and has thrice been included in the Whitney Biennial. On September 29, 2015, she won a MacArthur Fellowship award for "restoring the representation of the human form a cultural significance that had waned during the ascendancy of abstraction in the 20th century."
Briony Fer, FBA is a British art historian, critic, and curator; professor of history of art at University College London. She has written extensively on diverse topics of 20th century and contemporary art. She has written essays on numerous contemporary artists, such as Gabriel Orozco, Vija Celmins, Jean-Luc Moulène, Roni Horn, Ed Ruscha, and Rachel Whiteread. A focus of her research is on the art of American sculptor Eva Hesse, as when she wrote for the catalogue for the artist's 2002 retrospective curated by Elisabeth Sussman at San Francisco's Museum of Modern Art in 2002.
Senga Nengudi is an African-American visual artist and curator. She is best known for her abstract sculptures that combine found objects and choreographed performance. She is part of a group of African-American avant-garde artists working in New York City and Los Angeles, from the 1960s and onward.
Maren Hassinger is an African-American artist and educator whose career spans four decades. Hassinger uses sculpture, film, dance, performance art, and public art to explore the relationship between the natural world and industrial materials. She incorporates everyday materials in her art, like wire rope, plastic bags, branches, dirt, newspaper, garbage, leaves, and cardboard boxes. Hassinger has stated that her work “focuses on elements, or even problems—social and environmental—that we all share, and in which we all have a stake…. I want it to be a humane and humanistic statement about our future together.”
Simone Leigh is an American artist from Chicago who works in New York City in the United States. She works in various media including sculpture, installations, video, performance, and social practice. Leigh has described her work as auto-ethnographic, and her interests include African art and vernacular objects, performance, and feminism. Her work is concerned with the marginalization of women of color and reframes their experience as central to society. Leigh has often said that her work is focused on “Black female subjectivity,” with an interest in complex interplays between various strands of history. She was named one of the 100 most influential people in the world by Time magazine in 2023.
Otobong Nkanga (born 1974) is a Nigerian-born visual artist, tapestry maker and performance artist, based in Antwerp, Belgium. In 2015, she won the Yanghyun Prize.
Firelei Báez is a Dominican Republic-born, New York City-based artist known for intricate works on paper and canvas, as well as large scale sculpture. Her art explores the Western canon through the elements of non-Western reading.
Yuko Hasegawa is the director of the 21st Century Museum of Contemporary Art, Kanazawa and professor of curatorial and art theory at Tokyo University of the Arts.
Zurich Art Prize is a Swiss art prize that has been awarded annually by the Museum Haus Konstruktiv together with the Zurich Insurance Group, since 2007.
