Nakul Singh Sawhney | |
---|---|
Years active | 2006-to present |
Employer | Independent Documentary Filmmaker |
Spouse | Neha Dixit |
Nakul Singh Sawhney is an Indian documentary filmmaker. [1]
He grew up in Delhi and attended Kirori Mal College in Delhi University. He was as active member of Players, [2] the dramatic society of the college. He then completed a course in direction at the Film and Television Institute of India, Pune, during 2005–06. Nakul was also actively involved with Jana Natya Manch.
He is married to award-winning journalist Neha Dixit
He is currently[ when? ] making a film on the 2020-2021 farmers' protest, the largest and the longest protest in modern world history.[ citation needed ]
His film ' [3] Muzaffarnagar Baaqi hai that released in January 2015 is an extensively researched film on the sectarian violence in North India in September 2013, Muzaffarnagar riots, just a few months before the general elections in India. The film [4] traces the economic, communal[ citation needed ] and sociological [5] fallout of the violence that not just led to religious polarisation for political gains but also displaced hundreds of thousands of people. [6]
The screening of the film was stopped [7] by right wing fundamentalists from the Akhil Bhartiya Vidyarthi Parishad in Delhi University on 1 August 2015 where the filmmaker and the organisers including University professors were attacked. [8] Following which over 200 protest screenings [9] of the film were organised [10] all across the country to mark dissent [11] and support freedom of expression [12] in India. [13] Rohith Vemula, a Dalit PHd scholar, also screened the film in Hyderabad Central University on 4 August 2015 for which he was termed 'anti-national'. [14]
The film has been extensively screened [15] and appreciated [16] in India and screened abroad [17] including MIT, Columbia School of Journalism, SOAS, [18] NYU and others. [19] It was also selected by Mumbai International Film Festival and the International Film Festival of Kerala.
This film was hosted on Netflix for three years.
His film 'Izzatnagri ki Asabhya Betiyan' (Immoral Daughters in the Land of Honour) released in January 2012 traces the resistance of young women [20] against honour killings and diktats of clan councils called Khap Panchayats in North India. [21] The film explores caste, class and gender [22] intersectionality in contemporary India. [23] Another version of the same film 'Immoral Daughters' has been screened [24] at several international film festivals.
A short documentary on the how two Dalit women, Laxmiben and Madhuben, from rural Gujarat march to reclaim the land that rightfully belongs to Dalits, a community subjected to untouchability practices and acute socio-economic marginalisation . Released in 2017. Screened at Oxford University, Göttingen University, and others. [25]
The film tries to look at the town of Kairana beyond the externally imposed binaries of Hindu-Muslim, and tries instead to look at the real issues that confronts the town. Released in 2016. Screened at several Universities in India and globally [26]
He directed his first film in 2005, 'With a Little Help from my Friends', which won the award for the 2nd best film at the 60 Seconds to Fame film festival in Chennai[ citation needed ].
At the Film Institute, he directed a short film, 'Agaurav' starring Divyendu Sharma and Jaideep Ahlawat and 'Undecided' that won awards for the 2nd Best Film and Best Director respectively at the Hyderabad International Film Festival[ citation needed ]. After completing his course, he made a feature-length documentary 'Once upon a time in Chheharta' on the history of the working class movement and the mill workers of Chheharta under the leadership of Communist leaders Satyapal Dang and Vimla Dang, Amritsar.
He founded Chalchitra Abhiyaan in 2016. This film and media collective trains local people from marginalised communities in film technologies. [27] The collective produces a range of video-based content prime among which are short-document films, news features, and live broadcasts. The goal is try to bring to the fore local issues from the grassroots that concern different marginalised communities in their own voices. The collective also organizes film and video screenings including international cinema and news features in remote villages in North India. [28] It is followed by debate and discussion on the topic. Attended by hundreds of people weekly, this has built a regular, large offline viewership.
Year | Film |
---|---|
2017 | Savitri's Sisters in Azaadi Kooch |
2016 | Kairana, After the Headlines |
2015 | Muzaffarnagar Baaqi hai/Muzaffarnagar Eventually |
2012 | Izzatnagri Ki Asabhya Betiyan/Immoral Daughters in the Land of Honour |
2010 | Once Upon a Time in Chheharta |
2007 | Agaurav |
2005 | With A Little Help From Friends |
Mahesh Bhatt is an Indian film director, producer and screenwriter known for his works in Hindi cinema. He has received several accolades, including four National Film Award and three Filmfare Awards. A notable film from his earlier period is Saaransh (1984), screened at the 14th Moscow International Film Festival. It became India's official entry for the Academy Award for Best Foreign Language Film for that year. The 1986 film Naam was his first piece of commercial cinema. In 1987, he turned producer with the film Kabzaa under the banner, "Vishesh Films", with his brother Mukesh Bhatt.
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Sridhar Rangayan is an Indian filmmaker who has made films with special focus on queer subjects. His queer films, The Pink Mirror, Yours Emotionally, 68 Pages, Purple Skies, Breaking Free & Evening Shadows have been considered groundbreaking because of their realistic and sympathetic portrayal of the largely closeted Indian gay community. His film The Pink Mirror remains banned in India by the Indian Censor Board because of its homosexual content.
Final Solution is a 2004 documentary film directed by Rakesh Sharma concerning the 2002 Gujarat riots in the state of Gujarat in which 254 Hindus and 790 Muslims were killed. Hindu right wing organizations were made responsible for these riots which took place as a "spontaneous response" to the killing of 70 Hindu Pilgrims in the Godhra Train Burning by a mob of radical muslims on 27 February 2002. But as the film proceeds with victims continuing to come forward and share their experiences, a more unsettling possibility seems to emerge- that far from being a spontaneous expression of outrage. The makers of the film claim that the violence had been carefully coordinated and planned.
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