Japanese art covers a wide range of art styles and media, including ancient pottery, sculpture, ink painting and calligraphy on silk and paper, ukiyo-e paintings and woodblock prints, ceramics, origami, and more recently manga and anime. It has a long history, ranging from the beginnings of human habitation in Japan, sometime in the 10th millennium BCE, to the present day.
Tosa Mitsuoki was a Japanese painter.
The Higashiyama culture is a segment of Japanese culture that includes innovations in architecture, the visual arts and theatre during the late Muromachi period. It originated and was promoted in the 15th century by the shōgun Ashikaga Yoshimasa, after he retired to his villa in the eastern hills of the capital city Kyoto.
Thomas Albert "Tom" DeFanti is an American computer graphics researcher and pioneer. His work has ranged from early computer animation, to scientific visualization, virtual reality, and grid computing. He is a distinguished professor of Computer Science at the University of Illinois at Chicago, and a research scientist at the California Institute for Telecommunications and Information Technology (Calit2).
The Electronic Visualization Laboratory (EVL) is an interdisciplinary research lab and graduate studies program at the University of Illinois at Chicago, bringing together faculty, students and staff primarily from the Art and Computer Science departments of UIC. The primary areas of research are in computer graphics, visualization, virtual and augmented reality, advanced networking, and media art. Graduates of EVL either earn a Masters or Doctoral degree in Computer Science.
Rebecca Allen is an internationally recognized digital artist inspired by the aesthetics of motion, the study of perception and behavior and the potential of advanced technology. Her artwork, which spans four decades and takes the form of experimental video, large-scale performances, live simulations and virtual and augmented reality art installations, addresses issues of gender, identity and what it means to be human as technology redefines our sense of reality.
Eric Paulos is an American computer scientist, artist, and inventor, best known for his early work on internet robotic teleoperation and is considered a founder of the field of Urban Computing, coining the term "urban computing" in 2004. His current work is in the areas of emancipation fabrication, cosmetic computing, citizen science, New Making Renaissance, Critical Making, Robotics, DIY Biology, DIY culture, Micro-volunteering, and the cultural critique of such technologies through New Media strategies.
Kennin-ji is a historic Zen Buddhist temple in Kyoto, Japan, and head temple of its associated branch of Rinzai Buddhism. It is considered to be one of the so-called Kyoto Gozan or "five most important Zen temples of Kyoto".
Haruo Tomiyama, 1935-15 October 2016 was a versatile Japanese photographer, active since the 1960s.
Syoh Yoshida is a Japanese artist of the nihonga and ink painting genre.
Timothy Binkley, is an American philosopher, artist, and teacher, known for his radical writings about conceptual art and aesthetics, as well as several essays that help define computer art. He is also known for his interactive art installations.
Sachiko Kodama is a Japanese artist. She is best known for her artwork using ferrofluid, a dark colloidal suspension of magnetic nano-particles dispersed in solution which remains strongly magnetic in its fluid. By controlling the fluid with a magnetic field, it is formed to create complex 3-dimensional shapes as a "liquid sculpture".
Aiko Miyawaki was a Japanese sculptor and painter. She was best known for her sculpture series titled Utsurohi, installed at public spaces worldwide.
Kathy Rae Huffman is an American curator, writer, producer, researcher, lecturer and expert for video and media art. Since the early 1980s, Huffman is said to have helped establish video and new media art, online and interactive art, installation and performance art in the visual arts world. She has curated, written about, and coordinated events for numerous international art institutes, consulted and juried for festivals and alternative arts organisations. Huffman not only introduced video and digital computer art to museum exhibitions, she also pioneered tirelessly to bring television channels and video artists together, in order to show video artworks on TV. From the early 1990s until 2014, Huffman was based in Europe, and embraced early net art and interactive online environments, a curatorial practice that continues. In 1997, she co-founded the Faces mailing list and online community for women working with art, gender and technology. Till today, Huffman is working in the US, in Canada and in Europe.
Monika Fleischmann is a pioneering German research artist, digital media scientist, and curator of new media art. She is one of the most relevant European women artist working in art, science, and technology. She founded and co-founded departments for interactive media art such as ART+COM in Berlin, the MARS – Exploratory Media Lab and the eCulture Factory within the largest German research institutions such as GMD and Fraunhofer Society. In 1992, together with her partner Wolfgang Strauss, she received the Golden Nica of the Prix Ars Electronica in Linz, Austria for Home of the Brain (1990/1992), the first artistic virtual reality installation. She is the recipient of the 2018 ACM SIGGRAPH Distinguished Artist Award for Lifetime Achievement in Digital Art and was elected to the SIGGRAPH Academy as a research artist that has contributed to the field of interactive media art since the 1980s to the present day. Since the mid-1980s she has been working collaboratively with the architect Wolfgang Strauss as an artist couple. As part of their research in New Media Art, Architecture, Interface Design and Art Theory, they focus on the concept of Mixed Reality, which connects the physical with the virtual world. In 2008 she was appointed Honorary Professor of Media Theory and Interactive Media Art for the cross-university course of studies for digital media at Bremen University of Applied Sciences, Academy of Fine Arts and University of Bremen. Monika is Member of the MIMA ART Board at MIMA University | Munich Institute of Media and Musical Arts.
Katsuhiro Yamaguchi was a Japanese artist and art theorist based in Tokyo and Yokohama. Through his collaborations, writings, and teaching, he promoted an interdisciplinary avant-garde in postwar Japan that served as the foundation for the emergence of Japanese media art in the early 1980s, a field in which he remained active until his death. He represented Japan at the 1968 Venice Biennale and the 1975 Bienal de São Paulo, and served as producer for the Mitsui Pavilion at Expo '70 in Osaka.
Gendai Bijutsu Kondankai was a study and discussion group founded in 1952 to facilitate interdisciplinary and cross-genre exchanges among Japanese artists based in the Kansai region. Among the participants were key figures of Japanese avant-garde art after World War II, such as calligraphers Shiryū Morita, Yuichi Inoue and Sōgen Eguchi, potter Yasuo Hayashi, and painters Waichi Tsutaka, Kokuta Suda, Jirō Yoshihara and future members of the Gutai Art Association. Genbi's activities, which included monthly meetings and group exhibitions, ceased in 1957.
Kō Nakajima is a Tokyo-based Japanese video artist, photographer, and inventor. His photographs of conceptual artist Yutaka Matsuzawa are a key resource for understanding Matsuzawa’s practice. Video Earth, the collective Nakajima founded with his students at Tokyo College of Photography, is one of the earliest video collectives in Japan, roughly contemporaneous with Video Hiroba. Nakajima was also a prolific experimenter and inventor, working with Sony and JVC to create the Animaker and the Aniputer, respectively. Since the late 1960s he has participated in numerous international film and video festivals, and supported the work of younger generations of artists as a mentor.
