| Napir-Asu | |
|---|---|
| Queen of Elam | |
 | |
| Reign | circa 1300 BC |
| Spouse | Untash-Napirisha |
Napir-Asu (fl. 14th century BCE [1] ) was an Elamite queen, who was the wife of King Untash-Napirisha. A statue of her by the bronzeworkers of Susa is one of the finest examples of bronze metal-working to be discovered.
It is likely that Napir-Asu corresponds to the daughter of the Babylonian Burnaburiash (perhaps the king Burna-Buraish II) married by Untash-Napirisha. A statue of the god Immiriya in Chogha Zanbil was dedicated by Napir-Asu's husband Untash-Napirisha to his father-in-law Burnaburiash. [lower-alpha 1] [3] [4] There is a letter that has survived which describes Untash-Napirisha marrying a daughter of a Burna-Buraish. [5] However there is some debate as to whether the Burna-Burnish in the letter is in fact the king, or a later descendant. [6]
Nevertheless it does appear that Napir-Asu was the first Elamite royal woman to be depicted on a limestone stele with her husband. She appears to also be the first Elamite queen whose name is inscribed on her body in statue form. The stele depicts Napir-Asu, Untash-Napirisha and his mother, the priestess Utik. [5] Historians Esfandyar Rahmati Kia and Kolsoum Ghazanfari have argued that Napir-Asu held some power in her own right. [7]
In 1903 archaeologist Jacques de Morgan, working as part of the Délégation scientifique française en Perse, discovered a 130cm high statue, made of a bronze core, covered by a layer of copper, with cast and chased decoration, weighing 1750 kg. [8] [9] It was found in the upper rooms of the temple of Ninhursag in Susa. [9] It is also the largest example of Elamite bronze sculpture known. [5] Since the statue was placed in the temple, curator Françoise Tallon has argued that the statue represented the queen in "perpetual prayer". [10]
The statue was originally created with a series of processes that enabled the casting of its core and creation of its surface. The copper shell was created first by building a core of clay and bricks, which was then covered in wax, into which designs were made, followed by encasement in another layer of clay. Heated, so that the wax melted away, copper was then poured into the mould. Once the copper was cooled, the clay core was removed and layers of bronze were poured into the hollow of the body. [5] At one time the surface may have been covered with gold and silver leaf. [11] The statue's decorations are an important source for the study of Elamite textiles and clothing. [1] The head and the left arm of the statue are missing. [12]
On the fringed skirt of this statue, the names of the queen and the great gods of Susa are engraved in Elamite cuneiform. There is a ring on the queen's left hand, which is probably her wedding ring. [9] On the skirt of this statue and in the language of the queen, a curse is written:
I, Napir-Asu, wife of Untash-Napirisha. He who would seize my statue, who would smash it, who would destroy its inscription, who would erase my name, may he be smitten by the curse of Napirisha, of Kiririsha, and of Inshushinak, that his name shall become extinct, that his offspring be barren, that the forces of Beltiya, the great goddess, shall sweep down on him. This is Napir-Asu's offering. [9]
The statue is held in the Louvre collections. [13] In 1993 the statue, alongside other works from the Louvre, was loaned to the Metropolitan Museum of Art for exhibition. [14] It is recognised as a masterpiece of Elamite art. [15] [16] [17] [18]
Susa was an ancient city in the lower Zagros Mountains about 250 km (160 mi) east of the Tigris, between the Karkheh and Dez Rivers in Iran. One of the most important cities of the Ancient Near East, Susa served as the capital of Elam and the winter capital of the Achaemenid Empire, and remained a strategic centre during the Parthian and Sasanian periods.
Elam was an ancient civilization centered in the far west and southwest of modern-day Iran, stretching from the lowlands of what is now Khuzestan and Ilam Province as well as a small part of southern Iraq. The modern name Elam stems from the Sumerian transliteration elam(a), along with the later Akkadian elamtu, and the Elamite haltamti. Elamite states were among the leading political forces of the Ancient Near East. In classical literature, Elam was also known as Susiana, a name derived from its capital Susa.
Manishtushu (Man-ištušu) c. 2270-2255 BC was the third king of the Akkadian Empire, reigning 15 years from c. 2270 BC until his death in c. 2255 BC. His name means "Who is with him?". He was the son of Sargon the Great, the founder of the Akkadian Empire, and he was succeeded by his son, Naram-Sin who also deified him posthumously. A cylinder seal, of unknown provenance, clearly from the reign of Naram-Sin or later, refers to the deified Manishtushu i.e. "(For) the divine Man-istusu: Taribu, the wife of Lugal-ezen, had fashioned". Texts from the later Ur III period show offerings to the deified Manishtushu. The same texts mention a town of ᵈMa-an-iš-ti₂-su where there was a temple of Manishtushu. This temple was known in the Sargonic period as Ma-an-iš-t[i-s]uki.
Chogha Zanbil is an ancient Elamite complex in the Khuzestan province of Iran. It is one of the few existing ziggurats outside Mesopotamia. It lies approximately 30 km (19 mi) southeast of Susa and 80 km (50 mi) north of Ahvaz. The construction date of the city is unclear due to uncertainty in the chronology of the reign of Untash-Napirisha but is clearly sometime in the 14th or 13th century BC. The conventionally assumed date is 1250 BC. The city is currently believed to have been destroyed by the Neo-Assyrian ruler Assurbanipal in about 645 BC, along with the Elamite capital of Susa though some researchers place the end of occupation in the late 12th century BC. The ziggurat is considered to be the best preserved example of the stepped pyramidal monument by UNESCO. In 1979, Chogha Zanbil became the first Iranian site to be inscribed on the UNESCO World Heritage List.
Humban was an Elamite god. He is already attested in the earliest sources preserving information about Elamite religion, but seemingly only grew in importance in the neo-Elamite period, in which many kings had theophoric names invoking him. He was connected with the concept of kitin, or divine protection.
Pinikir, also known as Pinigir, Pirengir, Pirinkir, and Parakaras, was an Ancient Near Eastern astral goddess who originates in Elamite religious beliefs. While she is only infrequently attested in Elamite documents, she achieved a degree of prominence in Hurrian religion. Due to her presence in pantheons of many parts of the Ancient Near East, from Anatolia to Iran, modern researchers refer to her as a "cosmopolitan deity."
Nahhunte was the Elamite sun god. While the evidence for the existence of temples dedicated to him and regular offerings is sparse, he is commonly attested in theophoric names, including these of members of Elamite royal families.
Inshushinak was the tutelary god of the city of Susa in Elam. His name has a Sumerian etymology, and can be translated as "lord of Susa". He was associated with kingship, and as a result appears in the names and epithets of multiple Elamite rulers. In Susa he was the main god of the local pantheon, though his status in other parts of Elam might have been different. He was also connected with justice and the underworld. His iconography is uncertain, though it is possible snakes were his symbolic animals. Two Mesopotamian deities incorporated into Elamite tradition, Lagamal and Ishmekarab, were regarded as his assistants. He was chiefly worshiped in Susa, where multiple temples dedicated to him existed. Attestations from other Elamite cities are less common. He is also attested in Mesopotamian sources, where he could be recognized as an underworld deity or as an equivalent of Ninurta. He plays a role in the so-called Susa Funerary Texts, which despite being found in Susa were written in Akkadian and might contain instructions for the dead arriving in the underworld.
Puzur-Inshushinak, also sometimes thought to read Kutik-Inshushinak in Elamite, was king of Elam, around 2100 BC, and the last from the Awan dynasty according to the Susa kinglist. He mentions his father's name as Šimpi-išhuk, which, being an Elamite name, suggests that Puzur-Inshuhinak himself was Elamite.
Untash-Napirisha was king of Elam during the Middle Elamite period, circa 1300 BCE. He was the son of the previous Elamite king, Humban-Numena and of a daughter of Kurigalzu. He was named after Napirisha, an Elamite deity.
Burna-Buriaš II, was a king in the Kassite dynasty of Babylon, in a kingdom contemporarily called Karduniaš, ruling ca. 1359–1333 BC, where the Short and Middle chronologies have converged. Recorded as the 19th King to ascend the Kassite throne, he succeeded Kadašman-Enlil I, who was likely his father, and ruled for 27 years. He was a contemporary of the Egyptian Pharaohs Amenhotep III and Akhenaten. The proverb "the time of checking the books is the shepherds' ordeal" was attributed to him in a letter to the later king Esarhaddon from his agent Mar-Issar.
Linear Elamite was a writing system used in Elam during the Bronze Age between c. 2300 and 1850 BCE, and known mainly from a few extant monumental inscriptions. It was used contemporaneously with Elamite cuneiform and records the Elamite language. The French archaeologist François Desset and his colleagues have argued that it is the oldest known purely phonographic writing system, although others, such as the linguist Michael Mäder, have argued that it is partly logographic.
Kiririsha was a major goddess worshiped in Elam.
Kurigalzu I, usually inscribed ku-ri-gal-zu but also sometimes with the m or d determinative, the 17th king of the Kassite or 3rd dynasty that ruled over Babylon, was responsible for one of the most extensive and widespread building programs for which evidence has survived in Babylonia. The autobiography of Kurigalzu is one of the inscriptions which record that he was the son of Kadašman-Ḫarbe. Galzu, whose possible native pronunciation was gal-du or gal-šu, was the name by which the Kassites called themselves and Kurigalzu may mean Shepherd of the Kassites.
Humban-Numena was a king of Elam from the Igihalkid dynasty. He was a son and successor of King Attar-kittah. He married a daughter of the Kassite king Kurigalzu, who bore him Untash-Napirisha, who was thus a grandson of Kurigalzu. According to another interpretation of the primary source, he married the daughter of his uncle Pahir-ishshan, himself the son of a Kassite princess, and was thus a great-grandson of Kurigalzu.
The Shimashki or Simashki dynasty (Šimaški), was an early dynasty of the ancient region of Elam, to the southeast of Babylonia, in approximately 2100–1900 BCE. A list of twelve kings of Shimashki is found in the Elamite king-list of Susa, which also contains a list of kings of Awan dynasty. It is uncertain how historically accurate the list is, although some of its kings can be corroborated by their appearance in the records of neighboring peoples. The dynasty corresponds to the middle part of the Old Elamite period. It was followed by the Sukkalmah Dynasty. Shimashki was likely near today's Masjed Soleyman.
Napirisha was an Elamite deity from the region of Anshan, and was the main deity of the kingdom from at least the late 3rd millennium BCE. In Elamite, his name means "Great (-ša) God (napir)"; in cuneiform texts, the word is written using the ideogram GAL, which was without a correct interpretation for some time.
The Sukkalmah Dynasty, also Epartid Dynasty after the founder Eparti/Ebarat, was an early dynasty of West Asia in the ancient region of Elam, to the southeast of Babylonia. It corresponds to the latest part of the Old Elamite period.
Simut or Šimut (Shimut) was an Elamite god. He was regarded as the herald of the gods, and was associated with the planet Mars. He was closely associated with Manzat, a goddess representing the rainbow. He appears in inscriptions of various Elamite kings which mention a number of temples dedicated to him. However, it is not known which city served as his main cult center. He was also worshiped in Mesopotamia, where he was compared with the war god Nergal.
Ishmekarab (Išmekarab) or Ishnikarab (Išnikarab) was a Mesopotamian deity of justice. The name is commonly translated from Akkadian as "he heard the prayer," but Ishmekarab's gender is uncertain and opinions of researchers on whether the deity was male or female vary.
