Fontainebleau is a commune in the metropolitan area of Paris, France. It is located 55.5 kilometres (34.5 mi) south-southeast of the centre of Paris. Fontainebleau is a sub-prefecture of the Seine-et-Marne department, and it is the seat of the arrondissement of Fontainebleau. The commune has the largest land area in the Île-de-France region; it is the only one to cover a larger area than Paris itself. The commune is closest to Seine-et-Marne Prefecture, Melun.
Pope Pius VII was head of the Catholic Church from 14 March 1800 to his death in August 1823. He ruled the Papal States from June 1800 to 17 May 1809 and again from 1814 to his death. Chiaramonti was also a monk of the Order of Saint Benedict in addition to being a well-known theologian and bishop.
Palace of Fontainebleau, located 55 kilometers southeast of the center of Paris, in the commune of Fontainebleau, is one of the largest French royal châteaux. It served as a hunting lodge and summer residence for many of the French monarchs, including Louis VII, Francis I, Henry II, Louis-Philippe, Napoleon I, and Napoleon III. Though the monarchs only resided there for a few months of the year, they gradually transformed it into a genuine palace, filled with art and decoration. It became a national museum in 1927 and was designated a UNESCO World Heritage Site in 1981 for its unique architecture and historical importance.
Joseph Cardinal Fesch, Prince of the Empire was a French priest and diplomat, who was the maternal half-uncle of Napoleon Bonaparte. In the wake of his nephew, he became Archbishop of Lyon and cardinal. He was also one of the most famous art collectors of his period, remembered for having established the Musée Fesch in Ajaccio, which remains one of the most important Napoleonic collections of art.
Sir David Wilkie was a Scottish painter, especially known for his genre scenes. He painted successfully in a wide variety of genres, including historical scenes, portraits, including formal royal ones, and scenes from his travels to Europe and the Middle East. His main base was in London, but he died and was buried at sea, off Gibraltar, returning from his first trip to the Middle East. He was sometimes known as the "people's painter".
Ercole Consalvi was a deacon and cardinal of the Catholic Church, who served twice as Cardinal Secretary of State for the Papal States and who played a crucial role in the post-Napoleonic reassertion of the legitimist principle of the divine right of kings, of which he was a constant supporter.
The National Gallery of Ireland houses the national collection of Irish and European art. It is located in the centre of Dublin with one entrance on Merrion Square, beside Leinster House, and another on Clare Street. It was founded in 1854 and opened its doors ten years later. The gallery has an extensive, representative collection of Irish paintings and is also notable for its Italian Baroque and Dutch masters painting. The current director is Caroline Campbell.
Giulio Gabrielli was an Italian cardinal in the Catholic Church. He spent most of his career in the Roman Curia.
The Coronation of Napoleon is a painting completed in 1807 by Jacques-Louis David, the official painter of Napoleon, depicting the coronation of Napoleon at Notre-Dame de Paris. The oil painting has imposing dimensions – it is almost 10 metres (33 ft) wide by a little over 6 metres (20 ft) tall. The work is on display at the Louvre Museum in Paris.
The Portrait of Pope Pius VII is an 1805 portrait of Pope Pius VII by the French painter Jacques-Louis David to thank the pope for assisting at the coronation of Napoleon I of France. Pope Pius appears in David's The Coronation of Napoleon, depicted as blessing the emperor, when in fact he was merely a spectator, assisting at the ceremony with a resigned expression throughout.
The First French Empire or French Empire and also known as Napoleonic France, was the empire ruled by Napoleon Bonaparte, who established French hegemony over much of continental Europe at the beginning of the 19th century. It lasted from 18 May 1804 to 4 April 1814 and again briefly from 20 March 1815 to 7 July 1815, when Napoleon was exiled to St. Helena.
The relationship between Napoleon and the Catholic Church was an important aspect of his rule.
Luigi Ruffo-Scilla JUD was a Cardinal of the Holy Roman Church who served as Apostolic Nuncio to Austria and Archbishop of Naples.
The Cardinal protector of England was an appointed crown-cardinal of England from 1492 until 1539. A cardinal protector is the representative of a Roman Catholic nation or organisation within the College of Cardinals, appointed by the pope. The role was terminated as a result of the English Reformation.
Napoleon I and his wife Joséphine were crowned Emperor and Empress of the French on Sunday, December 2, 1804, at Notre-Dame de Paris in Paris. It marked "the instantiation of [the] modern empire" and was a "transparently masterminded piece of modern propaganda". Napoleon wanted to establish the legitimacy of his imperial reign with its new dynasty and nobility. To this end, he designed a new coronation ceremony unlike that for the kings of France, which had emphasised the king's consecration (sacre) and anointment and was conferred by the archbishop of Reims in Reims Cathedral. Napoleon's was a sacred ceremony held in the great cathedral of Notre Dame de Paris in the presence of Pope Pius VII. Napoleon brought together various rites and customs, incorporating ceremonies of Carolingian tradition, the ancien régime, and the French Revolution, all presented in sumptuous luxury.
John Henry Robinson (1796–1871) was an English engraver.
Jean-Baptiste Duvoisin was a Roman Catholic priest, theologian and writer, who was Bishop of Nantes from 1802 until his death in 1813. He was praised by the Napoleon I for being, in theological matters, "a torch of which he did not wish to lose sight," and was often consulted by the Emperor on religious questions.
Francesco Bertazzoli was an Italian prelate of the Catholic Church who was a longtime confidant of Pope Pius VII, who made him a cardinal in 1823.
Josephine and the Fortune-Teller is an 1837 history painting by the British artist David Wilkie. It depicts a story about the young Joséphine de Beauharnais visiting a fortune teller on her native island of Martinique, who predicts her future in France as the wife of Emperor Napoleon.
The Guerilla's Return is an 1830 history painting by the British artist David Wilkie. Wilkie had visited Spain a few years earlier and produced three works set during the Peninsular War (1808-1814). After they were exhibited at the Royal Academy's Summer Exhibition in 1828 they were purchased by George IV. Around this time Wilkie shifted his style which previously echoed the genre paintings of David Taniers but now used the oil sketches of Rubens as an inspiration.
