Washington Irving in the Archives of Seville | |
---|---|
Artist | David Wilkie |
Year | 1828 |
Type | Oil on canvas |
Dimensions | 122.6 cm× 122.6 cm(48.3 in× 48.3 in) |
Location | Leicester Museum and Art Gallery, Leicester |
Washington Irving in the Archives of Seville is a painting of 1828 by the British artist David Wilkie. It depicts a visit by the American writer Washington Irving to a library in Seville. [1]
Irving was in Spain researching a follow-up to his biography of Christopher Columbus, A Chronicle of the Conquest of Granada . [2] Wilkie travelled there following a nervous breakdown during which he had stopped working. The two men became friends and Wilkie was able to produce several works set during the Peninsular War, which revived his career. They were exhibited at the 1828 Summer Exhibition of the Royal Academy and were acquired by George IV for the Royal Collection.
This more personal work shows Irving hunched over a historic book with a monk standing beside him. [3] Today it is in the collection of the Leicester Museum and Art Gallery. [4]
Washington Irving was an American short-story writer, essayist, biographer, historian, and diplomat of the early 19th century. He wrote the short stories "Rip Van Winkle" (1819) and "The Legend of Sleepy Hollow" (1820), both of which appear in his collection The Sketch Book of Geoffrey Crayon, Gent. His historical works include biographies of Oliver Goldsmith, Muhammad, and George Washington, as well as several histories of 15th-century Spain that deal with subjects such as the Alhambra, Christopher Columbus, and the Moors. Irving served as American ambassador to Spain in the 1840s.
In art history, literature and cultural studies, Orientalism is the imitation or depiction of aspects of the Eastern world by writers, designers, and artists from the Western world. Orientalist painting, particularly of the Middle East, was one of the many specialties of 19th-century academic art, and Western literature was influenced by a similar interest in Oriental themes.
Sir David Wilkie was a Scottish painter, especially known for his genre scenes. He painted successfully in a wide variety of genres, including historical scenes, portraits, including formal royal ones, and scenes from his travels to Europe and the Middle East. His main base was in London, but he died and was buried at sea, off Gibraltar, returning from his first trip to the Middle East. He was sometimes known as the "people's painter".
Edward Matthew Ward,, was a British painter who specialised in historical genre. He is best known for his murals in the Palace of Westminster depicting episodes in British history from the English Civil War to the Glorious Revolution.
John Frederick Lewis (1804–1876) was an English Orientalist painter. He specialized in Oriental and Mediterranean scenes in detailed watercolour or oils, very often repeating the same composition in a version in each medium. He lived for several years in a traditional mansion in Cairo, and after his return to England in 1851 he specialized in highly detailed works showing both realistic genre scenes of Middle Eastern life and more idealized scenes in upper-class Egyptian interiors with little apparent Western influence.
The First Council of Queen Victoria is an 1838 history painting by the Scottish artist David Wilkie. It depicts the first meeting of the Privy Council following the succession of Queen Victoria to the throne following the death of her uncle William IV. It represents the actual meeting that took place in the Red Saloon at Kensington Palace on 20 June 1837, when the eighteen year-old queen met with senior politicians from both the governing Whig Party and the opposition Tories.
The Defence of Saragossa is an 1828 history painting by the British artist David Wilkie. It depicts a scene during the 1808 Siege of Zaragoza at the time of the Peninsular War. Wilkie, A London-based Scottish painter had recently travelled through Spain. This was one of a series of four works he produced featuring scenes of Spanish resistance to the French occupiers in the Peninsular War.
Sir David Baird Discovering the Body of Sultan Tipoo Sahib is an 1839 history painting by the Scottish artist David Wilkie. It presents a scene during the Siege of Seringapatam in 1799. General Baird, a senior British officer and accompanying troops encounter the body of the Tipu Sultan. The ruler of Mysore and an ally of France he was killed when Anglo-Indian forces stormed his capital Seringapatam.
Newsmongers is an 1821 genre painting by the Scottish artist David Wilkie. It portrays a group gathered around a man and woman holding up a newspaper. The group includes a baker carrying a pie and roast joint. The news being read is not specified, but its been speculated that might be news of the Napoleonic Wars or the more recent Trial of Queen Caroline.
The Penny Wedding is an 1818 genre painting by the British artist David Wilkie. It depicts a traditional penny wedding in which the guests each paid a penny towards the cost.
The Parish Beadle is an 1823 genre painting by the Scottish artist David Wilkie. It depicts a comically overzealous parish beadle taking a troupe of travelling Savoyard entertainers into custody for vagrancy. They have evidently been performing at the fair seen in the distance which has some echoes of William Hogarth's Southwark Fair.
The Village of Waterloo is an 1821 history painting by the English artist George Jones. It has the longer subtitle With Travellers Purchasing the Relics That Were Found in the Field of Battle, 1815
Blind-Man's Buff is an 1812 genre painting by the Scottish artist David Wilkie. It shows a game of Blind man's buff. While depictions of the game had appeared in art before, Willkie chose to portray a humbler settling than earlier versions generally set in drawing rooms.
Pitlessie Fair is an 1804 genre painting by the Scottish artist David Wilkie. It depicts the annual mayfair being held in his native village of Pitlessie in Fife.
Portrait of William IV is an 1832 portrait painting by the Scottish artist David Wilkie. It is a depiction of the reigning British monarch William IV, who had come to the throne two years earlier. Wilkie was Principal Painter in Ordinary to the king and produced this full-length work showing William in his garter robes with St Edward's Crown beside him. Wilkie was a great admirer of Old Masters and the presentation of the king echoes that of Hans Holbein's Portrait of Henry VIII.
Napoleon and Pius VII at Fontainebleau is an 1836 history painting by the Scottish artist David Wilkie. It depicts Napoleon, the emperor of France, meeting with Pope Pius VII at Fontainebleau Palace. Wilkie was inspired by a passage in Walter Scott's 1827 biography The Life of Napoleon Buonaparte.
Christopher Columbus Explaining His Intended Voyage is an 1834 history painting by the British artist David Wilkie. It depicts a scene in 1485 at the La Rábida Friary in Huelva when the explorer Christopher Columbus sets out his plans to reach Asia by sailing westwards. Departing seven years later he was instead to land in the Americas, a major moment in the Age of Discovery. It is also known by the longer title Christopher Columbus in the Convent of La Rabida Explaining His Intended Voyage.
Chronicle of the Conquest of Granada is an 1829 history book by the American author Washington Irving. It charts the Granada War that completed the Reconquista of Spain in a romanticized manner. Originally the book was published in two volumes. Irving wrote it under the pen name of Fray Antonio Agapida, but his publisher John Murray added his real name to the title page. This irritated Irving as it had intended to portray it as a chronicle based on old Spanish historians, whereas "you make me personally responsible for the verity of fact and the soundness of the opinions of what was intended to given as a romantic chronicle".
Josephine and the Fortune-Teller is an 1837 history painting by the British artist David Wilkie. It depicts a story about the young Joséphine de Beauharnais visiting a fortune teller on her native island of Martinique, who predicts her future in France as the wife of Emperor Napoleon.
The Village Recruit is an 1805 genre painting by the Scottish artist David Wilkie. Painted at the time of the Napoleonic Wars it shows a recruiting party of the British Army in a country tavern where one young man has just enlisted and prepares to spend his King's shilling on further alchohol. It was painted when Wilkie was around twenty, the year he moved to London to study at the Royal Academy. It was one of three paintings that were spin-offs from his 1804 work Pitlessie Fair, which had featured a recruiting party. Influenced like much of Wilkie's work by the old masters of the seventeenth century, it has strong similarities to his better-known work The Village Politicians. It was initially known by the alternative title Bounty Money.