Narine Arakelian | |
---|---|
Born | Narine Robertovna Arakelian 13 May 1979 |
Nationality | Armenian |
Education | State Surikov Institute, Moscow |
Alma mater | State Surikov Institute |
Known for | Feminist Performance Art, Intervention Art, Installation Art, Video art, Environmental Art, Painting, Sculpture |
Notable work | The “Cast Iron Pots and Pans” Public Intervention Art, The “L'illusion du Marriage” Performance Art, The “Lighthouse” Environmental Art, The “Initiation” Installation Art |
Movement | Contemporary art, New media art, Feminist Performance Art, Environmental Art, Art intervention, Generative Art |
Patron(s) | Aidan Salakhova |
Website | narinearakelian |
Narine Arakelian (born 13 May 1979) is an Armenian [1] interdisciplinary feminist artist; [2] she works with Performance art, [3] Installation art, [4] Painting, Sculpture, Video art and Environmental art [5] combining Fine Arts and Digital Technologies by using the custom designed Artificial Intelligence (A.I.). [6] The artist creates artworks based on social, cultural and political issues focusing predominantly on social justice and gender identity. [7]
Narine Arakelian is a member of the Russian Union of Artists. [8]
Narine Arakelian was born on 13 May 1979 in Tynda, Siberia. [9] [10] In 2015 she graduated from the State Surikov Institute (Moscow). [11]
Arakelian has participated in a number of international art shows and exhibitions. Since 2015 her artworks were exhibited in international shows within 56th Venice Biennale (2015), [12] 57th Venice Biennale (2017) [13] and 58th International Art Exhibition, La Biennale di Venezia (2019), [14] Manifesta XII in Palermo (2018), [15] as well as she had a series of solo and group exhibitions in Moscow, [16] Berlin, [17] Miami[ citation needed ] and Los Angeles. [18]
The “Stigmata” Painting (2015) [19]
The “L’Illusion du Marriage” Performance Art (2017) [20]
The "Love is...” Performance Art (2017) [21]
The "Honeymoon” Performance Art (2017) [22]
The "Decommodification Principle” Video Art (2017) [23]
The “Hope” Canvas (2018) [24]
The “Cast Iron Pots and Pans” Public Intervention Art (2019) [25] [26]
The “Lighthouse” Environmental Art (2019) [27]
The “Bloom” Performance Art (2019) [28]
The "Initiation” Installation Art (2019) [29]
The "Rebirth Subconscious” Video Art (2019) [30]
The "Love&Hope” AR Performance Art - LoveXXL360 (2020)[ citation needed ]
The "Paradise Apple” AR Performance Art - LoveXXL360 (2020) [31]
The Venice Film Festival or Venice International Film Festival is an annual film festival held in Venice, Italy. It is the world's oldest film festival and one of the "Big Five" International film festivals worldwide, which include the Big Three European Film Festivals, alongside the Toronto Film Festival in Canada and the Sundance Film Festival in the United States.These festivals are internationally renowned for giving creators the artistic freedom to express themselves through film. In 1951, FIAPF formally accredited the festival.
The Venice Biennale is an international cultural exhibition hosted annually in Venice, Italy by the Biennale Foundation. The biennale has been organised every year since 1895, which makes it the oldest of its kind. The main exhibition held in Castello, in the halls of the Arsenale and Biennale Gardens, alternates between art and architecture. The other events hosted by the Foundation—spanning theatre, music, and dance—are held annually in various parts of Venice, whereas the Venice Film Festival takes place at the Lido.
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# Susan Kleinberg - Artist Biography
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Susanna Gyulamiryan, Armenian curator, art critic and feminist scholar. She is the appointed curator of the Pavilion of the Republic of Armenia at 58th International Art Exhibition, La Biennale di Venezia (2019). Gyulamiryan is co-founder and the president of the non-governmental organization “Art and Cultural Studies Laboratory” (ACSL), and artistic director of the “Art Commune” International Artist-in-Residence Program. The “Art Commune” is a general member of the Res Artis worldwide network of artist residencies (resartis.org). Gyulamiryan is a (board) member of AICA-Armenia. She has led courses in Gender Studies and Feminist Art [Theory and Practice] at the Department of Fine Arts, Armenian Open University, and has also carried out MA course in Gender Studies at Yerevan State University, Department of Cultural Studies. She worked as a contributing editor and leader of the monthly columns “The Name of Art” and “Art Situations” at “CinemArt” –the journal on cinematography and contemporary art. The circle of Gyulamiryan's professional interests and studies embraced feminist art, participatory /community art and art of social and political engagement in conjunction with civil and political activism.
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