Museo archeologico nazionale di Ferrara | |
Palazzo costabili | |
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Location | Ferrara, Italy |
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Coordinates | 44°49′39.00″N11°37′37.56″E / 44.8275000°N 11.6271000°E |
Type | Archaeology |
The National Archaeological Museum of Ferrara is housed in Palazzo Costabili, in Ferrara, Italy. It holds various excavated artifacts from the Etruscan city of Spina, which flourished between the 6th and 3rd centuries BC. [1] The ancient city of Spina, close to modern Comacchio was abandoned in the 2nd century BC, but was discovered by chance in 1922 and was excavated. [1] [2]
The exhibition is organized into two parts. The ground floor holds items related to the city of Spina and the daily activities there. A special section is dedicated to religious life of the city, manifested by epigraphic evidence. The ground floor also holds two monohull boats (commonly referred to as pirogues) recovered in 1948 in the Isola Valley. The boats date back to the late Roman period (III-IV century BC). [3]
On the upper floor, items found in the city necropolis are exhibited along with a chronological criteria. These include kraters, amphorae etc. produced by Athenian artists of the 5th and 4th centuries BC. The paintings represent mythological scenes and everyday life, and indicate the spread of Greek art in the Etruscan sphere. Other ceramics, mainly from the 4th and 3rd centuries BC, come from Magna Graecia and Sicily. In addition, jewels in gold, silver, amber and semiprecious stones, made by ancient the artisans of the Po and Central Italian Etruria are displayed. [3]
The Etruscan civilization was developed by the Etruscans, a people, who inhabited Etruria in ancient Italy, with a common language and culture who formed a federation of city-states. After conquering adjacent lands, its territory covered, at its greatest extent, roughly what is now Tuscany, western Umbria, and northern Lazio, as well as what are now the Po Valley, Emilia-Romagna, south-eastern Lombardy, southern Veneto, and western Campania.
Adria is a town and comune in the province of Rovigo in the Veneto region of northern Italy, situated between the mouths of the rivers Adige and Po. The remains of the Etruscan city of Atria or Hatria are to be found below the modern city, three to four metres below the current level. Adria and Spina were the Etruscan ports and depots for Felsina. Adria may have given its name during an early period to the Adriatic Sea, to which it was connected by channels.
In the material culture of classical antiquity, a patera or phiale is a shallow ceramic or metal libation bowl. It often has a bulbous indentation in the center underside to facilitate holding it, in which case it is sometimes called a mesomphalic phiale. It typically has no handles, and no feet. Although the two terms may be used interchangeably, particularly in the context of Etruscan culture, phiale is more common in reference to Greek forms, and patera in Roman settings, not to be confused with the Greek (Πατέρας) Patéras or Father.
Ancient art refers to the many types of art produced by the advanced cultures of ancient societies with different forms of writing, such as those of ancient China, India, Mesopotamia, Persia, Palestine, Egypt, Greece, and Rome. The art of pre-literate societies is normally referred to as prehistoric art and is not covered here. Although some pre-Columbian cultures developed writing during the centuries before the arrival of Europeans, on grounds of dating these are covered at pre-Columbian art and articles such as Maya art, Aztec art, and Olmec art.
Spina was an Etruscan port city, established by the end of the 6th century BCE, on the Adriatic at the ancient mouth of the Po.
Paestum was a major ancient Greek city on the coast of the Tyrrhenian Sea in Magna Graecia. The ruins of Paestum are famous for their three ancient Greek temples in the Doric order dating from about 550 to 450 BC that are in an excellent state of preservation. The city walls and amphitheatre are largely intact, and the bottom of the walls of many other structures remain, as well as paved roads. The site is open to the public, and there is a modern national museum within it, which also contains the finds from the associated Greek site of Foce del Sele.
In Ancient Greece, the symposium was a part of a banquet that took place after the meal, when drinking for pleasure was accompanied by music, dancing, recitals, or conversation. Literary works that describe or take place at a symposium include two Socratic dialogues, Plato's Symposium and Xenophon's Symposium, as well as a number of Greek poems such as the elegies of Theognis of Megara. Symposia are depicted in Greek and Etruscan art that shows similar scenes.
Pottery, due to its relative durability, comprises a large part of the archaeological record of ancient Greece, and since there is so much of it, it has exerted a disproportionately large influence on our understanding of Greek society. The shards of pots discarded or buried in the 1st millennium BC are still the best guide available to understand the customary life and mind of the ancient Greeks. There were several vessels produced locally for everyday and kitchen use, yet finer pottery from regions such as Attica was imported by other civilizations throughout the Mediterranean, such as the Etruscans in Italy. There were a multitude of specific regional varieties, such as the South Italian ancient Greek pottery.
Exekias was an ancient Greek vase painter and potter who was active in Athens between roughly 545 BC and 530 BC. Exekias worked mainly in the black-figure technique, which involved the painting of scenes using a clay slip that fired to black, with details created through incision. Exekias is regarded by art historians as an artistic visionary whose masterful use of incision and psychologically sensitive compositions mark him as one of the greatest of all Attic vase painters. The Andokides painter and the Lysippides Painter are thought to have been students of Exekias.
The Archaeological Museum of Thessaloniki is a museum in Thessaloniki, Central Macedonia, Greece. It holds and interprets artifacts from the Prehistoric, Archaic, Classical, Hellenistic and Roman periods, mostly from the city of Thessaloniki but also from the region of Macedonia in general.
Cerveteri is a town and comune of northern Lazio in the region of the Metropolitan City of Rome. Known by the ancient Romans as Caere, and previously by the Etruscans as Caisra or Cisra, and as Agylla by the Greeks, its modern name derives from Caere Vetus used in the 13th century to distinguish it from Caere Novum.
The Euphronios Krater is an ancient Greek terra cotta calyx-krater, a bowl used for mixing wine with water. Created around the year 515 BC, it is the only complete example of the surviving 27 vases painted by the renowned Euphronios and is considered one of the finest Ancient Greek vases in existence.
Aléria is a commune in the Haute-Corse department of France on the island of Corsica, former bishopric and present Latin Catholic titular see. It includes the easternmost point in Metropolitan France.
Etruscan art was produced by the Etruscan civilization in central Italy between the 10th and 1st centuries BC. From around 750 BC it was heavily influenced by Greek art, which was imported by the Etruscans, but always retained distinct characteristics. Particularly strong in this tradition were figurative sculpture in terracotta, wall-painting and metalworking especially in bronze. Jewellery and engraved gems of high quality were produced.
The National Archaeological Museum of Florence is an archaeological museum in Florence, Italy. It is located at 1 piazza Santissima Annunziata, in the Palazzo della Crocetta.
Dietrich Felix von Bothmer was a German-born American art historian, who spent six decades as a curator at the Metropolitan Museum of Art, where he developed into the world's leading specialist in the field of ancient Greek vases.
Gino Vinicio Gentili was an Italian archaeologist.
The Archaeological Museum of Milan is located in the ex-convent of the Monastero Maggiore, alongside the ancient church of San Maurizio al Monastero Maggiore, with entrance on Corso Magenta.
The Tarquinia National Museum is an archaeological museum dedicated to the Etruscan civilization in Tarquinia, Italy. Its collection consists primarily of the artifacts which were excavated from the Necropolis of Monterozzi to the east of the city. It is housed in the Palazzo Vitelleschi.
Ancient Greek art stands out among that of other ancient cultures for its development of naturalistic but idealized depictions of the human body, in which largely nude male figures were generally the focus of innovation. The rate of stylistic development between about 750 and 300 BC was remarkable by ancient standards, and in surviving works is best seen in sculpture. There were important innovations in painting, which have to be essentially reconstructed due to the lack of original survivals of quality, other than the distinct field of painted pottery.