This article needs additional citations for verification .(August 2020) |
National Health | ||||
---|---|---|---|---|
![]() | ||||
Studio album by | ||||
Released | February 1978 | |||
Recorded | February – March 1977 | |||
Studio | The Point, Victoria, London, on the Mobile Mobile | |||
Genre | Jazz fusion, progressive rock, avant-garde | |||
Length | 49:58 | |||
Label | Affinity Records, Esoteric Recordings (Reissue) | |||
Producer | Mike Dunne | |||
National Health chronology | ||||
|
Review scores | |
---|---|
Source | Rating |
AllMusic | ![]() ![]() ![]() ![]() ![]() |
The Encyclopedia of Popular Music | ![]() ![]() ![]() ![]() ![]() |
National Health is the first album recorded by the progressive rock and jazz fusion group National Health, one of the last representatives of the artistically prolific Canterbury scene. [3] Although it was created during the rise of punk, the album is characterized by lengthy, elaborate and mostly instrumental compositions that combine prog and jazz elements.
In a retrospective review, All About Jazz wrote that "revisiting the disc over 30 years later reveals a strength in composition, improvisation and orchestration/arrangement that makes it another high point in the careers of everyone involved." [4] In his History of Progressive Rock, Paul Stump said that National Health "retains an askew charm, dominated by a wheezy, rough-and-reedy sound at odds with the amniotic sybaritism of most Progressive production jobs at the time." He opined that despite the album having been criticized for "excessive compositional rigour", the elaborate and inventive compositions actually enabled the soloists to be more adventurous. [5] The Billboard Guide to Progressive Music called the album "easily the best of [National Health's] three releases." [3]
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Tenemos Roads" | Dave Stewart | 14:43 |
2. | "Brujo" | Alan Gowen | 10:19 |
3. | "Borogoves (Excerpt from Part Two)" | Stewart | 4:16 |
4. | "Borogoves (Part One)" | Stewart | 6:37 |
5. | "Elephants" | Gowen, Stewart | 14:37 |
with
The Complete Bitches Brew Sessions is a four-disc box set by jazz trumpeter Miles Davis compiling recordings between August 19, 1969, and February 6, 1970—including the 1970 double album Bitches Brew in its entirety—and released on Columbia/Legacy on November 24, 1998.
Welcome is the fifth studio album by Santana, released in 1973. It followed the jazz-fusion formula that the preceding Caravanserai had inaugurated, but with an expanded and different lineup this time. Gregg Rolie had left the band along with Neal Schon to form Journey, and they were replaced by Tom Coster, Richard Kermode and Leon Thomas, along with guest John McLaughlin, who had collaborated with Carlos Santana on Love Devotion Surrender. Welcome also featured John Coltrane's widow, Alice, as a pianist on the album's opening track, "Going Home" and Flora Purim on vocals. This album was far more experimental than the first four albums, and Welcome did not produce any hit singles.
Unorthodox Behaviour is the first album by British jazz fusion group Brand X. It peaked at 191 on the Billboard 200 in 1976, the same year it was released.
Wazoo is a live album by Frank Zappa, posthumously released in October 2007 as a 2-CD set consisting of the complete concert given by "The Mothers of Invention/Hot Rats/Grand Wazoo" 20-piece big band on September 24, 1972 at the Music Hall, Boston, Massachusetts, United States. It is the third installment on the Vaulternative Records label that is dedicated to the posthumous release of complete Zappa concerts, following the releases of FZ:OZ (2002) and Buffalo (2007).
Incognito is the sixth album by Spyro Gyra, released in 1982. At Billboard magazine, it reached No. 46 on the Top 200 Albums chart, and No. 2 on that magazine's Jazz Albums chart.
White Rabbit is an album by George Benson. The title track is a cover of the famous Jefferson Airplane song by Grace Slick.This album was George Benson's second CTI Records project produced by Creed Taylor and was recorded nine months after Beyond the Blue Horizon.
City Kids is the seventh album by Spyro Gyra, released in 1983. At Billboard magazine, it reached No. 66 on the Top 200 Albums chart, and No. 2 on that magazine's Jazz Albums chart.
Freak In is the 20th album by trumpeter Dave Douglas. It was released on the RCA Bluebird label in 2003 and features performances by Douglas, Jamie Saft, Marc Ribot, Karsh Kale, Joey Baron, Romero Lubambo, Brad Jones, Ikue Mori, Seamus Blake, Chris Speed, Craig Taborn, Michael Sarin, with Stephanie Stone contributing vocals on one track.
Strange Liberation is the 21st album by jazz trumpeter Dave Douglas. It was released on the Bluebird imprint of RCA Records in 2004. The album features the Dave Douglas Quintet plus guest guitarist Bill Frisell. The album received widespread critical acclaim and did well on the jazz album charts, reaching number three on Billboard's and number one on CMJ's.
Living Time is an album by the Bill Evans George Russell Orchestra recorded in 1972 and released on the Columbia label, featuring performances by Evans with an orchestra conducted by Russell.
Musique Mecanique is an album by American composer, bandleader and keyboardist Carla Bley recorded in 1978 and released on the Watt/ECM label in 1979.
Solitaire is the thirty-first studio album by American pop singer Andy Williams, released in the fall of 1973 by Columbia Records and was an attempt to move away from his formulaic series of recent releases that relied heavily on songs that other artists had made popular.
Of Queues and Cures is the second album recorded by the progressive rock and jazz fusion group National Health, one of the last representatives of the artistically prolific Canterbury scene.
Sci-Fi is the fourth studio album by American jazz bassist Christian McBride, released in 2000 by Verve. Some of the tracks are pop standards.
Out of the Shadows is an album by American pianist Dave Grusin. The album consists mostly of original, pop-influenced jazz compositions. Released by Arista and Grusin's own GRP Records in 1982, it experienced favorable critical reception and became a commercial success, spawning the single "She Could Be Mine" and becoming one of his highest-charting albums when it peaked at number four on Billboard's Contemporary Jazz Albums chart and number 88 on the all-genre Billboard 200. It continues to be retrospectively well regarded by critics.
The Gil Evans Orchestra Plays the Music of Jimi Hendrix is an album of Jimi Hendrix's compositions by jazz composer, conductor and pianist Gil Evans. The music was arranged by Evans and members of his orchestra. The album was recorded in 1974 and performed by Evans with an orchestra featuring David Sanborn, Howard Johnson, Billy Harper, and John Abercrombie. The album was re-released with additional tracks on CD in 1988.
D.S. Al Coda is the third and final album by the progressive rock and jazz fusion group National Health. It is a tribute to former member Alan Gowen, who died of leukaemia in May 1981, and consists solely of compositions written by him. Most of these had not been recorded in the studio before, although "TNTFX" and "Arriving Twice" both appeared earlier on albums by Gowen's other band Gilgamesh.
Origin Suite is the second jazz album by Michael Waldrop, produced by award-winning Seattle, Washington-based label Origin Records and released January 3, 2018. The CD idea is a high level, eclectic mix of works showcasing Michael Waldrop. Specifically, the Origin Suite was composed for this CD as a tour de force to showcase Waldrop. Most notably the CD received 4 of 5 stars by music critic and author Brian Morton in the April 2018 edition of Jazz Journal from London.
Another Hand is an album by the American saxophonist David Sanborn, released in 1991.
The Bruised Romantic Glee Club is the fifth solo album by English musician Jakko M. Jakszyk. it was his first release in 9 years since 1997s The Road to Ballina and first since the breakup of the 21st Century Schizoid Band, a band featuring former members of early lineups of the progressive rock band King Crimson. Jakszyk was the only member who previously hadn't been a member of the band though he did join the band when they reformed in 2013. Due to Jakszyk's membership of the Schizoid band, the album features members of the band.