Related Research Articles
Propaganda is communication that is primarily used to influence or persuade an audience to further an agenda, which may not be objective and may be selectively presenting facts to encourage a particular synthesis or perception, or using loaded language to produce an emotional rather than a rational response to the information that is being presented. Propaganda can be found in a wide variety of different contexts.
A museum is an institution dedicated to displaying and/or preserving culturally or scientifically significant objects. Many museums have exhibitions of these objects on public display, and some have private collections that are used by researchers and specialists. Compared to a library, a museum hosts a much wider range of objects and usually focus around a specific theme such as the arts, science, natural history, local history, and other topics. Public museums that host exhibitions and interactive demonstrations are often considered to be tourist attractions, and many museums attract large numbers of visitors from outside their host country, with the most visited museums in the world regularly attracting millions of visitors annually.
An art museum or art gallery is a building or space for the display of art, usually from the museum's own collection. It might be in public or private ownership, be accessible to all, or have restrictions in place. Although primarily concerned with visual art, art museums are often used as a venue for other cultural exchanges and artistic activities, such as lectures, jewelry, performance arts, music concerts, or poetry readings. Art museums also frequently host themed temporary exhibitions, which often include items on loan from other collections.
San José is the capital and largest city of Costa Rica, and the capital of the province of the same name. It is in the center of the country, in the mid-west of the Central Valley, within San José Canton. San José is Costa Rica's seat of national government, focal point of political and economic activity, and major transportation hub. San José Canton's population was 288,054 in 2011, and San José's municipal land area is 44.2 square kilometers, with an estimated 333,980 residents in 2015. Together with several other cantons of the central valley, including Alajuela, Heredia and Cartago, it forms the country's Greater Metropolitan Area, with an estimated population of over 2 million in 2017. The city is named in honor of Joseph of Nazareth.
The Museo del Prado, officially known as Museo Nacional del Prado, is the main Spanish national art museum, located in central Madrid. It houses collections of European art, dating from the 12th century to the early 20th century, based on the former Spanish royal collection, and the single best collection of Spanish art. Founded as a museum of paintings and sculpture in 1819, it also contains important collections of other types of works. The numerous works by Francisco Goya, the single most extensively represented artist, as well as by Hieronymus Bosch, El Greco, Peter Paul Rubens, Titian, and Diego Velázquez, are some of the highlights of the collection. Velázquez and his keen eye and sensibility were also responsible for bringing much of the museum's fine collection of Italian masters to Spain, now one of the largest outside of Italy.
A monument is a type of structure that was explicitly created to commemorate a person or event, or which has become relevant to a social group as a part of their remembrance of historic times or cultural heritage, due to its artistic, historical, political, technical or architectural importance. Some of the first monuments were dolmens or menhirs, megalithic constructions built for religious or funerary purposes. Examples of monuments include statues, (war) memorials, historical buildings, archaeological sites, and cultural assets. If there is a public interest in its preservation, a monument can for example be listed as a UNESCO World Heritage Site. The Palgrave Encyclopedia of Cultural Heritage and Conflict gives the next definition of monument:
Monuments result from social practices of construction or conservation of material artifacts through which the ideology of their promoters is manifested. The concept of the modern monument emerged with the development of capital and the nation-state in the fifteenth century when the ruling classes began to build and conserve what were termed monuments. These practices proliferated significantly in the nineteenth century, creating the ideological frameworks for their conservation as a universal humanist duty. The twentieth century has marked a movement toward some monuments being conceived as cultural heritage in the form of remains to be preserved, and concerning commemorative monuments, there has been a shift toward the abstract counter monument. In both cases, their conflictive nature is explicit in the need for their conservation, given that a fundamental component of state action following the construction or declaration of monuments is litigating vandalism and iconoclasm. However, not all monuments represent the interests of nation-states and the ruling classes; their forms are also employed beyond Western borders and by social movements as part of subversive practices which use monuments as a means of expression, where forms previously exclusive to European elites are used by new social groups or for generating anti-monumental artifacts that directly challenge the state and the ruling classes. In conflicts, therefore, it is not so much the monument which is relevant but rather what happens to the communities that participate in its construction or destruction and their instigation of forms of social interaction.
The Lady of Elche is a limestone bust that was discovered in 1897, at La Alcudia, an archaeological site on a private estate two kilometers south of Elche, Spain. It is now exhibited in the National Archaeological Museum of Spain in Madrid.
Repatriation is the return of the cultural property, often referring to ancient or looted art, to their country of origin or former owners.
The Argentine National Historical Museum is located in Buenos Aires, Argentina, and is a museum dedicated to the history of Argentina, exhibiting objects relating to the May Revolution and the Argentine War of Independence.
The Musée du Quai Branly – Jacques Chirac, located in Paris, France, is a museum designed by French architect Jean Nouvel to feature the indigenous art and cultures of Africa, Asia, Oceania, and the Americas. The museum collection comprises more than a million objects, of which 3,500 are on display at any given time, in both permanent and temporary thematic exhibits. A selection of objects from the museum is also displayed in the Pavillon des Sessions of the Louvre.
The Museo Nacional de Arte (MUNAL) is the Mexican national art museum, located in the historical center of Mexico City. The museum is housed in a neoclassical building at No. 8 Tacuba, Col. Centro, Mexico City. It includes a large collection representing the history of Mexican art from the mid-sixteenth century to the mid 20th century. It is recognizable by Manuel Tolsá's large equestrian statue of Charles IV of Spain, who was the monarch just before Mexico gained its independence. It was originally in the Zocalo but it was moved to several locations, not out of deference to the king but rather to conserve a piece of art, according to the plaque at the base. It arrived at its present location in 1979.
The National Archaeological Museum is a museum in Madrid, Spain. It is located on Calle de Serrano beside the Plaza de Colón, sharing its building with the National Library of Spain.
Cultural policy is the government actions, laws and programs that regulate, protect, encourage and financially support activities related to the arts and creative sectors, such as painting, sculpture, music, dance, literature, and filmmaking, among others and culture, which may involve activities related to language, heritage and diversity. The idea of cultural policy was developed at UNESCO in the 1960s. Generally, this involves governments setting in place processes, legal classifications, regulations, legislation and institutions which promote and facilitate cultural diversity and creative expressions in a range of art forms and creative activities. Cultural policies vary from one country to another, but generally they aim to improve the accessibility of arts and creative activities to citizens and promote the artistic, musical, ethnic, sociolinguistic, literary and other expressions of all people in a country. In some countries, especially since the 1970s, there is an emphasis on supporting the culture of Indigenous peoples and marginalized communities and ensuring that cultural industries are representative of a country's diverse cultural heritage and ethnic and linguistic demographics.
The Museo Nacional de las Intervenciones is located in the former Monastery of San Diego Churubusco, which was built on top of an Aztec shrine. The museum is split into two sections. The downstairs is dedicated to the site’s history as a monastery, and the upstairs rooms are dedicated to artifacts related to the various military conflicts that have taken place on Mexican soil and how these have shaped the modern Mexican republic. The museum is located on Calle 20 de Agosto, one block east from Division del Norte, following Calle Xicoténcatl, in Churubusco. It is one of five museums that are operated directly by the Instituto Nacional de Antropología e Historia (INAH).
Angelica Carrasco is a Mexican graphic artist who is a pioneer of large scale printmaking in the country. Her work often is related to violence and classified as “abstract neo-expressionism.” Much of her career has been dedicated to teaching and the promotion of the arts, especially the graphic arts and has been recognized with membership in the Salón de la Plástica Mexicana and the Sistema Nacional de Creadores de Arte.
The Prado Mona Lisa is a painting by the workshop of Leonardo da Vinci and depicts the same subject and composition as Leonardo's better known Mona Lisa at the Louvre, Paris. The Prado Mona Lisa has been in the collection of the Museo del Prado in Madrid, Spain since 1819, but was considered for decades a relatively unimportant copy. Following its restoration in 2012, however, the Prado's Mona Lisa has come to be understood as the earliest known studio copy of Leonardo's masterpiece.
The Napoleonic looting of art was a series of confiscations of artworks and precious objects carried out by the French Army or French officials in the conquered territories of the French Republic and Empire, including the Italian Peninsula, Spain, Portugal, the Low Countries, and Central Europe. The looting began around 1794 and continued through Napoleon I's rule of France, until the Congress of Vienna in 1815 ordered the restitution of the works.
The 136 museums in the city of Paris display many historical, scientific, and archeological artifacts from around the world, covering diverse and unique topics including fashion, theater, sports, cosmetics, and the culinary arts.
References
- ↑ Swann, Marjorie (2001), Curiosities and Texts: The Culture of Collecting in Early Modern England, Philadelphia: University of Pennsylvania Press.
- ↑ "History of Louvre". History of Louvre. Retrieved 14 November 2013.
- 1 2 Dirk Verheyen, United City, Divided Memories?: Cold War Legacies in Contemporary Berlin (2010), p. 37.
- ↑ Paul Ashton, Paula Hamilton, "Unfinished Business", in Daniel J. Walkowitz, Lisa Maya Knauer, eds., Contested Histories in Public Space: Memory, Race, and Nation (2008), p. 88.