A national museum can be a museum maintained and funded by a national government. [1] In many countries it denotes a museum run by the central government, while other museums are run by regional or local governments. [2] In the United States, most national museums are privately funded and operated, but have been designated by Congress as national institutions that are important to the country. In other countries a much greater number of museums are run by the central government. [3]
The following is an incomplete list of national museums:
The Albanian government operates several national museums, including:
The Argentinian Ministry of Culture operates several national museums, including:
The Australian Government operates several national museums through its various departments, including:
In addition, a number of states in Australia also operate "national museums". These include:
The Federal Public Service for Science Policy Programming in Belgium operates several museum associations:
The government of Brunei operates several museums including:
The following are national museums of Canada, established by the federal government of Canada and operated through an autonomous Crown corporation:
Former national museums that were later shut down includes:
In addition to institutions established or operated by the Government of Canada, several provinces and territories have established their own provincial and territorial museums.
National-level museums in India come directly under the administrative control of Ministry of Culture, Government of India. [5]
Museums listed below are operated by Ministry of Education, Culture, Research, and Technology and other ministries.
The National Museum of the Philippines (NMP), a government organization, operates several national museums, including:
The National Museum Complex in Manila which consists of the central museums of the NMP namely the:
The NMP also operates the following satellite museums:
Sponsored by the Department for Culture, Media and Sport
Sponsored by Ministry of Defence
Sponsored by the Home Office
Antonio Allegri da Correggio, usually known as just Correggio, was the foremost painter of the Parma school of the High Italian Renaissance, who was responsible for some of the most vigorous and sensuous works of the sixteenth century. In his use of dynamic composition, illusionistic perspective and dramatic foreshortening, Correggio prefigured the Baroque art of the seventeenth century and the Rococo art of the eighteenth century. He is considered a master of chiaroscuro.
Tourism in Spain is a major contributor to national economic life, contributing to about 11.8% of Spain's GDP. Ever since the 1960s and 1970s, the country has been a popular destination for summer holidays, especially with large numbers of tourists from the United Kingdom, Ireland, Turkey, France, Germany, Italy, the Benelux, and the United States, among others. Accordingly, Spain's foreign tourist industry has grown into the second-biggest in the world.
Simon Vouet was a French painter who studied and rose to prominence in Italy before being summoned by Louis XIII to serve as Premier peintre du Roi in France. He and his studio of artists created religious and mythological paintings, portraits, frescoes, tapestries, and massive decorative schemes for the king and for wealthy patrons, including Richelieu. During this time, "Vouet was indisputably the leading artist in Paris," and was immensely influential in introducing the Italian Baroque style of painting to France. He was also according to Pierre Rosenberg, "without doubt one of the outstanding seventeenth-century draughtsmen, equal to Annibale Carracci and Lanfranco."
Museums of modern art listed alphabetically by country.
Marinus van Reymerswaele or Marinus van Reymerswale was a Dutch Renaissance painter mainly known for his genre scenes and religious compositions. After studying in Leuven and training and working as an artist in Antwerp, he returned later to work in his native Northern Netherlands. He operated a large workshop which produced many versions of mainly four themes: the tax collectors, the money changer and his wife, the calling of Saint Matthew and St. Jerome in his study.
Mario Bencomo is an artist. As an unaccompanied minor he was sent by his parents to live in Spain. At the age of 14, he left Madrid for the U.S., arriving by himself in New York City in the 1960s. He often returns to Europe, and for many years now for regular visits to Montreal, Canada. In 1996 he returns to visit Cuba for the first time, three decades after he left. An American Citizen, he is based in Miami.
Rubin's Europe was a temporary exhibition at the Louvre-Lens which took place in the temporary exhibitions gallery from May 22 to September 23, 2013, following the inaugural Renaissance exhibition. The exhibition brought together 170 works by Pierre Paul Rubens and his contemporaries, the majority of which were on loan from other museums.