Established | 1956 |
---|---|
Location | Pragati Maidan, Bhairon Road New Delhi, India |
Coordinates | 28°36′49″N77°14′32″E / 28.613551°N 77.24232°E |
Website | nationalcraftsmuseum.nic.in/ |
The National Handicrafts and Handlooms Museum (NHHM) commonly known as National Crafts Museum in New Delhi is one of the largest crafts museums in India. It is run by the Ministry of Textiles, Government of India. The museum is situated on the corner of the Pragati Maidan, facing the Purana Quila complex. [1] In 2015, the Government of India announced that a Hastkala (handicrafts) Academy would be established in the museum premises, converting some galleries into classrooms. Initial renovations destroyed one of the museum's most well-known artifacts, a room of murals painted by Madhubani artist Ganga Devi, leading to widespread criticism. [2] [3] As of 2019 [update] , renovations are still ongoing.
The Crafts Museum was established in 1956 by the now defunct All India Handicrafts Board. [4] It was set up over a period of 30 years starting in the 1950s and 60s by the efforts of Kamaladevi Chattopadhyay, when the area was envisaged as an ethnographic space where craftsmen from various parts of India would come in to work towards preservation of various traditional arts and crafts. By the 1980s it already had a substantial collection, and in time the museum space gradually evolved and transformed into its present shape. [5]
Today the museum holds over 35,000 rare and distinctive pieces reflecting the continuing tradition of Indian craftsmen through painting, embroidery, textiles, various crafts of clay, stone and wood, all housed in a building designed between 1975 and 1990 by architect Charles Correa, [1] [6] [7] incorporating traditional architectural vocabulary into a modern design. [8]
Various galleries within the museum include the Tribal and Rural Craft Gallery, Gallery of Courtly Crafts, Textile Gallery, and Gallery of Popular Culture. [9] Some of its prized collection include, the 250-300-year-old, Bhoota Collection from Karnataka, rare Kashmiri 300-year-old ‘dushalas’, handkerchiefs from Chamba, known for their unique embroidery, rare brocade and Baluchari saris, Kutch embroidery, precious metal jewellery and much more. The museum is popular for an exhaustive collection of textiles. [10] The museum also houses a village complex spread over 5-acre (20,000 m2), with 15 structures representing village dwellings, courtyards and shrines from different states of India, with items of day-to-day life displayed. The entire village complex is a remnant of a temporary exhibition on the theme of rural India, held in 1972. Today several traditional craftsmen in residence at the museum, can be seen working in a designated area within the museum complex, who also sell the crafts they create.
Apart from the collection, the museum houses research and documentation facilities, a reference library, a conservation laboratory, a photo laboratory and an auditorium. It is open from 9.30 am to 5 pm, except on Mondays. It is accessible through Pragati Maidan Delhi Metro Station.
In 2015, the Government of India announced that it would be creating a new Hastkala (handicrafts) Academy to train artisans on the Crafts Museum campus, converting existing galleries into classrooms. [3] Renovations were initiated in 2015. [11] An official from the Ministry of Textiles made an assurance that the establishment of the academy would not result in the closing of the museum, or disturbing any of the museum galleries or exhibits. [12] Despite this, in 2015, renovations at the museum destroyed hand-painted murals by Padma-Shri Award-winning artist Ganga Devi.
In the 1990s, the Crafts Museum commissioned renowned artist and Padma Shri Awardee Ganga Devi to paint the internal walls of a room in the traditional Madhubani style of art. The project, completed over six months, was undertaken while Ganga Devi undertook a residency at the Crafts Museum, while simultaneously being treated for cancer, a year before her death. Her work created a traditional Mithila style kohbar ghar, or a marriage room, decorated with murals. [13] It was the only example of a "complete iconographic rendering of Mithila’s kohbar ghar" in any museum. [2]
In 2015, the Crafts Museum was renovated, and the walls painted by Ganga Devi were completely whitewashed, entirely destroying the hand-painted murals, ostensibly to remedy damage in the walls. [14] The renovation resulted in criticism of the museum's administration, especially by curators who had recently visited the museum and could not confirm significant damage apart from minor chipping. [13] Conservationist Laila Tyabji expressed the view that the murals could have been restored but no efforts had been made to do so. [15] A museum official was quoted as saying "..don't worry, we will get another made" in response to the destruction of the murals. [15] [16]
In 2019, the Government of India's Ministry of Textiles announced that there would be renewed efforts to renovate the museum to make spaces for teaching. [17]
The Crafts Museum has on display part of its permanent collection in its galleries of Bhuta Sculpture Gallery, Tribal & Folk Art, Ritual Craft Gallery, Courtly Craft & Textiles Gallery. The Village Complex also has open walls along the corridors & passages which are used as the canvas to display the painted traditions of several tribes of folk artisans. New folk artists come in every month from different parts of the country to paint on the museum's walls.
This section needs expansion. You can help by adding to it. (February 2023) |
Dilli Haat is a paid-entrance open-air market, food plaza, and craft bazaar located in Delhi. The area is run by Delhi Tourism and Transportation Development Corporation (DTTDC), and unlike the traditional weekly market, the village Haat, Dilli Haat is permanent. It is located in the commercial centres of South Delhi, opposite INA market. The 6 acres of land on which this complex is situated was salvaged as part of a reclamation project and transformed into a plaza. Extensive foundation work, small thatched roof cottages and kiosks give the plaza a village atmosphere. Some shops are permanent but other sellers are rotated, usually for fifteen days. Products offered may include rosewood and sandalwood carvings, embellished camel hide footwear, sophisticated fabric and drapery, gems, beads, brassware, metal crafts, and silk & wool fabrics. A number of shows promoting handicrafts and handlooms are held at the exhibition hall in the complex. To sell wares, there is an application process; spaces are allocated according to which state the seller is from. In all, Dilli Haat, INA Market has 62 stalls allotted on a rotational basis to craftsmen for a payment of INR 100 per day for a maximum period of 15 days.
Madhubani art is a style of painting practiced in the Mithila region of India and Nepal. It is named after the Madhubani district of Bihar, India, which is where it originated. Jitwarpur and Ranti are the two most notable cities associated with the tradition and evolution of Madhubani art. The art was traditionally practiced by female members of Brahman and Kayastha castes. Artists create these paintings using a variety of mediums, including their own fingers, or twigs, brushes, nib-pens, and matchsticks. The paint is created using natural dyes and pigments. The paintings are characterized by their eye-catching geometrical patterns. There is ritual content for particular occasions, such as birth or marriage, and festivals, such as Holi, Surya Shasti, Kali Puja, Upanayana, and Durga Puja.
Phulkari refers to the folk embroidery of the Punjab region and Gulkari of Sindh in South Asia.
Pupul Jayakar was an Indian cultural activist and writer, best known for her work on the revival of traditional and village arts, handlooms, and handicrafts in post-independence India. According to The New York Times, she was known as "India's 'czarina of culture'", and founded arts festivals that promoted Indian arts in France, Japan, and the United States. She was a friend and biographer to both the Nehru-Gandhi family and J Krishnamurti. Jayakar had a close relationship with three prime ministers: Jawaharlal Nehru, his daughter Indira Gandhi and her son Rajiv Gandhi, and she was a close friend of Indira Gandhi. She served as cultural adviser to the latter two, confirming her preeminence in cultural matters.
Bhutanese art ༼འབྲུག་པའི་སྒྱུ་རྩལ༽ is similar to Tibetan art. Both are based upon Vajrayana Buddhism and its pantheon of teachers and divine beings.
Jyotindra Jain is an Indian art historian and cultural historian, and museologist. A scholar on folk and ritual arts of India, he was the director of the National Crafts Museum, New Delhi, member secretary and professor, at Indira Gandhi National Centre for the Arts (IGNCA), New Delhi, and also professor at the School of Arts and Aesthetics at Jawaharlal Nehru University, Delhi. He has published a number of books on Indian folk art, including, Ganga Devi: Tradition and Expression in Mithila Painting, Other Masters: Five Contemporary Folk and Tribal Artists of India and Kalighat Painting: Images from a Changing World.
The crafts of India are diverse, rich in history, culture and religion. The craft of each state in India reflect the influence of different empires. Throughout centuries, crafts have been embedded as a culture and tradition within rural communities.
Jasleen Dhamija (1933-2023) was an Indian textile art historian, crafts expert and former UN worker. Based in Delhi, she was best known for her pioneering research on the handloom and handicraft industry, especially history of textiles and costumes. She was professor of living cultural traditions at the University of Minnesota. Over the years, during her career as a textile revivalist and scholar, she authored several books on textiles, including Sacred Textiles of India (2014).
Laila Tyabji is an Indian social worker, designer, writer, and craft activist. She is one of the founders of Dastkar, a Delhi-based non governmental organization, working for the revival of traditional crafts in India. She was honored by the Government of India in 2012 with the Indian civilian award of Padma Shri. She is the daughter of late Badruddin Tyabji, ICS, who was a senior Indian civil servant and diplomat.
Ganga Devi was an Indian painter, considered by many as one of the leading exponents of Madhubani painting tradition. She is credited with popularizing the Madhubani painting outside India. She was born in 1928 in Mithila in the Indian state of Bihar in a Kayastha family and took to the traditional painting craft, specialising in the kachni style. She traveled abroad with her art and was a part of the Festival of India in the United States, which yielded a number of paintings under the title, America series, including Moscow Hotel, Festival of American Folk Life, and Ride in a Roller Coaster. The Government of India awarded her the National Master Craftsman Award and followed it up with the fourth highest civilian award of Padma Shri in 1984.
Manu Parekh is an Indian painter, known for his several paintings on the city of Varanasi. Reported to be influenced by Rabindranath Tagore and Ram Kinker Baij, Parekh is a recipient of the 1982 Lalit Kala Akademi Award. The Government of India awarded him the fourth highest civilian award of the Padma Shri, in 1991.
Odisha Crafts Museum also known as Kalabhoomi designed by Architects' Studio, is a museum in Bhubaneswar, Odisha, India, dedicated to the art and crafts of Odisha. It was inaugurated by the Chief Minister of Odisha, Naveen Patnaik, on 22 March 2018. The museum is spread across 12.68 Acres of an area, divided into eight galleries, Open air amphitheater, workshop area and souvenir shop.
Baua Devi is a Mithila painting artist from Jitwarpur village of Madhubani District in Bihar. Mithila painting is an ancient folk art that originated in the region. It is recognized as a series of complex geometric and linear patterns traced on the walls of a house's inner chambers. It was later transferred to handmade paper and canvases. Baua Devi won the National Award in 1984 and received the Padma Shri in 2017.
Dulari Devi is an Indian artist and illustrator, working in the Mithila art tradition. In 2021, she was a recipient of the Padma Shri, a civilian honour granted by the Government of India, for her contributions to art.
Karpoori Devi was an Indian folk artist, painting in the Madhubani art tradition and creating textile art in the Sujni tradition. She belonged to an early generation of artists who sold Madhubani art with critical and commercial success, and her work has been archived in collections in India as well as Japan, Australia, and the United States of America.
Ambika Devi is an Indian artist, who works in the Madhubani art tradition. In 2009, she received the National Handicrafts Award for her contributions to art.
Suraiya Hasan Bose was an Indian textile conservator, textile designer, and manufacturer, who worked to preserve traditional Indian textile art and techniques. She worked with the Indian Cottage Industries Emporium, as well as the Indian Handloom and Handicrafts Export Corporation, later establishing her own textile manufacturing unit to create traditional Indian textiles. Her designs have been exhibited in the Victoria and Albert Museum.
The All India Handicrafts Board (AIHB), was an organisation in India established in 1952, which aimed to advise the Ministry of Textiles on development programmes for handicrafts. Its early key figures included Pupul Jayakar, Kamaladevi Chattopadhyay, Lakshmi Chand Jain and Fori Nehru. It was abolished by the Government of India in 2020 during the COVID-19 pandemic.
Sita Devi (1914–2005) was an Indian artist, specializing in painting in the Madhubani tradition. She is one of the most well-known Madhubani artists from India, and was one of the first to receive national recognition for the art form, receiving a number of awards for her work including the Padma Shri in 1981, as well as the Bihar Ratna Samman in 1984. She was influential in activism for local development in her village of Jitwarpur, in the state of Bihar, and taught Madhubani art to local residents, especially women, during her career in an effort to encourage financial stability. Her paintings have been praised for their individual style, particularly their use of color, have been widely exhibited, and are archived in India as well as in museums in France, the United States, the United Kingdom, and Japan.
Upendra Maharathi was an Indian artist who worked in various mediums including painting, sculpture, illustration, architecture, graphic design, and textile design. He was born in the village of Narendrapur in Odisha and received his art education at the Government College of Art & Craft in Kolkata under Mukul Dey and Percy Brown. After completing his studies, he settled in Bihar. His more than 900 works have been preserved by the National Gallery of Modern Art, Delhi.
{{cite book}}
: CS1 maint: multiple names: authors list (link)