Established | 1996 |
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Location | Leeds Dock, Leeds, LS10 England |
Coordinates | 53°47′31″N1°31′57″W / 53.79194444°N 1.53250000°W |
Type | National museum |
Visitors | 240,000 (2019) [1] |
Director | Nat Edwards |
Public transit access |
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Website | royalarmouries.org |
The Royal Armouries Museum in Leeds, West Yorkshire, England, is a national museum that holds the National Collection of Arms and Armour. It is part of the Royal Armouries family of museums, with other sites at the Royal Armouries' traditional home in the Tower of London, and the National Collection of Artillery at Fort Nelson, Hampshire. The Royal Armouries is a non-departmental public body sponsored by the Department for Culture, Media and Sport. [2]
The Royal Armouries Museum is a £42.5 million purpose-built museum located in Leeds Dock that opened in 1996. Its collection was previously on display or in storage at the Tower of London where the Royal Armouries still maintains a presence and displays in the White Tower. [3]
As at all UK National Museums, entry is free, though certain extra attractions are charged for.
The museum was one of the first projects carried out under the UK private finance initiative: a non-departmental public body, the Royal Armouries, contracted with a private sector company, Royal Armouries International (RAI), which was financed by a long-term bank loan together with equity investment from 3i, Gardner Merchant, Electra and Yorkshire Electricity. [4] RAI commissioned a new building to accommodate the museum: it was designed by Derek Walker and Buro Happold, [5] and built by Alfred McAlpine at a cost of £42.5 million. [6] and was officially opened by Queen Elizabeth II in March 1996. [7]
Situated close to Leeds city centre on the South bank of the River Aire the museum is one of the focal points of the regenerated Leeds waterfront. It is located on Armouries Square, in Leeds Dock. Road access is by Armouries Drive and Chadwick Street. [9]
The Royal Armouries Museum itself was designed from the inside out. The ceiling heights of the new building were designed to accommodate the longest staff weapons in the collections, displayed vertically, and are 6.5 meters off the ground at their highest point. [10]
In addition to the five original galleries which house 5,000 objects in the permanent displays and the Peace Gallery, the museum also includes the Hall of Steel, a giant staircase whose walls are decorated with trophy displays composed of 2,500 objects reminiscent of the historical trophy displays erected by the Tower Armouries from the 17th century. [3]
The main entrance to the museum is accessed from Armouries Square. [11]
With displays dedicated to: [12]
This gallery can be found within the War Gallery and looks at the potential for a future free of arms, looking at disarmament and concepts such as détente. This gallery is in partnership with the Peace Museum in nearby Bradford. [13]
A gallery with displays dedicated to: [14]
A large gallery on two floors showing a variety of arms and armour from the glory days of jousting. [15]
This gallery has a number of different displays dedicated to: [16]
Running alongside the River Aire for 490 feet (150 m), with seating on the land-ward side, is the Jousting Arena: though the museum no longer has its own horses, two important jousting contests each year are still held with competitors from all over the world. [17] Easter is the height of the jousting calendar when the arena hosts a four-day international competition between up to four jousting teams. The four teams compete from Good Friday to Easter Sunday against each other, with the tournament final on Easter Monday. [18] Summer sees the jousting season close with the last tournament of the year, an individual joust with jousters from all over the world competing for The Queen's Golden Jubilee Trophy. [19]
In March 2011, following a 15% reduction in the Royal Armouries's funding, [20] seventeen members of staff "including all of the museum’s expert horse riders, professional actors and stable staff" lost their jobs. [21]
The museum is mentioned in the Kaiser Chiefs song "Team Mate", from the band's debut album, Employment . [22]
The Nightmare Stacks , by Charles Stross, is mainly set in and around Leeds and the novel's title is an allusion to the museum's holdings. [23]
The Gamespot YouTube series "Firearms Expert Reacts" is filmed on the museum grounds and features the Royal Armouries Keeper of Firearms and Artillery, Jonathan Ferguson, analyzing the design and use of firearms in popular video games. [24]
West Yorkshire is a metropolitan and ceremonial county in the Yorkshire and the Humber region of England. It borders North Yorkshire to the north and east, South Yorkshire and Derbyshire to the south, Greater Manchester to the south-west, and Lancashire to the west. The city of Leeds is the largest settlement.
Jousting is a medieval and renaissance martial game or hastilude between two combatants either on horse or on foot. The joust became an iconic characteristic of the knight in Romantic medievalism.
The Royal Armouries is the United Kingdom's national collection of arms and armour. Once an important part of England's military organization, it became the United Kingdom's oldest museum, and one of the oldest museums in the world. It is also one of the largest collections of arms and armour in the world, comprising the UK's National Collection of Arms and Armour, National Artillery Collection, and National Firearms Collection. Originally housed in the Tower of London from the 15th century, today the collection is split across three sites: the Tower, the Royal Armouries Museum in Leeds, and Fort Nelson near Portsmouth
Sir George Clifford, 3rd Earl of Cumberland, 13th Baron de Clifford, 13th Lord of Skipton,, was an English peer, naval commander, and courtier of Queen Elizabeth I of England. He was notable at court for his jousting, at the Accession Day Tilts, which were highlights of the year at court. Two famous survivals, his portrait miniature by Nicholas Hilliard and a garniture of Greenwich armour, reflect this important part of his life. In contrast, he neglected his estates in the far north of England and left a long succession dispute between his heirs.
Leeds city centre is the central business district of Leeds, West Yorkshire, England. It is roughly bounded by the Inner Ring Road to the north and the River Aire to the south and can be divided into several quarters.
A tiltyard was an enclosed courtyard for jousting. Tiltyards were a common feature of Tudor era castles and palaces. The Horse Guards Parade in London was formerly the tiltyard constructed by Henry VIII as an entertainment venue adjacent to Whitehall Palace; it was the site of the Accession Day tilts in the reigns of Elizabeth I and James I.
Leeds Dock is a mixed development with retail, office and leisure presence by the River Aire in central Leeds, West Yorkshire, England. It has a large residential population in waterside apartments.
Sir Samuel Rush Meyrick, KH was an English collector and scholar of arms and armour. He lived at Goodrich Court, Goodrich, Herefordshire, and introduced systematic principles to the study of his subject.
Greenwich armour is the plate armour in a distinctively English style produced by the Royal Almain Armoury founded by Henry VIII in 1511 in Greenwich near London, which continued until the English Civil War. The armoury was formed by imported master armourers hired by Henry VIII, initially including some from Italy and Flanders, as well as the Germans who dominated during most of the 16th century. The most notable head armourer of the Greenwich workshop was Jacob Halder, who was master workman of the armoury from 1576 to 1607. This was the peak period of the armoury's production and it coincided with the elaborately gilded and sometimes coloured decorated styles of late Tudor England.
The Dresden Armoury or Dresden Armory, also known as the Dresden Historical Museum, is one of the world's largest collections of ceremonial weapons, armour and historical textiles. It is part of the Dresden State Art Collections and is located in Dresden Castle in Dresden.
Sir James Gow Mann was an eminent figure in the art world in the mid twentieth century, specialising in the study of armour.
The Royal Armoury of Turin is one of the world's most important collections of arms and armour, formed in Turin by the Savoy family. The museum is now part of the Musei Reali di Torino, the royal site that has unified the Royal Palace, the Sabauda Gallery, the Archaeological Museum, the Royal Library and the Armoury. The whole site has been included on the UNESCO World Heritage list since 1997.
Guy Murray Wilson, is a British military historian, curator, and museum director. From 1988 to 2002, he was Master of the Armouries and head of the Royal Armouries, the United Kingdom's national museum for arms and armour.
Claude Blair, was a British museum curator and scholar, who specialised in European arms and armour. He is particularly known for his book European Armour: circa 1066 to circa 1700 (1958). He worked in the Royal Armouries at the Tower of London from 1951 to 1956, before moving to the Department of Metalwork at the Victoria and Albert Museum, where he remained until his retirement as Keeper of Metalwork in 1982. He was active in church conservation, and served as a Vice-President of the Society of Antiquaries of London from 1990 to 1993.
Ian Donald Dietrich Eaves,, is a British researcher and consultant on arms and armour. He served as the Keeper of Armour at the Royal Armouries for eighteen years, from 1978 to 1996. Also starting in 1978, and continuing until 1983, he served as the editor of the Journal of the Arms & Armour Society; he was appointed the society's president in 1995, and currently serves as a vice-president emeritus. He has written and translated several articles for journals, including the society's.
Armouries Square is a large public square in central Leeds, West Yorkshire, United Kingdom, adjacent to the Royal Armouries Museum, after which it is named.
Tobias Emanuel ("Toby") Capwell FSA is an American historian who lives and works in London. His principal interest is in European arms and armour of the medieval and Renaissance periods. He was formerly Curator of Arms and Armour at the Wallace Collection in London. He has written and spoken extensively on both the historical and the practical aspects of his subject. Capwell is also a skilled jouster, and has claimed to be the world's only jousting curator.
John Waller was an English pioneer of the historical European martial arts (HEMA) revival, a fight director for stage, screen and spectacle, and a teacher of martial arts.
Jonathan Steven Ferguson is a British firearm historian and author who is currently the Keeper of Firearms and Artillery at the Royal Armouries Museum in Leeds, England. He is also a technical specialist with Armament Research Services, a consultancy firm.
The horned helmet of Henry VIII is the surviving part of a full suit of armour made by Konrad Seusenhofer between 1511 and 1514. The armour was a gift from the Holy Roman Emperor Maximilian I to the English king Henry VIII, following their alliance in the War of the League of Cambrai. The suit was elaborate and intended for display at tournament parades. It is unclear who was the intended wearer of the armour, but it appears to have been modelled on one of Henry's court fools. Henry may have worn the armour as a jest. The helmet has protruding eyes and a toothy grimace and is adorned with horns and spectacles. The helmet survived when the rest of the suit of armour was scrapped, probably after the English Civil War, and it is now in the collection of the Royal Armouries Museum in Leeds, which formerly used it as a symbol of the museum.
Ricky explains the influence of his hometown on their debut album, Employment: "... I even mention the Royal Armouries in one song...