A helmet is a form of protective gear worn to protect the head. More specifically, a helmet complements the skull in protecting the human brain. Ceremonial or symbolic helmets without protective function are sometimes worn. Soldiers wear combat helmets, often made from Kevlar or other lightweight synthetic fibers.
Jousting is a medieval and renaissance martial game or hastilude between two combatants either on horse or on foot. The joust became an iconic characteristic of the knight in Romantic medievalism.
Plate armour is a historical type of personal body armour made from bronze, iron, or steel plates, culminating in the iconic suit of armour entirely encasing the wearer. Full plate steel armour developed in Europe during the Late Middle Ages, especially in the context of the Hundred Years' War, from the coat of plates worn over mail suits during the 14th century.
The armet is a type of combat helmet which was developed in the 15th century. It was extensively used in Italy, France, England, the Low Countries and Spain. It was distinguished by being the first helmet of its era to completely enclose the head while being compact and light enough to move with the wearer. Its use was essentially restricted to the fully armoured man-at-arms.
Barding is body armour for war horses. The practice of armoring horses was first extensively developed in antiquity in the eastern kingdoms of Parthia and Pahlava. After the conquests of Alexander the Great it likely made its way into European military practices via the Seleucid Empire and later Byzantine Empire. Though its historical roots lie in antiquity in the regions of what was once the Persian Empire, barded horses have become a symbol of the late European Middle Ages chivalry and the era of knights.
The burgonet helmet was a Renaissance-era and early modern combat helmet. It was the successor of the sallet.
Maximilian armour is a modern term applied to the style of early 16th-century German plate armour associated with, and possibly first made for the Emperor Maximilian I. The armour is still white armour, made in plain steel, but it is decorated with many flutings that may also have played a role in deflecting the points and blades of assailants and increasing the structural strength of the plates. It is a transitional stage in the decoration of armour, after the plain steel surfaces of 15th-century armour and before the elaborate decoration and colouring with etching and other techniques of Renaissance armour. The armour is characterized by armets and close helmets with bellows visors; small fan-shaped narrow and parallel fluting—often covering most of the harness ; etching; work taken from woodcuts; sharply waisted cuirasses, and squared sabatons.
Ambras Castle is a Renaissance castle and palace located in the hills above Innsbruck, Austria. Ambras Castle is 632 metres (2,073 ft) above sea level. Considered one of the most popular tourist attractions of the Tyrol, Ambras Castle was built in the 16th century on the spot of an earlier 10th-century castle, which became the seat of power for the Counts of Andechs. The cultural and historical importance of the castle is closely connected with Archduke Ferdinand II (1529–1595) and served as his family's residence from 1567 to 1595. Ferdinand was one of history's most prominent collectors of art. The princely sovereign of Tyrol, son of Emperor Ferdinand I, ordered that the medieval fortress at Ambras be turned into a Renaissance castle as a gift for his wife Philippine Welser. The cultured humanist from the House of Habsburg accommodated his world-famous collections in a museum: the collections, still in the Lower Castle built specifically for that museum's purpose, make Ambras Castle one of the oldest museums in the world.
KunzLochner was an eminent master plate armourer, blacksmith and silversmith from Nuremberg, Germany, Holy Roman Empire. He was the son of a skillful armourer with the same name, and his two brothers Heinrich and Hans who were also skillful armourers and blacksmiths. In 1543, Lochner started working for the Holy Roman Emperor Ferdinand I, and the following year he began his service at the future Maximilian II as court armourer. Lochner's workshop produced some of the most magnificent plate armours made during the 16th-century Renaissance period for field warfare, tourney and ceremonial occasions. Lochner's patrons included royalty, knights and nobility from across Europe.
The close helmet or close helm is a type of combat helmet that was worn by knights and other men-at-arms in the Late Medieval and Renaissance eras. It was also used by some heavily armoured, pistol-armed cuirassiers into the mid-17th century. It is a fully enclosing helmet with a pivoting visor and integral bevor.
Greenwich armour is the plate armour in a distinctively English style produced by the Royal Almain Armoury founded by Henry VIII in 1511 in Greenwich near London, which continued until the English Civil War. The armoury was formed by imported master armourers hired by Henry VIII, initially including some from Italy and Flanders, as well as the Germans who dominated during most of the 16th century. The most notable head armourer of the Greenwich workshop was Jacob Halder, who was master workman of the armoury from 1576 to 1607. This was the peak period of the armoury's production and it coincided with the elaborately gilded and sometimes coloured decorated styles of late Tudor England.
Konrad Seusenhofer was a leading 16th-century Austrian armourer who worked for Maximilian I, Holy Roman Emperor.
Lorenz Helmschmied or "Helmschmid" was a German armourer and a member of the Helmschmied family of armourers from Augsburg. He was one of the primary armourers to the Habsburg court of the Holy Roman Emperors Frederick III and Maximilian I, and created some of the most technically innovative and artistically complex armours of the late-fifteenth and early-sixteenth centuries.
The Earl of Pembroke’s Armour is one of the pieces in the Royal Ontario Museum’s European Collection. This suit of armour belonged to the Earl of Pembroke, William Herbert (1501-1570).
The Royal Armoury of Madrid or Real Armería de Madrid, is a collection that, among many other things, contains the personal arms of the Kings of Spain, and also houses military weapons, armours and diplomatic works of art like mixed tapestries, paintings and other works of art and trophies. Among the most notable parts of the collection are armor and full tools that Charles V, Holy Roman Emperor and Philip II used. It is considered, along with the Imperial Armory of Vienna, one of the best in the world.
The Royal Armoury of Turin is one of the world's most important collections of arms and armour, formed in Turin by the Savoy family. The museum is now part of the Musei Reali di Torino, the royal site that has unified the Royal Palace, the Sabauda Gallery, the Archaeological Museum, the Royal Library and the Armoury. The whole site has been included on the UNESCO World Heritage list since 1997.
The Parade Armour of Henry II of France, now in the Metropolitan Museum of Art, New York, is believed to date from c 1553–55 and its decoration is attributed to the French goldsmith and engraver Étienne Delaune. Designed for use in pageantry, the armour was fashioned of gold, silver and steel and with leather and red velvet trimmings. It was created for Henry II of France as ceremonial wear; the figures embossed on the breastplate and back are intended to reflect his military achievements.
Ian Donald Dietrich Eaves,, is a British researcher and consultant on arms and armour. He served as the Keeper of Armour at the Royal Armouries for eighteen years, from 1978 to 1996. Also starting in 1978, and continuing until 1983, he served as the editor of the Journal of the Arms & Armour Society; he was appointed the society's president in 1995, and currently serves as a vice-president emeritus. He has written and translated several articles for journals, including the society's.
Funerary Helmets,Mortuary Helms, or Mort Helms were the major element of a suit of armour that was most often placed above or near the carved memorial effigy of the knights or members of the nobility concerned in a tradition that ran from at least the 14th through to the 17th century, particularly when the person concerned had gained a reputation in life as a warrior. These helmets were often brightly painted or otherwise ornamented with floral designs, etc. Largely located within rural churches and other religious buildings, the practice was especially common in the south-west English counties and Cornwall with only a few examples known from Scotland.
Terry English is a British armourer, mainly designing and making arms and armour, as well as props, for film and television productions. His work is held in museums such as the UK's Royal Armouries, and in private collections.
