Horned helmets were worn by many people around the world. Headpieces mounted with animal horns or replicas were also worn since ancient history, as in the Mesolithic Star Carr Frontlets. These were probably used for religious ceremonial or ritual purposes, as horns tend to be impractical on a combat helmet. Much of the evidence for these helmets and headpieces comes from depictions rather than the items themselves.
Horned hats have been used to signify deities in Mesopotamia, and later, as seen on the Victory Stele of Naram-Sin, kings as well. More horns signified higher importance.
Two bronze statuettes dated to the early 12th century BCE, the so-called "horned god" and "ingot god", wearing horned helmets, found in Enkomi, Cyprus. In Sardinia warriors with horned helmets are depicted in dozens of bronze figures and in the Mont'e Prama giant statues, similar to those of the Shardana warriors (and possibly belonging to the same people) depicted by the Egyptians.
A pair of bronze horned helmets, the Veksø helmets, from the later Bronze Age (dating to c. 1100-900 BCE) were found near Veksø, Denmark, in 1942. [1] Another early find is the Grevensvænge hoard from Zealand, Denmark, (c. 800–500 BCE, now partially lost).
The Waterloo Helmet, a Celtic bronze ceremonial helmet with repoussé decoration in the La Tène style, dating to c. 150–50 BCE, was found in the River Thames, at London. Its abstracted 'horns', different from those of the earlier finds, are straight and conical. [2] Late Gaulish helmets (c. 55 BCE) with small horns and adorned with wheels, reminiscent of the combination of a horned helmet and a wheel on plate C of the Gundestrup cauldron (c. 100 BCE), were found in Orange, France. Other Celtic helmets, especially from Eastern Europe, had bird crests. The enigmatic Torrs Pony-cap and Horns from Scotland appears to be a horned champron to be worn by a horse.
Depicted on the Arch of Constantine, dedicated in 315 CE, are Germanic soldiers, sometimes identified as "Cornuti", shown wearing horned helmets. On the relief representing the Battle of Verona (312) they are in the first lines, and they are depicted fighting with the bowmen in the relief of the Battle of the Milvian Bridge. [3]
A depiction on a Migration Period (5th century) metal die from Öland, Sweden, shows a warrior with a helmet adorned with two snakes, or dragons, arranged in a manner similar to horns. Decorative plates of the Sutton Hoo helmet (c. 600 CE) depict spear-carrying dancing men wearing horned helmets, [4] similar to a figure seen on one of the Torslunda plates from Sweden. [5] Also, a pendant from Ekhammar in Uppland, features the same figure in the same pose and an 8th century find in Staraya Ladoga (a Norse trading outpost at the time) shows an object with similar headgear. An engraved belt-buckle found during excavations by Sonia Chadwick Hawkes in a 7th century grave at Finglesham, Kent in 1964 bears the image of a naked warrior standing between two spears wearing a belt and a horned helmet; [6] a case has been made [7] [lower-alpha 1] that the much-repaired chalk figure called the "Long Man of Wilmington", East Sussex, repeats this iconic motif, and originally wore a similar cap, of which only the drooping lines of the neckguard remain. This headgear, of which only depictions have survived, seems to have mostly fallen out of use with the end of the Migration period. Some have suggested that the figure in question[ which? ] does not portray actual headgear, but a mythological object of a god like Odin.[ citation needed ] A one-eyed figure with similar headgear was found at the site of Uppåkra temple, an alleged center of an Odinic-cult activity. A similar figurine from Levide, Gotland, lacked an eye, apparently removed after its completion. This would link the headgear as a mythological representations rather than depictions of actual helmets. [9] Note that the similar crests to the animal figures on the helmets of the warrior's depicted on the Sutton Hoo helmet has been demonstrated on helmets from Valsgärde, but the depicted crests where grossly exaggerated.
 | This section needs additional citations for verification .(June 2018) |
During the High Middle Ages, fantastical headgear became popular among knights, in particular for tournaments. [10] The achievements or representations of some coats of arms, for example that of Lazar Hrebeljanovic, depict them, but they rarely appear as charges depicted within the arms themselves. It is sometimes argued that helmets with large protuberances would not have been worn in battle due to the impediment to their wearer. However, impractical adornments have been worn on battlefields throughout history.
In pre-Meiji Restoration Japan, some Samurai armor incorporated a horned, plumed or crested helmet. These horns, used to identify military commanders on the battlefield, could be cast from metal, or made from genuine water buffalo horns.
Indo-Persian warriors often wore horned or spiked helmets in battle to intimidate their enemies. These conical "devil masks" were made from plated mail, and usually had eyes engraved on them.
Viking warriors are associated with horned helmets in popular culture, but there is no evidence that Viking helmets had horns. [11] [12] The depiction of these horned helmets as historical is a fallacy that began in the 1870s. It was part of the construction of great Norse myths to be adopted by Germans, who wanted their own ancestral myths. [13]
The depiction of Vikings in horned helmets was an invention of the 19th-century Romanticist Viking revival. [14] In 1876, Carl Emil Doepler created horned helmets for the first Bayreuth Festival production of Wagner's Der Ring des Nibelungen , which has been credited with inspiring this, even though the opera was set in Germany, not Scandinavia. [lower-alpha 2] [11] There were also a few earlier, lesser known depictions that inspired Doepler. [13]
A 20th-century example is the Minnesota Vikings American football team, whose logo carries a horn on each side of the helmet. The comic strip character Hägar the Horrible and all male Vikings in the animated TV series Vicky the Viking are always depicted wearing horned helmets, as are numerous characters in the DreamWorks How to Train Your Dragon franchise and in The Lost Vikings video game series. Another popular culture depiction is the riff on Wagner's Der Ring des Nibelungen by Merrie Melodies in the Chuck Jones-directed cartoon What's Opera, Doc? , which depicts Elmer Fudd wearing a magical horned Viking helmet as he chases Bugs Bunny.
A helmet is a form of protective gear worn to protect the head. More specifically, a helmet complements the skull in protecting the human brain. Ceremonial or symbolic helmets without protective function are sometimes worn. Soldiers wear combat helmets, often made from Kevlar or other lightweight synthetic fibers.
In the Old Norse written corpus, berserkers were those who were said to have fought in a trance-like fury, a characteristic which later gave rise to the modern English word berserk. Berserkers are attested to in numerous Old Norse sources.
The Phrygian cap or liberty cap is a soft conical cap with the apex bent over, associated in antiquity with several peoples in Eastern Europe and Anatolia, including the Persians, the Medes and the Scythians, as well as in the Balkans, Dacia, Thrace and in Phrygia, where the name originated. The oldest depiction of the Phrygian cap is from Persepolis in Iran.
The Gundestrup cauldron is a richly decorated silver vessel, thought to date from between 200 BC and 300 AD, or more narrowly between 150 BC and 1 BC. This places it within the late La Tène period or early Roman Iron Age. The cauldron is the largest known example of European Iron Age silver work. It was found dismantled, with the other pieces stacked inside the base, in 1891, in a peat bog near the hamlet of Gundestrup in the Aars parish of Himmerland, Denmark. It is now usually on display in the National Museum of Denmark in Copenhagen, with replicas at other museums; during 2015–16, it was in the UK on a travelling exhibition called The Celts.
Knowledge about military technology of the Viking Age is based on relatively sparse archaeological finds, pictorial representations, and to some extent on the accounts in the Norse sagas and laws recorded in the 12th–14th century.
The Master of Animals, Lord of Animals, or Mistress of the Animals is a motif in ancient art showing a human between and grasping two confronted animals. The motif is very widespread in the art of the Ancient Near East and Egypt. The figure may be female or male, it may be a column or a symbol, the animals may be realistic or fantastical, and the human figure may have animal elements such as horns, an animal upper body, an animal lower body, legs, or cloven feet. Although what the motif represented to the cultures that created the works probably varies greatly, unless shown with specific divine attributes, when male the figure is typically described as a hero by interpreters.
Pointed hats have been a distinctive item of headgear of a wide range of cultures throughout history. Although often suggesting an ancient Indo-European tradition, they were also traditionally worn by women of Lapland, the Japanese, the Mi'kmaq people of Atlantic Canada, and the Huastecs of Veracruz and Aztec. The Kabiri of New Guinea have the diba, a pointed hat glued together.
A belt buckle is a buckle, a clasp for fastening two ends, such as of straps or a belt, in which a device attached to one of the ends is fitted or coupled to the other. The word enters Middle English via Old French and the Latin buccula or "cheek-strap," as for a helmet. Belt buckles and other fixtures are used on a variety of belts, including cingula, baltea, baldrics and later waist-belts.
Salakót is a traditional lightweight headgear from the Philippines that is commonly used during pre-colonial era up to the present day, used for protection against the sun and rain. Every ethnolinguistic group in the archipelago has their own variant, but they are all usually dome-shaped or cone-shaped and can range in size from having very wide brims to being almost helmet-like. They are made from various materials including bamboo, rattan, nito ferns, and bottle gourd. The tip of the crown commonly has a spiked or knobbed finial made of metal or wood. It is held in place by an inner headband and a chinstrap. The salakot hat also influenced the pith helmet used by European colonizers. Salakot or also spelled as salacot in Spanish and salacco in French is the direct precursor to the pith helmet widely used by European military forces in the colonial era.
A winged helmet is a helmet decorated with wings, usually on both sides. Ancient depictions of the god Hermes, Mercury and of Roma depict them wearing winged helmets, and in the 19th century the winged helmet became widely used to depict the Celts. It was also used in romantic illustrations of legendary Norse gods and heroes. The motif, along with the horned helmet, became a clichéd signifier of the Northern warrior.
The Waterloo Helmet is a pre-Roman Celtic bronze ceremonial horned helmet with repoussé decoration in the La Tène style, dating to circa 150–50 BC, that was found in 1868 in the River Thames by Waterloo Bridge in London, England. It is now on display at the British Museum in London.
Headgear, headwear, or headdress is any element of clothing which is worn on one's head, including hats, helmets, turbans and many other types. Headgear is worn for many purposes, including protection against the elements, decoration, or for religious or cultural reasons, including social conventions.
Illyrian weaponry played an important role in the makeup of Illyrian armies and in conflicts involving the Illyrians. Of all the ancients sources the most important and abundant writings are those of Ennius, a Roman poet of Messapian origin. Weapons of all sorts were also placed intact in the graves of Illyrian warriors and provide a detailed picture for archaeologists on the distribution and development of Illyrian weaponry.
The National Museum of Denmark (Nationalmuseet) in Copenhagen is Denmark's largest museum of cultural history, comprising the histories of Danish and foreign cultures, alike. The museum's main building is located a short distance from Strøget at the center of Copenhagen. It contains exhibits from around the world, from Greenland to South America. Additionally, the museum sponsors SILA - The Greenland Research Center at the National Museum of Denmark to further archaeological and anthropological research in Greenland.
A radiant or radiate crown, also known as a solar crown, sun crown, Eastern crown, or tyrant's crown, is a crown, wreath, diadem, or other headgear symbolizing the Sun or more generally powers associated with the Sun. Apart from the Ancient Egyptian form of a disc between two horns, it is shaped with a number of narrowing bands going outwards from the wearer's head, to represent the rays of the Sun. These may be represented either as flat, on the same plane as the circlet of the crown, or rising at right angles to it.
The Veksø helmets are a pair of Bronze Age ceremonial horned helmets found near Veksø in Zealand, Denmark.
History of clothing in the Indian subcontinent can be traced to the Indus Valley civilization or earlier. Indians have mainly worn clothing made up of locally grown cotton. India was one of the first places where cotton was cultivated and used even as early as 2500 BCE during the Harappan era. The remnants of the ancient Indian clothing can be found in the figurines discovered from the sites near the Indus Valley civilisation, the rock-cut sculptures, the cave paintings, and human art forms found in temples and monuments. These scriptures view the figures of human wearing clothes which can be wrapped around the body. Taking the instances of the sari to that of turban and the dhoti, the traditional Indian wears were mostly tied around the body in various ways.
The Guilden Morden boar is a sixth- or seventh-century Anglo-Saxon copper alloy figure of a boar that may have once served as the crest of a helmet. It was found around 1864 or 1865 in a grave in Guilden Morden, a village in the eastern English county of Cambridgeshire. There the boar attended a skeleton with other objects, including a small earthenware bead with an incised pattern, although the boar is all that now remains. Herbert George Fordham, whose father originally discovered the boar, donated it to the British Museum in 1904; as of 2018 it was on view in room 41.
The Torslunda plates are four cast bronze dies found in the Torslunda parish on the Swedish island Öland. They display figures in relief, representing what are presumed to be traditional scenes from Germanic mythology. The plates are moulds designed for production rather than display; by placing thin sheets of foil against the scenes and hammering or otherwise applying pressure from the back, identical images could be quickly mass-produced. The resulting pressblech foils would be used to decorate rich helmets of the sort found at Vendel, Valsgärde, and Sutton Hoo. Two of the plates may have been made as casts of existing pressblech foils.
Germanic boar helmets are attested in archaeological finds from England and Sweden, dating to Vendel and Anglo-Saxon periods, and Old English and Old Norse written sources. They consist of helmets decorated with either a boar crest or other boar imagery that was believed to offer protection in battle to the wearer. They have also been proposed to be a costume for the ritual transformation into a boar, similar to berserkers, and to be associated with Freyr.
{{cite book}}: CS1 maint: location missing publisher (link){{cite book}}: CS1 maint: location missing publisher (link)