In ancient Celtic and Gallo-Roman religion, Cernunnos or Carnonos is a god depicted with antlers, seated cross-legged, and is associated with stags, horned serpents, dogs and bulls. He is usually shown holding or wearing a torc and sometimes holding a bag of coins and a cornucopia. He is believed to have originally been a Proto-Celtic God. There are more than fifty depictions and inscriptions referring to him, mainly in the north-eastern region of Gaul.
The Horned God is one of the two primary deities found in Wicca and some related forms of Neopaganism. The term Horned God itself predates Wicca, and is an early 20th-century syncretic term for a horned or antlered anthropomorphic god partly based on historical horned deities.
In ancient Greek religion and mythology, Pan is the god of the wild, shepherds and flocks, rustic music and impromptus, and companion of the nymphs. He has the hindquarters, legs, and horns of a goat, in the same manner as a faun or satyr. With his homeland in rustic Arcadia, he is also recognized as the god of fields, groves, wooded glens, and often affiliated with sex; because of this, Pan is connected to fertility and the season of spring.
The Horned Serpent appears in the mythologies of many cultures including Native American peoples, European, and Near Eastern mythology. Details vary among cultures, with many of the stories associating the mystical figure with water, rain, lightning, thunder, and rebirth. Horned Serpents were major components of the Southeastern Ceremonial Complex of North American prehistory.
In ancient Egyptian religion, Apis or Hapis, alternatively spelled Hapi-ankh, was a sacred bull or multiple sacred bulls worshiped in the Memphis region, identified as the son of Hathor, a primary deity in the pantheon of ancient Egypt. Initially, he was assigned a significant role in her worship, being sacrificed and reborn. Later, Apis also served as an intermediary between humans and other powerful deities.
Mendes, the Greek name of the ancient Egyptian city of Djedet, also known in ancient Egypt as Per-Banebdjedet and Anpet, is known today as Tell El-Ruba.
Baphomet is a deity that the Knights Templar were accused of worshipping that subsequently became incorporated into various occult and Western esoteric traditions. The name Baphomet appeared in trial transcripts for the Inquisition of the Knights Templar starting in 1307. It first came into popular English usage in the 19th century during debate and speculation on the reasons for the suppression of the Templar order. Baphomet is a symbol of balance in various occult and mystical traditions, the origin of which some occultists have attempted to link with the Gnostics and Templars, although occasionally purported to be a deity or a demon. Since 1856 the name Baphomet has been associated with the "Sabbatic Goat" image drawn by Éliphas Lévi, composed of binary elements representing the "symbolization of the equilibrium of opposites": half-human and half-animal, male and female, and good and evil. Lévi's intention was to symbolize his concept of balance, with Baphomet representing the goal of perfect social order.
Cattle are prominent in some religions and mythologies. As such, numerous peoples throughout the world have at one point in time honored bulls as sacred. In the Sumerian religion, Marduk is the "bull of Utu". In Hinduism, Shiva's steed is Nandi, the Bull. The sacred bull survives in the constellation Taurus. The bull, whether lunar as in Mesopotamia or solar as in India, is the subject of various other cultural and religious incarnations as well as modern mentions in New Age cultures.
Baal Hammon, properly Baʿal Ḥamon, meaning "Lord Hammon", was the chief god of ancient Carthage. He was a weather god considered responsible for the fertility of vegetation and esteemed as king of the gods. He was depicted as a bearded older man with curling ram's horns. Baʿal Ḥammon's female cult partner was Tanit.
Animal worship is an umbrella term designating religious or ritual practices involving animals. This includes the worship of animal deities or animal sacrifice. An animal 'cult' is formed when a species is taken to represent a religious figure. Animal cults can be classified according to their formal features or by their symbolic content.
The Master of Animals, Lord of Animals, or Mistress of the Animals is a motif in ancient art showing a human between and grasping two confronted animals. The motif is very widespread in the art of the Ancient Near East and Egypt. The figure may be female or male, it may be a column or a symbol, the animals may be realistic or fantastical, and the human figure may have animal elements such as horns, an animal upper body, an animal lower body, legs, or cloven feet. Although what the motif represented to the cultures that created the works probably varies greatly, unless shown with specific divine attributes, when male the figure is typically described as a hero by interpreters.
Banebdjedet (Banebdjed) is an ancient Egyptian ram god with a cult centre at Mendes. Khnum was the equivalent god in Upper Egypt.
Wiccan views of divinity are generally theistic, and revolve around a Goddess and a Horned God, thereby being generally dualistic. In traditional Wicca, as expressed in the writings of Gerald Gardner and Doreen Valiente, the emphasis is on the theme of divine gender polarity, and the God and Goddess are regarded as equal and opposite divine cosmic forces. In some newer forms of Wicca, such as feminist or Dianic Wicca, the Goddess is given primacy or even exclusivity. In some forms of traditional witchcraft that share a similar duotheistic theology, the Horned God is given precedence over the Goddess.
Amun was a major ancient Egyptian deity who appears as a member of the Hermopolitan Ogdoad. Amun was attested from the Old Kingdom together with his wife Amunet. His oracle in Siwa Oasis, located in Western Egypt near the Libyan Desert, remained the only oracle of Amun throughout. With the 11th Dynasty, Amun rose to the position of patron deity of Thebes by replacing Montu.
Ra or Re was the ancient Egyptian deity of the Sun. By the Fifth Dynasty, in the 25th and 24th centuries BC, he had become one of the most important gods in ancient Egyptian religion, identified primarily with the noon-day sun. Ra ruled in all parts of the created world: the sky, the Earth, and the underworld. He was believed to have ruled as the first pharaoh of Ancient Egypt. He was the god of the sun, order, kings and the sky.
The Pashupati seal, is a steatite seal which was uncovered in Mohenjo-daro, now in modern day Pakistan, a major urban site of the Indus Valley civilisation ("IVC"), during excavations in 1928–29, when the region was under British rule. The excavations were carried out by the Archaeological Survey of India, the official body responsible for preservation and excavation. The seal depicts a seated figure that is possibly tricephalic. The seated figure has been thought to be ithyphallic, an interpretation that has been questioned by many, but was still held by the IVC specialist Jonathan Mark Kenoyer in a publication of 2003. The man has a horned headdress and is surrounded by animals. He may represent a horned deity.
Indus–Mesopotamia relations are thought to have developed during the second half of 3rd millennium BCE, until they came to a halt with the extinction of the Indus valley civilization after around 1900 BCE. Mesopotamia had already been an intermediary in the trade of lapis lazuli between the Indian subcontinent and Egypt since at least about 3200 BCE, in the context of Egypt-Mesopotamia relations.
The horns of Ammon were curling ram horns, used as a symbol of the Egyptian deity Ammon. Because of the visual similarity, they were also associated with the fossils shells of ancient snails and cephalopods, the latter now known as ammonite because of that historical connection.
The religion and belief system of the Indus Valley Civilisation (IVC) people have received considerable attention, with many writers concerned with identifying precursors to the religious practices and deities of much later Indian religions. However, due to the sparsity of evidence, which is open to varying interpretations, and the fact that the Indus script remains undeciphered, the conclusions are partly speculative and many are largely based on a retrospective view from a much later Hindu perspective.
