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Cattle are prominent in some religions and mythologies. As such, numerous peoples throughout the world have at one point in time honored bulls as sacred. In the Sumerian religion, Marduk is the "bull of Utu". In Hinduism, Shiva's steed is Nandi, the Bull. The sacred bull survives in the constellation Taurus. The bull, whether lunar as in Mesopotamia or solar as in India, is the subject of various other cultural and religious incarnations as well as modern mentions in New Age cultures.
Aurochs are depicted in many Paleolithic European cave paintings such as those found at Lascaux and Livernon in France. Their life force may have been thought to have magical qualities, for early carvings of the aurochs have also been found. The impressive and dangerous aurochs survived into the Iron Age in Anatolia and the Near East and were worshipped throughout that area as sacred animals; the earliest remnants of bull worship can be found at neolithic Çatalhöyük.
The Sumerian guardian deity called lamassu was depicted as hybrids with bodies of either winged bulls or lions and heads of human males. The motif of a winged animal with a human head is common to the Near East, first recorded in Ebla around 3000 BCE. The first distinct lamassu motif appeared in Assyria during the reign of Tiglath-Pileser II as a symbol of power.
"The human-headed winged bulls protective genies called shedu or lamassu, ... were placed as guardians at certain gates or doorways of the city and the palace. Symbols combining man, bull, and bird, they offered protection against enemies." [1]
The bull was also associated with the storm and rain god Adad, Hadad or Iškur. The bull was his symbolic animal. He appeared bearded, often holding a club and thunderbolt while wearing a bull-horned headdress. Hadad was equated with the Greek god Zeus; the Roman god Jupiter, as Jupiter Dolichenus; the Indo-European Nasite Hittite storm-god Teshub; the Egyptian god Amun. When Enki distributed the destinies, he made Iškur inspector of the cosmos. In one litany, Iškur is proclaimed again and again as "great radiant bull, your name is heaven" and also called son of Anu, lord of Karkara; twin-brother of Enki, lord of abundance, lord who rides the storm, lion of heaven.
The Sumerian Epic of Gilgamesh depicts the horrors of the rage-fueled deployment of the Bull of Heaven by Ishtar and its slaughter by Gilgamesh and Enkidu as an act of defiance that seals their fates:
Ishtar opened her mouth and said again, "My father, give me the Bull of Heaven to destroy Gilgamesh. Fill Gilgamesh, I say, with arrogance to his destruction; but if you refuse to give me the Bull of Heaven I will break in the doors of hell and smash the bolts; there will be a confusion of people, those above with those from the lower depths. I shall bring up the dead to eat food like the living; and the hosts of the dead will outnumber the living." Anu said to great Ishtar, "If I do what you desire there will be seven years of drought throughout Uruk when corn will be seedless husks. Have you saved grain enough for the people and grass for the cattle?" Ishtar replied "I have saved grain for the people, grass for the cattle."...When Anu heard what Ishtar had said he gave her the Bull of Heaven to lead by the halter down to Uruk. When they reached the gates of Uruk the Bull of Heaven went to the river; with his first snort cracks opened in the earth and a hundred young men fell down to death. With his second snort cracks opened and two hundred fell down to death. With his third snort cracks opened, Enkidu doubled over but instantly recovered, he dodged aside and leapt onto the Bull and seized it by the horns. The Bull of Heaven foamed in his face, it brushed him with the thick of its tail. Enkidu cried to Gilgamesh, "My friend we boasted that we would leave enduring names behind us. Now thrust your sword between the nape and the horns." So Gilgamesh followed the Bull, he seized the thick of its tail, he thrust the sword between the nape and the horns and slew the Bull. When they had killed the Bull of Heaven they cut out its heart and gave it to Shamash, and the brothers rested. [2]
In Ancient Egypt multiple sacred bulls were worshiped. A long succession of ritually perfect bulls were identified by the god's priests, housed in the temple for their lifetime, then embalmed and buried. The mother-cows of these animals were also revered, and buried in separate locations. [3]
Ka, in Egyptian, is both a religious concept of life-force/power and the word for bull. [4] Andrew Gordon, an Egyptologist, and Calvin Schwabe, a veterinarian, argue that the origin of the ankh is related to two other signs of uncertain origin that often appear alongside it: the was-sceptre, representing "power" or "dominion", and the djed pillar, representing "stability". According to this hypothesis, the form of each sign is drawn from a part of the anatomy of a bull, like some other hieroglyphic signs that are known to be based on body parts of animals. In Egyptian belief semen was connected with life and, to some extent, with "power" or "dominion", and some texts indicate the Egyptians believed semen originated in the bones. Therefore, Calvin and Schwabe suggest the signs are based on parts of the bull's anatomy through which semen was thought to pass: the ankh is a thoracic vertebra, the djed is the sacrum and lumbar vertebrae, and the was is the dried penis of the bull. [5]
We cannot recreate a specific context for the bull skulls with horns ( bucrania ) preserved in an 8th millennium BCE sanctuary at Çatalhöyük in Central Anatolia. The sacred bull of the Hattians, whose elaborate standards were found at Alaca Höyük alongside those of the sacred stag, survived in Hurrian and Hittite mythology as Seri and Hurri ("Day" and "Night"), the bulls who carried the weather god Teshub on their backs or in his chariot and grazed on the ruins of cities. [6]
Bulls were a central theme in the Minoan civilization, with bull heads and bull horns used as symbols in the Knossos palace. Minoan frescos and ceramics depict bull-leaping, in which participants of both sexes vaulted over bulls by grasping their horns.
The Iranian language texts and traditions of Zoroastrianism have several different mythological bovine creatures. One of these is Gavaevodata, which is the Avestan name of a hermaphroditic "uniquely created (-aevo.data) cow (gav-)", one of Ahura Mazda's six primordial material creations that becomes the mythological progenitor of all beneficent animal life. Another Zoroastrian mythological bovine is Hadhayans, a gigantic bull so large that it could straddle the mountains and seas that divide the seven regions of the earth, and on whose back men could travel from one region to another. In medieval times, Hadhayans also came to be known as Srīsōk (Avestan *Thrisaok, "three burning places"), which derives from a legend in which three "Great Fires" were collected on the creature's back. Yet another mythological bovine is that of the unnamed creature in the Cow's Lament, an allegorical hymn attributed to Zoroaster himself, in which the soul of a bovine (geush urvan) despairs over her lack of protection from an adequate herdsman. In the allegory, the cow represents humanity's lack of moral guidance, but in later Zoroastrianism, Geush Urvan became a yazata representing cattle. The 14th day of the month is named after her and is under her protection.
Bulls appear on seals from the Indus Valley civilisation.
In The Rig Veda, the earliest collection of Vedic hymns (c. 1500-1000 BCE), Indra is often praised as a Bull (Vṛṣabha – vrsa (he) plus bha (being) or as uksan, a bull aged five to nine years, which is still growing or just reached its full growth). The bull is an icon of power and virile strength in Aryan literature and other Indo-European traditions. [7] Vrsha means "to shower or to spray", in this context Indra showers strength and virility. Vṛṣabha is also an astrological sign in Indian horoscope systems, corresponding to Taurus
The storm god Rudra is called a bull as are the Maruts or storm deities referred to as bulls under the command of Indra, thus Indra is called "bull with bulls." The following excerpts from The Rig Veda demonstrate these attributes:
"As a bull I call to you, the bull with the thunderbolt, with various aids, O Indra, bull with bulls, greatest killer of Vrtra." — Atri and the Last Sun
"He the mighty bull who with his seven reins let loose the seven rivers to flow, who with his thunderbolt in his hand hurled down Ruhina as he was climbing up to the sky, he my people is Indra." — Who is Indra?
"I send praise to the high bull, tawny and white. I bow low to the radiant one. We praise the dreaded name of Rudra." — Rudra, father of the Maruts. [8]
Nandi later appears in the Puranas as the primary vahana (mount) and the principal gana (follower) of Shiva. Nandi figures depicted as a seated bull are present at Shiva temples throughout the world.
The humpbacked Zebu bull (bos indicus) appears on the coinage of the Indian subcontinent from the Iron Age to the modern day. Bull symbols appear regularly on silver karshapana , or punchmarked coins, first issued by the Janapada kingdoms, and continued by the Magadhan and Mauryan empires. In additional to the bull, many karshapana contain taurine symbols of the mark left by the bulls hoof, also referred to as a nandipada (Nandi's foot) symbol which appears in Vedic, Hindu, Jain and Iranic iconography. [9]
Kushan empire (c.30-275 CE) coins and those of the Kushano-Sasanian Kingdom (230-365) depict the Iranian god Wēś beside a bull, sometimes holding a trident and beside a Nandipada symbol. [10]
The silver "bull and horseman" Jital of the Kabul or Hindu Shahi (850-1000) depicts a recumbent bull with a trishula on rump and the Nāgarī script legend above: "Sri Samanta Deva (Radiant Samanta the God). This design was copied by later Rajput dynasties including the Tomaras of Delhi, the Chauhan dynasty and the Rathore dynasty on copper and billon (alloy) coins. [11]
Upon independence from colonial rule, the bull reappeared in modern coins of the Indian rupee on the reverse of the 2 Anna coin in 1950.
Kao (bull), a supernatural divine bull, appears in ancient Meitei mythology and folklore of Ancient Manipur (Kangleipak). In the legend of the Khamba Thoibi epic, Nongban Kongyamba, a nobleman of ancient Moirang realm, pretended to be an oracle and falsely prophesied that the people of Moirang would lead to miserable lives, if the powerful Kao (bull) roaming freely in the Khuman kingdom, wasn't offered to the god Thangjing (Old Manipuri : Thangching ), the presiding deity of Moirang. Orphan Khuman prince Khamba was chosen to capture the bull, as he was known for his valor and faithfulness. Since to capture the bull without killing it was not an easy task, Khamba's motherly sister Khamnu disclosed to Khamba the secrets of the bull, by means of which the animal could be captured. [12] [13] [14]
In Cyprus, bull masks made from real skulls were worn in rites[ example needed ]. Bull-masked terracotta figurines [15] and Neolithic bull-horned stone altars have been found in Cyprus.
Bull figurines are common finds on archaeological sites across the Levant;[ citation needed ] two examples are the 16th century BCE (Middle Bronze Age) bull calf from Ashkelon, [16] and the 12th century BCE (Iron Age I) bull found at the so-called Bull Site in Samaria on the West Bank. [17] Both Baʿal and El were associated with the bull in Ugaritic texts, as it symbolized both strength and fertility. [18]
Exodus 32:4 [19] reads "He took this from their hand, and fashioned it with a graving tool and made it into a molten calf; and they said, 'This is your god, O Israel, who brought you up from the land of Egypt'."
Nehemiah 9:18 [20] reads "even when they made an idol shaped like a calf and said, 'This is your god who brought you out of Egypt!' They committed terrible blasphemies."
Calf-idols are referred to later in the Tanakh, such as in the Book of Hosea, [21] which would seem accurate as they were a fixture of near-eastern cultures.[ citation needed ]
Solomon's "Molten Sea" basin stood on twelve brazen bulls. [22] [23]
Young bulls were set as frontier markers at Dan and Bethel, the frontiers of the Kingdom of Israel.[ citation needed ]
Much later, in Abrahamic religions, the bull motif became a bull demon or the "horned devil" in contrast and conflict to earlier traditions. The bull is familiar in Judeo-Christian cultures from the Biblical episode wherein an idol of the golden calf (Hebrew : עֵגֶּל הַזָהָב) is made by Aaron and worshipped by the Hebrews in the wilderness of the Sinai Peninsula (Book of Exodus). The text of the Hebrew Bible can be understood to refer to the idol as representing a separate god, or as representing Yahweh himself, perhaps through an association or religious syncretism with Egyptian or Levantine bull gods, rather than a new deity in itself.[ citation needed ]
Among the Twelve Olympians, Hera's epithet Bo-opis is usually translated "ox-eyed" Hera, but the term could just as well apply if the goddess had the head of a cow, and thus the epithet reveals the presence of an earlier, though not necessarily more primitive, iconic view. (Heinrich Schlieman, 1976) Classical Greeks never otherwise referred to Hera simply as the cow, though her priestess Io was so literally a heifer that she was stung by a gadfly, and it was in the form of a heifer that Zeus coupled with her. Zeus took over the earlier roles, and, in the form of a bull that came forth from the sea, abducted the high-born Phoenician Europa and brought her, significantly, to Crete.
Dionysus was another god of resurrection who was strongly linked to the bull. In a worship hymn from Olympia, at a festival for Hera, Dionysus is also invited to come as a bull, "with bull-foot raging." "Quite frequently he is portrayed with bull horns, and in Kyzikos he has a tauromorphic image," Walter Burkert relates, and refers also to an archaic myth in which Dionysus is slaughtered as a bull calf and impiously eaten by the Titans. [24]
For the Greeks, the bull was strongly linked to the Cretan Bull: Theseus of Athens had to capture the ancient sacred bull of Marathon (the "Marathonian bull") before he faced the Minotaur (Greek for "Bull of Minos"), who the Greeks imagined as a man with the head of a bull at the center of the labyrinth. Minotaur was fabled to be born of the Queen and a bull, bringing the king to build the labyrinth to hide his family's shame. Living in solitude made the boy wild and ferocious, unable to be tamed or beaten. Yet Walter Burkert's constant warning is, "It is hazardous to project Greek tradition directly into the Bronze Age." [25] Only one Minoan image of a bull-headed man has been found, a tiny Minoan sealstone currently held in the Archaeological Museum of Chania.
In the Classical period of Greece, the bull and other animals identified with deities were separated as their agalma, a kind of heraldic show-piece that concretely signified their numinous presence.
The religious practices of the Roman Empire of the 2nd to 4th centuries included the taurobolium , in which a bull was sacrificed for the well-being of the people and the state. Around the mid-2nd century, the practice became identified with the worship of Magna Mater, but was not previously associated only with that cult (cultus). Public taurobolia, enlisting the benevolence of Magna Mater on behalf of the emperor, became common in Italy and Gaul, Hispania and Africa. The last public taurobolium for which there is an inscription was carried out at Mactar in Numidia at the close of the 3rd century. It was performed in honor of the emperors Diocletian and Maximian.
Another Roman mystery cult in which a sacrificial bull played a role was that of the 1st–4th century Mithraic Mysteries. In the so-called "tauroctony" artwork of that cult (cultus), and which appears in all its temples, the god Mithras is seen to slay a sacrificial bull. Although there has been a great deal of speculation on the subject, the myth (i.e. the "mystery", the understanding of which was the basis of the cult) that the scene was intended to represent remains unknown. Because the scene is accompanied by a great number of astrological allusions, the bull is generally assumed to represent the constellation of Taurus. The basic elements of the tauroctony scene were originally associated with Nike, the Greek goddess of victory.
Macrobius lists the bull as an animal sacred to the god Neto/Neito, possibly being sacrifices to the deity. [26]
Tarvos Trigaranus (the "bull with three cranes") is pictured on ancient Gaulish reliefs alongside images of gods, such as in the cathedrals at Trier and at Notre Dame de Paris. In Irish mythology, the Donn Cuailnge and the Finnbhennach are prized bulls that play a central role in the epic Táin Bó Cúailnge ("The Cattle Raid of Cooley"). Early medieval Irish texts also mention the tarbfeis (bull feast), a shamanistic ritual in which a bull would be sacrificed and a seer would sleep in the bull's hide to have a vision of the future king. [27]
Pliny the Elder, writing in the first century AD, describes a religious ceremony in Gaul in which white-clad druids climbed a sacred oak, cut down the mistletoe growing on it, sacrificed two white bulls and used the mistletoe to cure infertility: [28]
The druids—that is what they call their magicians—hold nothing more sacred than the mistletoe and a tree on which it is growing, provided it is Valonia oak. … Mistletoe is rare and when found it is gathered with great ceremony, and particularly on the sixth day of the moon….Hailing the moon in a native word that means 'healing all things,' they prepare a ritual sacrifice and banquet beneath a tree and bring up two white bulls, whose horns are bound for the first time on this occasion. A priest arrayed in white vestments climbs the tree and, with a golden sickle, cuts down the mistletoe, which is caught in a white cloak. Then finally they kill the victims, praying to a god to render his gift propitious to those on whom he has bestowed it. They believe that mistletoe given in drink will impart fertility to any animal that is barren and that it is an antidote to all poisons. [29]
Bull sacrifices at the time of the Lughnasa festival were recorded as late as the 18th century at Cois Fharraige in Ireland (where they were offered to Crom Dubh) and at Loch Maree in Scotland (where they were offered to Saint Máel Ruba). [30]
The practice of bullfighting in the Iberian Peninsula and southern France are connected with the legends of Saturnin of Toulouse and his protégé in Pamplona, Fermin. These are inseparably linked to bull-sacrifices by the vivid manner of their martyrdoms set by Christian hagiography in the third century.
In some Christian traditions, Nativity scenes are carved or assembled at Christmas time. Many show a bull or an ox near the baby Jesus, lying in a manger. Traditional songs of Christmas often tell of the bull and the donkey warming the infant with their breath. This refers (or, at least, is referred) to the beginning of the book of the prophet Isaiah, where he says: "The ox knoweth his owner, and the ass his master's crib." (Isaiah 1:3)
Oxen are some of the animals sacrificed by Greek Orthodox believers in some villages of Greece. It is specially associated to the feast of Saint Charalambos. This practice of kourbania has been repeatedly criticized by church authorities.
The ox is the symbol of Luke the Evangelist.[ citation needed ]
Among the Visigoths, the oxen pulling the wagon with the corpse of Saint Emilian lead to the correct burial site (San Millán de la Cogolla, La Rioja).
Taurus (Latin for "the Bull") is one of the constellations of the zodiac, which means it is crossed by the plane of the ecliptic. Taurus is a large and prominent constellation in the northern hemisphere's winter sky. It is one of the oldest constellations, dating back to at least the Early Bronze Age when it marked the location of the Sun during the spring equinox. Its importance to the agricultural calendar influenced various bull figures in the mythologies of Ancient Sumer, Akkad, Assyria, Babylon, Egypt, Greece, and Rome.
In his book 'Robin Hood: Green Lord of the Wildwood' (2016),John Matthews interprets the scene from the ballad in which Sir Richard-at-Lee awards, for the love of Robin Hood, a prize of a white bull to the winner of a wrestling match as seeming 'to hark back to an ancient time when the presentation of such a valuable, and probably sacred beast, would have represented an offering to the gods'. For Matthews, the Bull-running at Tutbury, mentioned in another Robin Hood ballad, may have had similar significance. [31]
Gilgamesh was a hero in ancient Mesopotamian mythology and the protagonist of the Epic of Gilgamesh, an epic poem written in Akkadian during the late 2nd millennium BC. He was possibly a historical king of the Sumerian city-state of Uruk, who was posthumously deified. His rule probably would have taken place sometime in the beginning of the Early Dynastic Period, c. 2900–2350 BC, though he became a major figure in Sumerian legend during the Third Dynasty of Ur.
Taurus is one of the constellations of the zodiac and is located in the northern celestial hemisphere. Taurus is a large and prominent constellation in the Northern Hemisphere's winter sky. It is one of the oldest constellations, dating back to the Early Bronze Age at least, when it marked the location of the Sun during the spring equinox. Its importance to the agricultural calendar influenced various bull figures in the mythologies of Ancient Sumer, Akkad, Assyria, Babylon, Egypt, Greece, and Rome. Its old astronomical symbol is (♉︎), which resembles a bull's head.
Inanna is the ancient Mesopotamian goddess of love, war, and fertility. She is also associated with sensuality, procreation, divine law, and political power. Originally worshipped in Sumer, she was known by the Akkadian Empire, Babylonians, and Assyrians as Ishtar. Her primary title is "the Queen of Heaven".
In ancient Egyptian religion, Apis or Hapis, alternatively spelled Hapi-ankh, was a sacred bull or multiple sacred bulls worshiped in the Memphis region, identified as the son of Hathor, a primary deity in the pantheon of ancient Egypt. Initially, he was assigned a significant role in her worship, being sacrificed and reborn. Later, Apis also served as an intermediary between humans and other powerful deities.
Hadad, Haddad, Adad, or Iškur (Sumerian) was the storm and rain god in the Canaanite and ancient Mesopotamian religions. He was attested in Ebla as "Hadda" in c. 2500 BCE. From the Levant, Hadad was introduced to Mesopotamia by the Amorites, where he became known as the Akkadian (Assyrian-Babylonian) god Adad. Adad and Iškur are usually written with the logogram 𒀭𒅎dIM—the same symbol used for the Hurrian god Teshub. Hadad was also called Rimon/Rimmon, Pidar, Rapiu, Baal-Zephon, or often simply Baʿal (Lord), but this title was also used for other gods. The bull was the symbolic animal of Hadad. He appeared bearded, often holding a club and thunderbolt and wearing a bull-horned headdress. Hadad was equated with the Greek god Zeus, the Roman god Jupiter, as well as the Babylonian Bel.
Animal sacrifice is the ritual killing and offering of animals, usually as part of a religious ritual or to appease or maintain favour with a deity. Animal sacrifices were common throughout Europe and the Ancient Near East until the spread of Christianity in Late Antiquity, and continue in some cultures or religions today. Human sacrifice, where it existed, was always much rarer.
Religious practices in ancient Greece encompassed a collection of beliefs, rituals, and mythology, in the form of both popular public religion and cult practices. The application of the modern concept of "religion" to ancient cultures has been questioned as anachronistic. The ancient Greeks did not have a word for 'religion' in the modern sense. Likewise, no Greek writer known to us classifies either the gods or the cult practices into separate 'religions'. Instead, for example, Herodotus speaks of the Hellenes as having "common shrines of the gods and sacrifices, and the same kinds of customs."
There are varying beliefs about cattle in societies and religions.
Enkidu (Sumerian: 𒂗𒆠𒄭EN.KI.DU10) was a legendary figure in ancient Mesopotamian mythology, wartime comrade and friend of Gilgamesh, king of Uruk. Their exploits were composed in Sumerian poems and in the Akkadian Epic of Gilgamesh, written during the 2nd millennium BC. He is the oldest literary representation of the wild man, a recurrent motif in artistic representations in Mesopotamia and in Ancient Near East literature. The apparition of Enkidu as a primitive man seems to be a potential parallel of the Old Babylonian version (1300–1000 BC), in which he was depicted as a servant-warrior in the Sumerian poems.
Animal worship is an umbrella term designating religious or ritual practices involving animals. This includes the worship of animal deities or animal sacrifice. An animal 'cult' is formed when a species is taken to represent a religious figure. Animal cults can be classified according to their formal features or by their symbolic content.
Ancient Semitic religion encompasses the polytheistic religions of the Semitic peoples from the ancient Near East and Northeast Africa. Since the term Semitic represents a rough category when referring to cultures, as opposed to languages, the definitive bounds of the term "ancient Semitic religion" are only approximate but exclude the religions of "non-Semitic" speakers of the region such as Egyptians, Elamites, Hittites, Hurrians, Mitanni, Urartians, Luwians, Minoans, Greeks, Phrygians, Lydians, Persians, Medes, Philistines and Parthians.
The religions of the ancient Near East were mostly polytheistic, with some examples of monolatry. Some scholars believe that the similarities between these religions indicate that the religions are related, a belief known as patternism.
Hittite mythology and Hittite religion were the religious beliefs and practices of the Hittites, who created an empire centered in what is now Turkey from c. 1600–1180 BC.
Minoan religion was the religion of the Bronze Age Minoan civilization of Crete. In the absence of readable texts from most of the period, modern scholars have reconstructed it almost totally on the basis of archaeological evidence such as Minoan paintings, statuettes, vessels for rituals and seals and rings. Minoan religion is considered to have been closely related to Near Eastern ancient religions, and its central deity is generally agreed to have been a goddess, although a number of deities are now generally thought to have been worshipped. Prominent Minoan sacred symbols include the bull and the horns of consecration, the labrys double-headed axe, and possibly the serpent.
The genesis of modern understanding of Greek mythology is regarded by some scholars as a double reaction at the end of the 18th century against "the traditional attitude of Christian animosity mixed with disdain, which had prevailed for centuries", in which the Christian reinterpretation of myth as a "lie" or fable had been retained. In Germany, by about 1795, there was a growing interest in Homer and Greek mythology. In Göttingen Johann Matthias Gesner began to revive Greek studies and a new humanistic spirit. His successor, Christian Gottlob Heyne, worked with Johann Joachim Winckelmann, and laid the foundations for mythological research both in Germany and elsewhere. Heyne approached the myth as a philologist and shaped the educated Germans' conception of antiquity for nearly half a century, during which ancient Greece exerted an intense influence on intellectual life in Germany.
Hybrid beasts are creatures composed of parts from different animals, including humans, appearing in the folklore of a variety of cultures as legendary creatures.
Deities depicted with horns or antlers are found in numerous religions across the world. Horned animals, such as bulls, goats, and rams, may be worshiped as deities or serve as inspiration for a deity's appearance in religions that venerate animal gods. Many pagan religions include horned gods in their pantheons, such as Pan in Greek mythology and Ikenga in Odinala. Some neopagan religions have reconstructed these deities into the concept of the Horned God, representing the male aspect of divinity in Wiccan belief.
The Hagia Triada Sarcophagus is a late Minoan 137 cm (54 in)-long limestone sarcophagus, dated to around 1400 BC or some decades later, excavated from a chamber tomb at Hagia Triada, Crete in 1903 and now on display at the Heraklion Archaeological Museum (AMH) in Crete, Greece.
Anu or Anum, originally An, was the divine personification of the sky, king of the gods, and ancestor of many of the deities in ancient Mesopotamian religion. He was regarded as a source of both divine and human kingship, and opens the enumerations of deities in many Mesopotamian texts. At the same time, his role was largely passive, and he was not commonly worshipped. It is sometimes proposed that the Eanna temple located in Uruk originally belonged to him, rather than Inanna, but while he is well attested as one of its divine inhabitants, there is no evidence that the main deity of the temple ever changed, and Inanna was already associated with it in the earliest sources. After it declined, a new theological system developed in the same city under Seleucid rule, resulting in Anu being redefined as an active deity. As a result he was actively worshipped by inhabitants of the city in the final centuries of the history of ancient Mesopotamia.
In ancient Mesopotamian mythology, the Bull of Heaven is a mythical beast fought by the hero Gilgamesh. The story of the Bull of Heaven is known from two different versions: one recorded in an earlier Sumerian poem and a later episode in the Standard Babylonian Epic of Gilgamesh. In the Sumerian poem, the Bull is sent to attack Gilgamesh by the goddess Inanna for reasons that are unclear.