Pillar of the Boatmen

Last updated
Model reconstructing the Pillar of the Boatmen in the Musee de Cluny CLUNY-Maquette pilier nautes 1.JPG
Model reconstructing the Pillar of the Boatmen in the Musée de Cluny

The Pillar of the Boatmen (French : Pilier des nautes) is a monumental Roman column erected in Lutetia (modern Paris) in honour of Jupiter by the guild of boatmen in the 1st century AD. It is the oldest monument in Paris and is one of the earliest pieces of representational Gallo-Roman art to carry a written inscription. [1]

Contents

The Roman name for the monument is Nautae Parisiaci (the sailors of the Parisii, who were a tribe of Gauls). [2] It was found re-used in the 4th century city wall on the Île de la Cité and is now displayed in the frigidarium of the Thermes de Cluny.

Description

The pillar is made of a type of limestone called "pierre de Saint-Leu-d'Esserent", from Saint-Leu, Oise, France. The original pillar would have been 5.24m high, 91 cm wide at the base and 74 cm wide at the top. [3] It is likely to have been formed in four tiers and although the order from top to bottom is reasonably certain from the relative sizes of the blocks, we do not know the rotational order in which the blocks were arranged; there are 64 possibilities. However, there is no proof that they were stacked and could also have been two pairs of altars.

The guild was for relatively wealthy shipowners or traders. An indication of the power of the guild is shown by one of the sculptures of the pillar where they parade in arms with shields and spears, a privilege granted by the Romans, which is exceptional in less than half a century after the conquest of Gaul. [4] The guild was also the first known society of Paris.

Inscription

Dedication to Jupiter under Tiberius (14-37 AD) Pilier des Nautes.jpg
Dedication to Jupiter under Tiberius (14–37 AD)

Written in Latin with some Gaulish language features, the inscription mingles Roman deities with gods that are distinctly Gallic. The pillar is dated by a dedication to Tiberius Caesar Augustus, that is Tiberius who became emperor in 14 AD. It was set up publicly (publice posierunt) by the guild of sailors of Lutetia, from the civitas of the Parisii (nautae Parisiaci). These sailors would have been merchants who travelled along the Seine.

The main dedication is to Jupiter in the form of Iovis Optimus Maximus ("Jove Best and Greatest"). The names of the emperor and the supreme deity appear in the dative case as the recipients of the dedication. The remaining theonyms are nominative legends that accompany individual depictions of the gods. These are (in the order they appear below) Jove, Tarvos Trigaranos (the Bull with three Cranes), Volcanus (Vulcan), Esus, Cernunnos, Castor, Smertrios, and Fortuna.

The dedication is as follows:

Tib(erio) Caesare /
Aug(usto) Ioui Optum[o] /
Maxsumo /
nautae Parisiaci /
publice posierunt //
Eurises // Senan[t] U[s]e[t]lo[n] [-] //
Iouis // Taruos Trigaranus //
Volcanus // Esus //
[C]ernunnos // Castor // [---] //
Smer[---] //
Fort[una] // [--]TVS[--] // D[--] [5]
Pillar of the Boatmen
Side 1Side 2Side 3Side 4
[C]ernunnosSmer[trios]Castor[Pollux]
IouisEsusTaruos TrigaranusVolcanus
Tib(erio) Caesare Aug(usto) Iovi Optum[o] Maxsumo nautae Parisiaci publice posierunt[three armed beardless men]Eurises [three armed bearded men]Senan[t] U[s]e[t]lo[n] [--] [three robed male and female figures]
Fort[una with Iuno?][two goddesses][--]V[--] [Mars with consort (Venus?)][Mercurius with Rosmerta?]

The pillar provides the only undisputed instance of the divine name Cernunnos . [2] The Gaulish theonyms are presented as deity names in their own right, and not as epithets for Roman gods (by contrast, see the many Celtic gods syncretized with Mars). Other figures appear on the pillar without legible inscriptions, including the Roman gods Mars and Mercury, who can be identified by their conventional iconography, and other unidentified figures, mainly female.

Deities

The top tier, of which only the top half remains, depicts Cernunnos, Smertrios, and Castor and Pollux. Cernunnos has stag's antlers from which hang two torcs. From the amount of the body in the top half, Cernunnos is assumed to have been depicted in a cross-legged seated position as is typical of other Cernunnos depictions; [6] :14,19,21–24 there is insufficient room for him to be seated on a chair or standing. [6] :30 Smertrios is shown kneeling, brandishing a club and attacking a snake. Castor and Pollux are shown standing beside their horses, each holding a spear. [7] :451

The second tier, which is complete, shows Jupiter, Esus, Tarvos Trigaranos and Vulcan. Jupiter is shown standing, holding a spear and a thunderbolt. Esus is shown standing beside a willow tree, which he is cutting down with an axe. Tarvos Trigaranus is depicted as a large, heavy-set bull standing in front of a willow tree. Two cranes stand on his back and a third on his head. Vulcan is shown standing, with hammer and tongs. [7] :449–450

Block of dedication

Warriors Pilier des Nautes with dedication to Jupiter under Tiberius with warriors 14 to 37 CE.jpg
Warriors
Engraving of the elements found during the diggings, Histoire de Paris, tome 1, Michel Felibien Le pilier des nautes planche.jpg
Engraving of the elements found during the diggings, Histoire de Paris, tome 1, Michel Félibien

The third tier, the top half of which survives, bears the main dedicatory inscription on one face. Since this has a border and appears complete, the content of the bottom half of this face is unknown. The other sides show a group of three young men with shields and spears; a group of three older, bearded men with spears and shields, bearing the inscription Iurises; and a group of three figures, at least one of which is female. They are unarmed, dressed in flowing gowns, and have an inscription Senani U[s]eiloni. [7] :448

The fourth, lowest tier is slightly wider than the upper three. Only the top half remains, and the inscriptions are badly damaged. Each face shows a pair of standing figures. Mars, with spear and sword, is accompanied by a female deity with large round ear-rings and a flowing garment which is held over one arm. Mercury, identifiable by his caduceus, is depicted with a goddess who may be Rosmerta, his frequent companion in Gallic art. Fortuna is accompanied by another female deity, perhaps Juno. Two other unidentified female deities are on the fourth face, the one to the left is naked to the waist and holds a large cloak behind her with upraised arms; the other is clothed and has large round ear-rings. [7] :447

History of the Pillar

Some time in the 3rd century, the stone blocks that formed the pillar were broken into two and used to reinforce the foundations of the walls along the riverbank. Over time, the island grew slightly so that the 3rd-century wharfs are now a dozen metres from the banks of the modern river. [8]

The Cathedral of Saint Etienne was founded by Childebert in 528 AD on the site of the Gallo-Roman temple; Notre-Dame de Paris was in turn built over this in 1163 AD.

The pillar was found on 6 March 1710 during the construction of a crypt under the nave of Notre-Dame de Paris and first published by Baudelot de Dairval in 1712. [7] :445–446 Not all of the pieces were recovered; for three of the tiers we have only the top half.

After discovery, the stone blocks were taken to the Hôtel de Cluny, a medieval ecclesiastical building constructed over the remains of a 2nd-century Roman bath house. This became the Musée de Cluny and then, the Musée national du Moyen Age.

In 2001, the blocks were restored, removing the black patina of grime that had accumulated on the surface of the stone over the three centuries since discovery. [3] The restored stones are once again on display in the museum.

See also

Related Research Articles

<span class="mw-page-title-main">Cernunnos</span> Celtic horned god

In ancient Celtic and Gallo-Roman religion, Cernunnos or Carnonos is a god depicted with antlers, seated cross-legged, and is associated with stags, horned serpents, dogs and bulls. He is usually shown holding or wearing a torc and sometimes holding a bag of coins and a cornucopia. He is believed to have originally been a Proto-Celtic God. There are more than fifty depictions and inscriptions referring to him, mainly in the north-eastern region of Gaul.

<span class="mw-page-title-main">Minerva</span> Roman goddess of wisdom

Minerva is the Roman goddess of wisdom, justice, law, victory, and the sponsor of arts, trade, and strategy. Minerva is not a patron of violence such as Mars, but of strategic war. From the second century BC onward, the Romans equated her with the Greek goddess Athena. Minerva is one of the three Roman deities in the Capitoline Triad, along with Jupiter and Juno.

<span class="mw-page-title-main">Mercury (mythology)</span> Roman god of trade, merchants and travel

Mercury is a major god in Roman religion and mythology, being one of the 12 Dii Consentes within the ancient Roman pantheon. He is the god of financial gain, commerce, eloquence, messages, communication, travelers, boundaries, luck, trickery, and thieves; he also serves as the guide of souls to the underworld and the "messenger of the gods".

<span class="mw-page-title-main">Castor and Pollux</span> Greek mythical siblings

Castor and Pollux are twin half-brothers in Greek and Roman mythology, known together as the Dioscuri or Dioskouroi.

<span class="mw-page-title-main">Esus</span> Gaulish logging god

Esus, Esos, Hesus, or Aisus was a Celtic god who was worshipped primarily in ancient Gaul and Britain. He is known from two monumental statues and a line in Lucan's Bellum civile.

<span class="mw-page-title-main">Lugus</span> Celtic deity identified with Mercury

Lugus is a god of the Celtic pantheon. His name is rarely directly attested in inscriptions, but his importance can be inferred from place names and ethnonyms and status as king of the gods. His nature and attributes are deduced from the distinctive iconography of Gallo-Roman inscriptions to Mercury, who is widely believed to have been identified with Lugus, and from the quasi-mythological narratives involving his later cognates, Welsh Lleu Llaw Gyffes and Irish Lugh Lámhfhada.

<span class="mw-page-title-main">Smertrios</span> God in Gaul and Noricum equated with Mars

In Gallo-Roman religion, Smertrios or Smertrius was a god worshipped in Gaul and Noricum. In Roman times he was equated with Mars. His name contains the same root as that of the goddess Rosmerta and may mean "The Purveyor" or "The Provider", a title rather than a true name. Smertulitanus may be a variant name for the same god.

<span class="mw-page-title-main">Musée de Cluny</span> Museum of medieval art in Paris, France

The Musée de Cluny, officially Musée de Cluny-Musée National du Moyen Âge, is a museum of medieval art in Paris. It is located in the 5th arrondissement of Paris, bordered by square Samuel-Paty to the south, boulevard Saint-Michel to the west, boulevard Saint-Germain to the north, and rue Saint-Jacques to the east.

<span class="mw-page-title-main">Thermes de Cluny</span>

The Thermes de Cluny are the ruins of Gallo-Roman thermal baths lying in the heart of Paris' 5th arrondissement, and which are partly subsumed into the Musée national du Moyen Âge - Thermes et hôtel de Cluny.

<i>Interpretatio graeca</i> Methodology for cultural comparison

Interpretatio graeca, or "interpretation by means of Greek [models]", refers to the tendency of the ancient Greeks to identify foreign deities with their own gods. It is a discourse used to interpret or attempt to understand the mythology and religion of other cultures; a comparative methodology using ancient Greek religious concepts and practices, deities, and myths, equivalencies, and shared characteristics.

<span class="mw-page-title-main">Ancient Celtic religion</span> Religion practised by ancient Celtic people

Ancient Celtic religion, commonly known as Celtic paganism, was the religion of the ancient Celtic peoples of Europe. Because there are no extant native records of their beliefs, evidence about their religion is gleaned from archaeology, Greco-Roman accounts, and literature from the early Christian period. Celtic paganism was one of a larger group of polytheistic Indo-European religions of Iron Age Europe.

<span class="mw-page-title-main">Gallo-Roman religion</span> Religion

Gallo-Roman religion is a fusion of the traditional religious practices of the Gauls, who were originally Celtic speakers, and the Roman and Hellenistic religions introduced to the region under Roman Imperial rule. It was the result of selective acculturation.

<span class="mw-page-title-main">Vulcan (mythology)</span> Ancient Roman god of fire, volcanoes, and metalworking

Vulcan is the god of fire including the fire of volcanoes, deserts, metalworking and the forge in ancient Roman religion and myth. He is often depicted with a blacksmith's hammer. The Vulcanalia was the annual festival held August 23 in his honor. His Greek counterpart is Hephaestus, the god of fire and smithery. In Etruscan religion, he is identified with Sethlans.

Toutatis or Teutates is a Celtic god who was worshipped primarily in ancient Gaul and Britain. His name means "god of the tribe", and he has been widely interpreted as a tribal protector. According to Roman writer Lucan, the Gauls offered human sacrifices to him.

<span class="mw-page-title-main">Mars (mythology)</span> Roman god of war, guardian of agriculture

In ancient Roman religion and mythology, Mars is the god of war and also an agricultural guardian, a combination characteristic of early Rome. He is the son of Jupiter and Juno, and was pre-eminent among the Roman army's military gods. Most of his festivals were held in March, the month named for him, and in October, the months which traditionally began and ended the season for both military campaigning and farming.

<span class="mw-page-title-main">Celtic deities</span> Gods and goddesses of the Ancient Celtic religion

The gods and goddesses of the pre-Christian Celtic peoples are known from a variety of sources, including ancient places of worship, statues, engravings, cult objects, and place or personal names. The ancient Celts appear to have had a pantheon of deities comparable to others in Indo-European religion, each linked to aspects of life and the natural world. Epona was an exception and retained without association with any Roman deity. By a process of syncretism, after the Roman conquest of Celtic areas, most of these became associated with their Roman equivalents, and their worship continued until Christianization. Pre-Roman Celtic art produced few images of deities, and these are hard to identify, lacking inscriptions, but in the post-conquest period many more images were made, some with inscriptions naming the deity. Most of the specific information we have therefore comes from Latin writers and the archaeology of the post-conquest period. More tentatively, links can be made between ancient Celtic deities and figures in early medieval Irish and Welsh literature, although all these works were produced well after Christianization.

<span class="mw-page-title-main">Horned deity</span> Deity depicted with horns or antlers

Deities depicted with horns or antlers are found in many religions across the world. In religions that venerate animal deities, horned bulls, goats, and rams may be worshiped as deities or serve as the inspiration for a deity's appearance. Many pagan religions include horned gods in their pantheons, such as Pan in Greek mythology and Ikenga in Odinala. Some neopagan religions have constructed these deities as the Horned God, representing the male part of their duotheistic theological system.

<span class="mw-page-title-main">Celtic mythology</span> Mythology of Celtic peoples

Celtic mythology is the body of myths belonging to the Celtic peoples. Like other Iron Age Europeans, Celtic peoples followed a polytheistic religion, having many gods and goddesses. The mythologies of continental Celtic peoples, such as the Gauls and Celtiberians, did not survive their conquest by the Roman Empire, the loss of their Celtic languages and their subsequent conversion to Christianity. Only remnants are found in Greco-Roman sources and archaeology. Most surviving Celtic mythology belongs to the Insular Celtic peoples. They preserved some of their myths in oral lore, which were eventually written down by Christian scribes in the Middle Ages. Irish mythology has the largest written body of myths, followed by Welsh mythology.

References

  1. Hatt, Jean-Jacques (1952). "Les monuments gallo-romains de Paris, et les origines de la sculpture votive en Gaule romaine. I. Du pilier des nautes de Paris à la colonne de Mayence". Revue Archéologique (in French). I: 68–83.
  2. 1 2 Breviary, A. (2005). "Celticism". In Koch, John T. (ed.). Celtic Culture : A Historical Encyclopedia. Vol. 1. ABC-CLIO. p. 396. ISBN   978-1851094400.
  3. 1 2 Saragoza, F. (March 2003). "Le Pilier des nautes retrouvé". Archéologia (in French) (398): 15–27.
  4. Alexis Charniguet and Anne Lombard-Jourdan: Cernunnos, Deer god of the Gauls, Paris, Larousse, coll. "Gods, myths & heroes", 2009, ISBN   978-2-03-584620-4 , p. 15
  5. CIL XIII, 3026; RIG L2-1
  6. 1 2 Bober, Phyllis Fray (1951). "Cernunnos: Origin and Transformation of a Celtic Divinity". American Journal of Archaeology. Archaeological Institute of America. 55 (1): 13–51. doi:10.2307/501179. JSTOR   501179. S2CID   194026618.
  7. 1 2 3 4 5 Busson, Didier (1998). Carte archéologique de la Gaule (in French). Vol. 75. Paris: Académie des Inscriptions et Belles-Lettres. ISBN   2-87754-056-1.
  8. Kruta, V. (1983). "Le quai gallo-romain de l'Île de la Cité de Paris". Cahiers de la Rotonde (in French). 6: 6–34.

Bibliography