Armagh County Museum

Last updated

Armagh County Museum
MuseumArmagh (2).JPG
Neoclassical façade of Armagh Museum
Armagh County Museum
Established1937
Location Armagh
Type Historical museum
Collections Archaeology, Art, Costume, Taxidermy, Library
Collection size360,000
FounderArmagh County Council
Owner Armagh City, Banbridge and Craigavon Borough Council
Nearest parkingStreet
Website armaghcountymuseum.co.uk

The Armagh County Museum is a museum in Armagh, County Armagh, Northern Ireland. Located on the edge of the tree-lined Mall in the centre of Armagh city, [1] the museum is the oldest County Museum in Ireland and was officially opened in 1937.

Contents

History

Charlemont Place National School (1835–1840s)

The building was originally established as Charlemont Place National School and the architect may have been Francis Johnston's pupil, William Murray. [2]

Armagh Natural History and Philosophical Society (1856–1930)

The school was not a success and the trustees transferred the lease to Armagh Natural History and Philosophical Society in 1856. [3] They utilised the premises as their reading room, library, lecture hall and museum. It was their museum that formed the foundation of what would become Armagh County Museum's collection. They employed architect Edward Gardner to convert the one room interior into two ground floor rooms and a broad balcony housing the museum above. The Society and museum expanded during the latter half of the nineteenth century and by 1888 it had 275 members paying an annual subscription of five shillings each. In that year the interior layout of the building was described thus: "To economise space, the reading room, by the withdrawal of a partition formed of shutters, becomes the stage of the theatre, and the theatre and museum are one. A good collection of specimens has been secured for the illustration of lectures on natural history. The library is well stocked with books in the following departments: – Antiquities, Astronomy, Arts, Biography, Chemistry, Economics, Geography, Geology, and Mineralogy, History, Mechanics, Metaphysics, Microscopy, Natural History, Natural Philosophy, Poetry, and general literature..." [4] In 1891 Art Rooms were built immediately behind the museum and for some years an Art School flourished under the auspices of the Science & Art department of the South Kensington Museum. [5]

Birth of County Museum (1930–1937)

In 1930, Armagh County Council took over the building with the primary purpose of using it as a repository for the County Library. However, the council secretary, T.E. Reid, persuaded the council to rejuvenate the Philosophical Society's museum. In 1933, the council commissioned J.A. Sidney Stendall then Assistant Curator at Belfast Municipal Museum & Art Gallery to write a report on the current state of the museum and how it should be developed. He found many of the "curiosities" collected by the Philosophical Society to be of little value to a modern County Museum and advised "that the few scattered ethnographic objects should be likewise jettisoned, including the very dilapidated mummy...". [6] By 1934, they had expended £1,300 "on the reconstruction of the buildings to make them suitable for a central Book Repository and Museum". [7] The same council minutes recommend that £50 per annun be spent "for the assistance of the Honorary Curator". The honorary curator was 46-year-old local historian George Paterson or as he became known through his writing, T.G.F. Paterson. By November 1934, he had been appointed "whole-time curator for three years commencing on the 1st January, 1935, at a salary of £3.0.0 per. week". [8] Several years were spent rationalizing the collection and refitting the display cases as well as making alterations to the building. This was completed by 1937 and on 28 April of that year, James Caulfeild, 8th Viscount Charlemont in his role as Minister of Education for Northern Ireland performed the opening ceremony. [9] The Carnegie U.K. Trust had contributed funds to complete the refurbishment of the museum and in 1938 they contributed a further £162.10s.0d towards further development of the new museum.

T.G.F. Paterson (1888–1972)

Thomas George Farquhar Paterson was born in Canada on 29 February 1888. His father had emigrated there shortly after his marriage. While he was still a young child, Paterson returned to Ireland with his family. They settled on the family farm in the townland of Cornascreeb near Portadown in County Armagh. In his early days, he often signed his name George Paterson and his friends knew him simply as Tommy. However, his numerous articles and essays published in newspapers and journals over the years were almost always signed T.G.F. Paterson.[ citation needed ]

Although he was from a farming background, young Thomas was apprenticed to a Portadown grocery business, Davidsons. He was later to continue in this line of work in Armagh, working for the old established grocers, Couser's which catered for the local landed gentry. He possessed no formal academic training but had a curiosity about his surroundings which served him in his role as museum curator. [10] He quickly began adding to the collection, and had wide-ranging interests which meant he acquired artefacts which varied from archaeological artefacts to eighteenth century costume. [11] [ not specific enough to verify ] He also commissioned a work by Belfast-based artist John Luke, who had moved to County Armagh to escape the blitz during the Second World War. Paterson commissioned him to paint a local scene for the museum's developing art collection. The Old Callan Bridge (1945) has become one of the museum's "treasures" and is recognised[ by whom? ] as one of Luke's finest works. [10]

Developing the collections

Paterson was also interested in local artists, including in Lurgan-born polymath "Æ"(George Russell). Over the years he managed to persuade a number of Russell's contemporaries, including Lily Yeats, to donate paintings and personal articles associated with the artist. As a result, the museum has 26 of AE's paintings, hundreds of letters written by him and such personal items as his spectacles, passport, his painting palette and birthday book. Paterson's ambition to collect ranged across all the subjects relevant to a regional museum. Uniforms and accoutrements from the period of the Volunteers in the 1780s were acquired, as were harvest knots and rush-light candleholders used by the rural communities of South Armagh. By the late 1950s, the museum had expanded to capacity and Armagh County Council was persuaded to spend money on an expansion programme.[ citation needed ]

Refurbishment (1959–1962)

In January 1955 D.R.M. (Roger) Weatherup had been appointed as Paterson's Deputy Curator. Paterson and Weatherup spent several months of 1959 packing up the collections and emptying the display cases in readiness for the major refurbishment. Their temporary home for the next few years would be the nearby Armagh jail. Paterson was allocated a cell as his office where he continued his research and writing.[ citation needed ]

1960s

During the closure of the museum all of the old buildings behind the neoclassical facade were demolished including the 1890s Art School. A new red-brick extension was built that would accommodate the museum on the first floor and the library repository below. The improvements incorporated a caretaker's residence at the rear of the premises but as work neared completion the council was persuaded that the need for a live-in caretaker was unnecessary. It was thought the residence would suit Mr Paterson better and after the official opening in September 1962 he moved into his new home. He was to retire the following year but spent the rest of his days living in the museum he had been instrumental in creating.

In March 1963 Roger Weatherup took on the role of curator. [10]

1970s and 1980s

In the early 1970s re-organisation of Northern Ireland's local government and the abolition of Armagh County Council meant the museum was left without the governing body that had been its funder since 1930. The newly formed Armagh District Council was unable to afford the museum so in 1973 an agreement was reached that the museum would be transferred to the Ulster Museum. This began a 40-year relationship with Northern Ireland's National Museum in Belfast. The close relationship with the Ulster Museum brought many advantages,[ citation needed ] not least the ability to rely on the skills and resources of the larger institution.[ citation needed ] A chance to expand the museum was realised in the early 1980s when the construction of a dedicated Library Headquarters on the outskirts of Armagh city at Woodford meant the ground floor became vacant. The museum took over the library premises rooms utilising them as storage and offices.[ citation needed ]

1990s to present

Following the Wilson report in 1995 it was decided to merge the Ulster Museum with the Ulster Folk & Transport Museum and the Ulster American Folk Park. The Museums and Galleries (Northern Ireland) Order 1997 realised this goal. Armagh County Museum was included in this plan and became part of National Museums Northern Ireland (NMNI). It has continued as one of the four components of National Museums Northern Ireland since then and like the other sites is funded by the Department of Culture Arts and Leisure (DCAL). In April 2015, as part of Northern Ireland's Review of Public Administration the museum was transferred to the newly formed Armagh City, Banbridge and Craigavon Borough Council.[ citation needed ]

Collections

Archaeology

Many of the megalithic sites in South Armagh were subject to excavations undertaken during the 1930s and 1940s. As a consequence the museum acquired excavation material from sites such as Clontygora and Annaghmare. This material is supplemented by objects from the private collections of the Philosophical Society.[ citation needed ]

Transport

The transport section contains materials and ephemera such as handbills, posters and railway memorabilia collected by D.R.M. Weatherup during the 1960s when the local rail infrastructure was in decline.[ citation needed ]

Costume

Paterson's contacts with many of the Armagh landed gentry went back to his early days when he managed Couser's grocers in Armagh during the 1920s. Decades later when many of the "big houses" were closing up, many of the people he had done business back then donated the contents of their ancestors' wardrobes. [12] [ not specific enough to verify ]

Art

The art collection can be divided into the following broad categories: paintings by local artists; paintings of local people; and works representing county Armagh's buildings and topography. There are also paintings from Northern Irish artists such as T.P. Flanagan, Maurice MacGonigal, Beatrice Glenavy, James Humbert Craig, Maurice Wilks, John Luke, Cecil Maguire, James Sinton Sleator, William Conor, and Charles Lamb. Most of the older family portraits are by unknown artists with some exceptions, including Stephen Slaughter's portrait of Primate Hoadly and Martin Cregan's portraits of Leonard Dobbin and Sir William Verner.[ citation needed ]

The English watercolour artist Cornelius Varley toured Ireland in 1808 and his pencil drawings of Armagh city and Markethill are also in the collection.

Related Research Articles

Nano Reid was an Irish painter who specialised in landscape, figure painting and portraits.

One of the finest Irish painters of the century, her rich but subtly expressionist use of pigment makes her work as relevant today as when she started painting

<span class="mw-page-title-main">Ulster Museum</span> Part of the National Museum of Northern Ireland

The Ulster Museum, located in the Botanic Gardens in Belfast, has around 8,000 square metres of public display space, featuring material from the collections of fine art and applied art, archaeology, ethnography, treasures from the Spanish Armada, local history, numismatics, industrial archaeology, botany, zoology and geology. It is the largest museum in Northern Ireland, and one of the components of National Museums Northern Ireland.

Basil Joseph BlackshawHRUA, HRHA was a Northern Irish artist specialising in animal paintings, portraits and landscapes and an Academician of the Royal Ulster Academy.

Colin Middleton was a Northern Irish landscape artist, figure painter, and surrealist. Middleton's prolific output in an eclectic variety of modernist styles is characterised by an intense inner vision, augmented by his lifelong interest in documenting the lives of ordinary people. He has been described as ‘Ireland's greatest surrealist.’

<span class="mw-page-title-main">William Scott (artist)</span> British artist (1913–1989)

William Scott was a prominent abstract painter from Northern Ireland, known for his themes of still life, landscape and female nudes. He is the most internationally celebrated of 20th-century Ulster painters. His early life was the subject of the film Every Picture Tells a Story, made by his son James Scott.

Daniel O'Neill was a Romantic painter born in Belfast, Ireland.

Neil Shawcross, RHA, HRUA is an artist born in Kearsley, Lancashire, England, and resident in Northern Ireland since 1962. Primarily a portrait painter, his subjects have included Nobel prize winning poet Seamus Heaney, novelist Francis Stuart, former Lord Mayor of Belfast David Cook, footballer Derek Dougan and fellow artists Colin Middleton and Terry Frost. He also paints the figure and still life, taking a self-consciously childlike approach to composition and colour. His work also includes printmaking, and he has designed stained glass for the Ulster Museum and St. Colman's Church, Lambeg, County Antrim. He lives in Hillsborough, County Down.

John Luke was an Irish artist. He was born in Belfast at 4 Lewis Street. The fifth of seven sons and one daughter of James Luke and his wife Sarah, originally from Ahoghill. He attended the Hillman Street National School and in 1920 went to work at the York Street Flax Spinning Company. He went on soon after to become a riveter at the Workman, Clark shipyard and whilst working there he enrolled in evening classes at the Belfast College of Art.

Deborah Brown was a Northern Irish sculptor. She is well known in Ireland for her pioneering exploration of the medium of fibre glass in the 1960s and established herself as one of the country's leading sculptors, achieving extensive international acclaim.

Carolyn MulhollandHRHA, HRUA is an Irish sculptor.

Mercy HunterHRUA PPRUA ARCA MBE was a Northern Irish artist, calligrapher and teacher. Hunter was a founding member of the Ulster Society of Women Artists, where she was later to become president and she was also a past president of the Royal Ulster Academy of Arts.

Terence Philip FlanaganPPRUA HRUA RHA MBE was a landscape painter and teacher from Northern Ireland.

Dennis Henry Osborne HRUA was a British artist and teacher who worked mainly in oil and watercolour. Osborne exhibited widely in Canada, Ireland and the UK. He was a follower of the Euston Road School and the Post-Impressionist Paul Cézanne. He was a Honorary Academician of the Royal Ulster Academy of Arts.

Jean Osborne was an artist from Northern Ireland who worked primarily in oils and watercolours.

George Galway MacCannARCA ARUA was a Northern Irish abstract painter and Modernist sculptor, writer and broadcaster. MacCann was born in Belfast, the son of monumental sculptor David and his wife Elizabeth.

Romeo ToogoodARCAHRUA was an Ulster artist and teacher who specialized in landscape painting.

<span class="mw-page-title-main">Paul Nietsche</span> Ukrainian artist and teacher (1885–1950)

Paul Nietsche was a Ukrainian artist and teacher who emigrated to Ulster in 1936 where he became a central figure on the Belfast artistic and literary scenes between the 1930s and his death in 1950.

William Robert Gordon HRUA was an influential Northern Irish landscape and portrait painter, and an educator. He was a founding member of the Ulster Arts Club and the Ulster Literary Theatre.

<span class="mw-page-title-main">Lurgan Town Hall</span> Municipal Building in Lurgan, Northern Ireland

Lurgan Town Hall is a municipal structure in Union Street, Lurgan, County Armagh, Northern Ireland. The structure, which is primarily used as a community, arts and resource centre, is a Grade B1 listed building.

<span class="mw-page-title-main">Ardress House</span> Country house in County Armagh, Northern Ireland

Ardress House is a country house in Annaghmore, County Armagh, in Northern Ireland. The house was owned by the Clarke, then Ensor families, including the writer and lawyer George Ensor. The estate, which includes orchards, a farm and a dairy, borders the River Tall. Collections within the house include eighteenth-century paintings and furniture. In 1959, the National Trust acquired Ardress from Captain Charles Ensor with support from the Ulster Land Fund.

References

  1. ↑ https://artuk.org/visit/venues/armagh-county-museum-2051
  2. ↑ McKinstry, Robert; et al. (1992). The buildings of Armagh. Belfast: Ulster Architectural Heritage Society. p. 133. ISBN   0900457422.
  3. ↑ Brett, Charles (1999). Buildings of County Armagh. Belfast: Ulster Architectural Heritage Society. p. 225. ISBN   0900457546.
  4. ↑ Bassett, George (1888). The Book of County Armagh... Dublin: Sealy, Bryers & Walker. p. 105.
  5. ↑ Weatherup, D.R.M. (1990). Armagh – Historic Photographs. Belfast: Friar's Bush Press. p. 40. ISBN   0946872368.
  6. ↑ Reid, T.E. (25 September 1933), Armagh County Council Minutes, p. 3
  7. ↑ Reid, T.E. (6 June 1934), Armagh County Council minutes, p. 4
  8. ↑ Reid, T.E. (23 November 1934), Armagh County Council Minutes
  9. ↑ Reid, T.E. (20 April 1937), Armagh County Council minutes, p. 18
  10. 1 2 3 Evans, Estyn (1975). Harvest Home – The Last Sheaf. Dundalk: Dundalgan Press. pp. 9–20.
  11. ↑ Museum accession register and letter files
  12. ↑ Armagh County Museum letter files
This page is based on this Wikipedia article
Text is available under the CC BY-SA 4.0 license; additional terms may apply.
Images, videos and audio are available under their respective licenses.