Stephen Slaughter (baptised 1697, died 1765) was an English portrait painter. [1] He spent periods of his career in Dublin, where he introduced the English style of portrait painting. [2]
He was the son of Stephen and Judith Slaughter, was baptised in London, and had the artist Judith Lewis as a sister. [1] It has been claimed that John Lewis (fl. 1737–1769), also an artist, was Slaughter's brother-in-law; but it is disputed whether Lewis was the husband of Judith Slaughter. [3] [4] Slaughter studied under Godfrey Kneller from 1712. [1] In 1720, on the account of Joseph Highmore, he was at the London academy of Louis Cheron and John Vanderbank. [5]
There followed a long period abroad, in France and Flanders. Returning in 1732–33 to London, Slaughter then set up in Dublin during 1734, paying a longer visit in the 1740s. [6] Slaughter influenced in particular Thomas Frye, as did James Latham. [7]
In 1745 Slaughter became Surveyor of the King's Pictures, in succession to Peter Walton. [1] From 1748 he spent time on picture restoration. [6] On 14 July 1765, two months after his death, he was elected to the Accademia del Disegno, with William Oram. [8]
Peter Scheemakers or Pieter Scheemaeckers II or the Younger was a Flemish sculptor who worked for most of his life in London. His public and church sculptures in a classicist style had an important influence on the development of modern sculpture in England.
John Carteret, 2nd Earl Granville, 7th Seigneur of Sark,, commonly known by his earlier title Lord Carteret, was a British statesman and Lord President of the Council from 1751 to 1763 and worked closely with the Prime Minister of the country, Spencer Compton, Earl of Wilmington, to manage the various factions of the Government. He was Seigneur of Sark from 1715 to 1720, when he sold the fief. He held the office of Bailiff of Jersey from 1715 to 1763.
John Russell, 4th Duke of Bedford, was a British Whig statesman and peer who served as the Lord Lieutenant of Ireland from 1757 to 1761. A leading member of the Whig party during the Seven Years' War, he negotiated the 1763 Treaty of Paris which ended the conflict. Bedford was also an early promoter of cricket and a patron of the arts who commissioned numerous works from prominent artists, most notably Canaletto.
John Perceval, 2nd Earl of Egmont was a British politician, political pamphleteer, and genealogist who served as First Lord of the Admiralty. Of Anglo-Irish background, he sat in both the Irish and British Parliaments. He was the father of the Regency Era Prime Minister Spencer Perceval.
Richard Westall was an English painter and illustrator of portraits, historical and literary events, best known for his portraits of Byron. He was also Queen Victoria's drawing master.
Matthew Wren was an influential English clergyman, bishop and scholar.
Christopher Hewetson (c.1737–1798) was a neoclassical sculptor of portrait busts. Born in Ireland, he was active in Rome.
Edward Haytley was an English portrait and landscape painter of the 18th century. He was born in 1713, but his works are documented to the period 1740–1764; other biographical detail is equally sparse, but the background of some early professional associates and early sitters suggests he may have come from Lancashire.
Joseph Highmore was an English painter of portraits, conversation pieces and history subjects, illustrator and author. After retiring from his career as a painter at the age of 70, he published art historical and critical articles.
Simon Luttrell, 1st Earl of Carhampton was an Anglo-Irish politician and peer who sat in the British House of Commons from 1754 to 1780.
Matthew William Peters was an English portrait and genre painter who later became an Anglican clergyman and chaplain to George IV. He became known as "William" when he started signing his works as "W. Peters".
George Knapton (1698–1778) was an English portrait painter and the first portraitist for the Society of Dilettanti in the 1740s. He became Surveyor and Keeper of the King's Pictures from 1765 to 1778.
Owen Swiny was an Irish theatre impresario and art dealer active in London known for his work in popularising Italian opera in London and his agency in Venice.
Richard Annesley, 6th Earl of Anglesey, known as The Lord Altham between 1727 and 1737, was an Irish peer and governor of Wexford. He is known for the doubts surrounding his claim to the barony of Altham, for the questionable legitimacy of his marriages and therefore of his son's claim to his titles, and for his arranging the kidnapping of his nephew, a rival claimant to his titles and estates. This incident is believed to have influenced part of the novel Kidnapped by Robert Louis Stevenson.
Susanna Duncombe was an English poet and artist.
Jacob Ennis (1728-1770) was an Irish historical and portrait painter. He studied at Dublin under Robert West, and afterwards in Italy. He subsequently became a master in the Dublin Art School.
Sir Philip Meadowes or Meadows (1672–1757) was an English politician and diplomat.
John Parker was an English history and portrait painter, who spent much of his career in Italy.
Judith Slaughter Lewis was an English equestrian painter.