Museo Nacional de las Culturas

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Museo Nacional de las Culturas
Museo Nacional de las Culturas.JPG
Above the main entrance of the museum
Museo Nacional de las Culturas
EstablishedDecember 1965
Location Mexico City, Mexico
Type Anthropology
Visitors369,865 (2017) [1]
DirectorGabriela E. López Torres
Public transit access Metro Zócalo (Line 2)
Website www.museodelasculturas.mx

The Museo Nacional de las Culturas (MNC; National Museum of Cultures) is a national museum in Mexico City dedicated to education about the world's cultures, both past and present. It is housed in a colonial-era building that used to be the mint for making coins. Prior to this, the site was the home of the location of the Moctezuma's Black House. The mint was moved to Apartado Street in 1850, and the building was used for various purposes until it was converted to its current use in 1966. [2]

Contents

Aztec site

The museum is located on the site of the original Aztec building that was a part of Moctezuma's "New Palaces" complex called the "Casa Denegrida" (Black House) by Spanish invaders, who described it as a windowless room painted in black. In here, Moctezuma would meditate on what he was told by professional seers and shamans. [3] During the Invasion, this Black House, along with the rest of Moctezuma's New Palaces was nearly destroyed. [4] This site was part of lands given to Hernán Cortés by the Spanish Crown as a reward for the invasion of Mexico, [5] and Cortés rebuilt the New Palaces/Black House complex in Spanish style, using much of the building materials of the old Aztec buildings. [4] Cortes’ son later inherited this palace, only to later sell it back to Felipe V in order to establish the vice-regal palace. [5]

Recently, excavations here and next door at the National Palace have unearthed parts of a wall and a basalt floor believed to be part of the Black House. More excavations are planned. [3]

Colonial era mint

Facade of the museum/mint building FacadeNMCDF.JPG
Facade of the museum/mint building

Originally, minting operations were based in the city hall. [6] However, due to the increased prosperity of the colony and the need for more coin production, minting operations were moved here in 1731. The mint's director at the time, Nicolás Peinado, was also an architect and made the initial plans. Worked was carried out by Pedro de Arrieta and Lorenzo Rodríguez. However, problems with the remodeling surfaced, resulting in the viceroy naming Jose Eduardo Herrera to take over, and Peinado ended up in jail. The remodeling was finally completed by Luis Diez Navarro. [2]

This mint is responsible for the name of the street on which it is located, called Moneda, which means "coin". [5] The building was again expanded between 1772 and 1779 by Miguel Constanzó, Lorenzo Rodriguez, and Jose Damian Ortiz [2]

Conversion to museum

Frames used for the Turtle and Straw Bull dances. MuseoAfromestizas09.JPG
Frames used for the Turtle and Straw Bull dances.

In 1850, minting operations were moved to Apartado Street, and this building was used by a number of entities such as the Engraving School, the Supreme Court, minister of the interior and government graphic design department. [7]

In 1865, Emperor Maximilian decided to put the Public Museum of Natural History, Archeology and History here, beginning with pieces donated by the Royal and Pontifical University of Mexico and the National Museum founded by President Guadalupe Victoria in 1825. [2] At the beginning of the 20th century, artist Rufino Tamayo painted the mural called "La Revolución" (The Revolution) in which he depicts the Mexican Revolution. [5] This mural can still be seen in the lobby. While the museum was initially successful, it eventually declined and much of its collection was moved to other institutions. [2] The collection of items related to natural history was moved to the Chopo Museum in 1909, and the collection of Mexican historical items were mostly moved to the museum at the Castle of Chapultepec in 1944. Much of the remaining items were transferred to the Museo Nacional de Antropología e Historia by 1964. [5]

National Cultural Museum

Part of a display on Wayang Historia y evolucion del titere asiatico.JPG
Part of a display on Wayang
Gamelan group Indra Swara in Mexico. Gamelan indra swara.jpg
Gamelan group Indra Swara in Mexico.

This colonial-era building was named a national monument in 1931, [2] but when the new Museum of Anthropology opened the site was left vacant. Beatriz Barba and Julio César Olivé proposed that the space be converted into a museum featuring world cultures. [8] After renovation, the building opened on 5 December 1965, [9] with Barba serving as its deputy director until 1976 [10] as the Cultural Museum, with rooms dedicated to demonstrating cultural artifacts from around the world. [2] This museum dedicated to the world's past and present cultures is the only one of its type in Latin America. [11] The museum has sixteen permanent display rooms and three rooms for temporary exhibits. Some of the rooms are dedicated prehistoric cultures remains such as cave paintings and implements associated with the origins of sedentary, agricultural societies. Other rooms are devoted to ancient Mesopotamia as well as ancient Greece and Rome.

In the Age of Exploration room, items from the time of initial European contact with the Americas are on display. For modern cultures, there are exhibits from all continents and some dedicated to cultures little-known in Mexico such as that of Samoa or New Ireland. [5] [12] Since its founding, the museum has received over 12,000 pieces from around the world. These pieces include textiles, glass objects, porcelain, photographs, arms, kimono, masks, jewelry and sculptures. Many of these objects are originals and some are quite old. The museum still receives donations of objects. One of the most recent is of board inlaid with mother-of-pearl from Vietnam. [5]

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<span class="mw-page-title-main">Moctezuma II</span> Tlahtoāni of the Aztec Empire until 1520

Motecuhzoma Xocoyotzin, variant spellings include Moctezuma, Motewksomah, Motecuhzomatzin, Montezuma, Moteuczoma, Motecuhzoma, Motēuczōmah, Muteczuma, and referred to retroactively in European sources as Moctezuma II, was the ninth Emperor of the Aztec Empire, reigning from 1502 or 1503 to 1520. Through his marriage with Queen Tlapalizquixochtzin of Ecatepec, one of his two wives, he was also king consort of that altepetl.

<span class="mw-page-title-main">Tenochtitlan</span> Former city-state in the Valley of Mexico

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<span class="mw-page-title-main">Chapultepec</span> Urban park in Mexico City

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<span class="mw-page-title-main">Oaxaca City</span> City in Oaxaca, Mexico

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<i>Instituto Nacional de Antropología e Historia</i> Research institute in Mexico

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<i>Templo Mayor</i> Main temple of Tenochtitlan

The Templo Mayor was the main temple of the Mexica people in their capital city of Tenochtitlan, which is now Mexico City. Its architectural style belongs to the late Postclassic period of Mesoamerica. The temple was called Huēyi Teōcalli in the Nahuatl language. It was dedicated simultaneously to Huitzilopochtli, god of war, and Tlaloc, god of rain and agriculture, each of which had a shrine at the top of the pyramid with separate staircases. The central spire was devoted to Quetzalcoatl in his form as the wind god, Ehecatl. The Great Temple devoted to Huitzilopochtli and Tlaloc, measuring approximately 100 by 80 m at its base, dominated the Sacred Precinct. Construction of the first temple began sometime after 1325, and it was rebuilt six times. The temple was destroyed by the Spanish in 1521, and the Mexico City cathedral was built in its place.

<span class="mw-page-title-main">Eduardo Matos Moctezuma</span> Mexican archaeologist (born 1940)

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<span class="mw-page-title-main">Mexican Mint</span>

La Casa de Moneda de México is the national mint of Mexico and is the oldest mint in the Americas.

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<span class="mw-page-title-main">Historic center of Mexico City</span> Place in Mexico City, Mexico

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<span class="mw-page-title-main">Museum of Mexico City</span> Art museum in Mexico

The Museum of Mexico City is located at Pino Suarez 30, a few blocks south of the Zocalo, on what was the Iztapalapa Causeway, near where Hernán Cortés and Moctezuma II met for the first time. This building used to be the palace of the Counts of Santiago de Calimaya, who were the descendants of one of the conquistadors with Cortés. The house was extensively remodeled during the colony to much the appearance that it has today and remained in the family until 1960, when the Mexico City government acquired it from them in order to found the Museum that is found there today. The museum contains a number of elements of the old palace as well as 26 rooms dedicated to the history and development of Mexico City from Aztec times to the present. It also contains a library and the studios of painter Joaquín Clausell, who lived here in the late 19th and early 20th centuries.

<span class="mw-page-title-main">Palacio del Marqués del Apartado</span> Building in Mexico City, Mexico

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<span class="mw-page-title-main">Palacio de la Autonomía</span>

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<span class="mw-page-title-main">Palace of Cortés, Cuernavaca</span>

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<span class="mw-page-title-main">Casas Nuevas de Moctezuma</span>

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<span class="mw-page-title-main">Museo Nacional de Culturas Populares</span>

Museo Nacional de las Culturas Populares is a museum in Mexico City dedicated to Mexico's ethnic and cultural diversity. This diversity not only includes that of its indigenous peoples, but also those of its regions and socioeconomic strata. It was founded in 1982 by anthropologist Guillermo Bonfil Batalla at a time when the country was accepting and promoting its cultural diversity. The museum does not have a large permanent collection but rather focuses on temporary exhibits, concerts, workshops and other cultural and educational events as well as promoting the creation of museums in Mexico to promote local cultures. The museum is also home to the Centro de Información y Documentación Alberto Beltrán, founded in 1971 to promote research and knowledge about Mexican handcrafts and folk art and indigenous ethnicities.

The Casa Denegrida de Moctezuma was part of the royal palace and chambers of Tenochtitlan's ninth tlatoani Moctezuma II. The Black House, or more accurately the black room, was a windowless room fully painted in black where Moctezuma would meditate. The floor was made of large irregular black basalt slabs.

Beatriz Barba Ahuactzin was a Mexican academic, anthropologist, and archaeologist, who was the second woman to earn a degree in archaeology in her country. She was a member of the National System of Researchers from 1985 and a member of the Mexican Academy of Sciences. Upon her fortieth anniversary of teaching, in 1991, she was honored with the gold Ignacio Altamirano Medal by the government of Mexico and the Secretariat of Education. In 2013, the National Institute of Anthropology and History (INAH) paid tribute to her life's work.

References

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  3. 1 2 Siddique, Haroon (2008-06-10). "Archaeologists uncover Aztec palace in Mexico City". The Guardian. Retrieved 2008-09-22.
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19°25′59.77″N99°7′49.67″W / 19.4332694°N 99.1304639°W / 19.4332694; -99.1304639