The San Pedro y San Pablo College is a colonial church located in the historical center of Mexico City, Mexico.
Today the church section of the complex houses the Museum of the Constitutions of Mexico−Museo de las Constituciones. [1] The former school section of the complex stretches along San Ildefonso Street to Republica de Venezuela Street. [2]
San Pedro y San Pablo College was the second college founded by Jesuits in the Viceroyalty of New Spain. [3] The Jesuit missionaries were sent to the new colony in the 16th century for Jesuit Reductions version of Indian Reductions, and to found new missions and schools. The missionary group that founded the college was led by Father Pedro Sanchez. [4] and the official founding occurred in 1574 with the name of Colegio Máximo de San Pedro y San Pablo (Great College of Saints Peter and Paul). [2] It was called "Máximo" because it was built to oversee the training of priests in Mexico City, Tepotzotlan, Puebla, Guadalajara, Zacatecas, Guatemala and Mérida. [4]
Construction of the facility began in 1576, funded by Don Alonso de Villaseca and others. [2] The college's church, on the corner of El Carmen and San Ildefonso, was built by Jesuit architect Diego Lopez de Arbaizo between 1576 and 1603. [5] The church annex was completed in 1603 by Diego Lopez de Albaize, and the rest of the college complex was finished in 1645. [4]
The purpose of the college was to provide university-level education to young Criollo men, at least partially descended from white European colonial settlers. [3] It was divided into the Lesser Schools, which taught humanities and Greek/Latin grammar, and the Superior Schools, which focused on theology, the arts and philosophy. The institution educated young men for both religious and secular vocations. [5] It reached its peak during the first half of the 18th century when it had about 800 students enrolled; [5] two of its more notable alumni are Francisco Javier Alegre and Francisco Javier Clavijero, [3]
After the expulsion of the Jesuits from colonial Mexico in 1767, the college closed. [3] The school building was given to civil authorities, who first used it as a barracks and later to house the Nacional Monte de Piedad "credit union" charity foundation. [5] The church was transferred to Augustinians, who removed most of the church's decoration. The altarpieces, paintings, and other decorative objects were redistributed to other churches, especially to the Metropolitan Tabernacle of the Mexico City Cathedral, where many of these pieces still remain. [2] During this time, the complex began to seriously deteriorate. [5]
When the Jesuits received permission to return to colonial Mexico, fifty years later in 1816, they found the complex nearly in ruins. [2] [5] They worked to rebuild both the church and the school, with much of the physical reconstruction done by Cristóbal Rodríguez. [2] [3] [5] However, San Pedro y San Pablo College never returned to its function, mostly due to the concurrent Mexican War of Independence against Spain. Shortly after Mexican independence was first declared in 1821, several important events occurred in the church building. In 1823, after proclaiming the independence of Mexico, Agustín de Iturbide held meetings here which led to the promulgation of the "Reglamento Provisional del Imperio" (Provisional Regulations of the Empire). In the following year, the initial sessions of the Constituent Congress were held here, which wrote the first Federal Constitution of Mexico in 1824. [2] After Iturbide's short reign as emperor, Guadalupe Victoria was sworn in as the first president of Mexico here. [5]
The church reopened for worship from 1832 to 1850, but then closed to become the library of San Gregorio College. [2] During this time, the Virgin of Loreto image of Mexico City was here from 1832 to 1850 when it was thought that the Nuestra Señora de Loreto Church it belonged to might collapse. [4] Later, the space had quite a number of uses such as a dance hall, an army depot and barracks, a correctional school called Mamelucos, a mental hospital, and a storage facility for Customs. [2] [5]
From 1921 to 1927, the building was remodeled by José Vasconcelos and inaugurated as a "Hall of Discussion" with an office dedicated to a campaign against illiteracy. Vasconcelos had the church building redecorated, adding a number of important early modern mural works by artists such as Xavier Guerrero and Roberto Montenegro. [2]
From 1927 to 1930, the building was converted to workshops for the Academy of San Carlos, which had become integrated with the re-established National University (now UNAM). The Escuela Popular Nocturna de Música (School of Popular Evening Music) also occupied part of the building. [2] In this way, the complex became part of University property, which it remains. [5] In the early 1930s the university made it part of the National Preparatory School, and shortly after that it was also used as a secondary school, a School of Theater, an exhibition hall, and other uses. [2] [5]
In 1944, the church part was inaugurated by President Ávila Camacho as the National Periodical Archive (Hemeroteca Nacional), which it remained until 1979. [3] [5] In 1996 the Museum of Light was established by UNAM, with a gallery in the building. [6]
The facade of the church section of the college was built in the Spanish Baroque and Neoclassical styles. [4] It has a portal that is flanked by two pairs of Doric pilasters, which extend up to frame a window which is stained-glass in the design of the coat-of-arms of UNAM. Above the window is a triangular pediment which has a niche containing a statue of Athena. The portal is topped with a large curved pediment with a small crest bearing the coat-of-arms of Spain. The bell tower of the church is situated on the northwest side, behind the main façade. [5]
The inside of the church is in the form of a cross, with thick interior buttresses that marked off space for the church's various chapels. [3] These buttresses extend upwards to support a handkerchief-vaulted ceiling. These interior arches have been painted with rustic-style flora and fauna created by Roberto Montenegro, Jorge Enciso, Gabriel Fernández Ledesma, and Rafael Reyes Espindola. [2] [5]
Another feature of the church is its three stained glass window pieces. Two of these were designed by Roberto Montenegro and called La Vendedora de Pericos (The Parakeet Seller), and the other is called El Jarabe Tapatio (The Jarabe Dance of Guadalajara). The stained glass window with the seal of the University visible on the church's facade was designed by Jorge Enciso. [2] All of these designs were then crafted by Eduardo Villaseñor. [5]
The school buildings that housed the college, except for a facade with the seal of the Royal and Pontifical University of Mexico, are nearly devoid of decoration. This part of complex originally had four courtyard patios, but two were demolished to make way for Republica de Venezuela Street. In one of the remaining patios, there is an obelisk that records the three institutions of learning that have been housed at the site. Today, this part of the building is dedicated to a number of uses, one of which is being the home of Secondary School #6. [4]
The original Spanish colonial decorative elements of the interiors no longer remain. Murals and decorative painted walls, part of the Mexican government’s renowned 1920s Mexican Muralism project for public buildings, were commissioned by José Vasconcelos. [2] The decorative paintings of rustic-style flora and fauna on the buttresses and arches, several wall murals and frescos, and Montenegro's stained glass windows, remain from that period and are conserved.
In the presbytery of the church, Roberto Montenegro painted a mural titled The Tree of Life, also often referred to as the Tree of Science. [3] It is the first mural painted in modern Mexico. [7] It was restored in 2010, as part of the renovations for the new Museum of the Constitutions of Mexico.
Xavier Guerrero decorated the presbytery's dome in the 1920s, with paintings that were inspired by the zodiac. [5]
The walls of the cloister arcade had paintings by Dr. Atl and Robert Montenegro, but the works have been lost. The most important was titled The Festival of the Cross, which was painted in the stairwell of the east patio. [4] In the stairway at the northwest corner of the cloister's patio, there is a fresco done by Roberto Montenegro in 1923, titled The Festival of the Holy Cross. It is said to have been done in a style to imitate fellow muralist Diego Rivera. [3] Later in the 1920s, an allegory of the Mexican Revolution titled The Iconographic Museum of the Revolution was begun in the cloister by Gabriel Fernández Ledesma, but was not finished. [5]
The Museum of Light (Museo de la Luz), a part of UNAM−Universidad Nacional Autónoma de México, had exhibition space in San Pedro y San Pablo College from 1996 to 2010. It is a science museum dedicated to the phenomena of light and a contemporary art gallery for works of light art. [8]
The San Pedro y San Pablo College building was closed in 2010, in order to convert it into the Museum of the Constitutions. The Museum of Light moved out, and is now located in the colonial era San Ildefonso College building, also in the historic center of Mexico City. [8]
The Museum of the Constitutions of Mexico (Museo de las Constituciones), also part of UNAM, opened in 1911 in the former presbytery space of San Pedro y San Pablo. [7] [9] [10]
Zacatecas is the principal city within the municipality in Mexico of the same name, and the capital and the largest city of the state of Zacatecas. Located in north-central Mexico, the city had its start as a Spanish mining camp in the mid-16th century. Native Americans had already known about the area's rich deposits of silver and other minerals. Due to the wealth that the mines provided, Zacatecas quickly became one of the most important mining cities in New Spain. The area saw battles during the turbulent 19th century, but the next major event was the Battle of Zacatecas during the Mexican Revolution when Francisco Villa captured the town, an event still celebrated every anniversary. Today, the colonial part of the city is a World Heritage Site, due to the Baroque and other structures built during its mining days. Mining still remains an important industry. The name Zacatecas is derived from the Zacateco people and has its roots in Nahuatl. The name means "people of the grasslands".
The National Autonomous University of Mexico is a public research university in Mexico. A portion of Ciudad Universitaria is a UNESCO World Heritage site that was designed and decorated by some of Mexico's best-known architects and painters of the 20th century. The campus also hosted the main events of the 1968 Summer Olympic Games. All Mexican Nobel laureates are alumni or faculty of UNAM. UNAM is known for its rigorous admissions, with acceptance rates often under 10%. Its research and education are also globally recognized for their excellence and impact. UNAM was founded, in its modern form, on 22 September 1910 by Justo Sierra as a secular alternative to its predecessor, the Royal and Pontifical University of Mexico. UNAM was also the birthplace of the student movement of 1968.
The University of the Cloister of Sor Juana is a private university located in the former San Jerónimo Convent in the historic center of Mexico City. This convent is best known for having been the home of Sor Juana Inés de la Cruz for over twenty five years, she produced many of her writings here. After the convent was closed in the 19th century, the large complex was divided and was home to a number of institutions and businesses, including a large dance hall in the mid 20th century. In the 1970s, the government expropriated the complex, explored it and began the restoration process. In 1979, the current university was founded at this site and it is currently the benefactor and guardian of the complex. The institution offers bachelors, two masters and two certificates, mostly in the humanities. The institution also sponsors or co-sponsors a number of cultural and educational activities, mostly situated in the historic center of the city.
Roberto Montenegro Nervo was a painter, muralist and illustrator, who was one of the first to be involved in the Mexican muralism movement after the Mexican Revolution. His most important mural work was done at the former San Pedro and San Pablo monastery but as his work did not have the same drama as other muralists, such as Diego Rivera, he lost prominence in this endeavor. Most of his career is dedicated to illustration and publishing, portrait painting and the promotion of Mexican handcrafts and folk art.
Carlos Mérida was a Guatemalan artist who was one of the first to fuse European modern painting to Latin American themes, especially those related to Guatemala and Mexico. He was part of the Mexican muralism movement in subject matter but less so in style, favoring a non-figurative and later geometric style rather than a figurative, narrative style. Mérida is best known for canvas and mural work, the latter including elements such as glass and ceramic mosaic on major constructions in the 1950s and 1960s. One of his major works 4000m2 on the Benito Juarez housing complex, was completely destroyed with the 1985 Mexico City earthquake, but a monument to it exists at another complex in the south of the city.
The historic center of Mexico City, also known as the Centro or Centro Histórico, is the central neighborhood in Mexico City, Mexico, focused on the Zócalo and extending in all directions for a number of blocks, with its farthest extent being west to the Alameda Central. The Zocalo is the largest plaza in Latin America. It can hold up to nearly 100,000 people.
Tepotzotlán is a city and a municipality in the Mexican state of Mexico. It is located 40 km (25 mi) northeast of Mexico City about a 45-minute drive along the Mexico City-Querétaro at marker number 41. In Aztec times, the area was the center of a dominion that negotiated to keep most of its independence in return with being allied with the Aztec Triple Alliance. Later, it would also be part of a "Republic of the Indians," allowing for some autonomy under Spanish rule as well. The town became a major educational center during the colonial period when the Jesuits established the College of San Francisco Javier. The college complex that grew from its beginnings in 1580 would remain an educational center until 1914. Today this complex houses the Museo del Virreinato, with one of the largest collections of art and other objects from this time period.
The José Luis Cuevas Museum is located just off the Zócalo within the Historic center of Mexico City, in Mexico City, Mexico. The museum and Church of Santa Inés were built as parts of the Convent of Santa Inés complex. The museum is in the convent's colonial era residential hall.
The Academy of San Carlos is located at 22 Academia Street in just northeast of the main plaza of Mexico City. It was the first major art academy and the first art museum in the Americas. It was founded in 1781 as the School of Engraving and moved to the Academia Street location about 10 years later. It emphasized the European classical tradition in training until the early 20th century, when it shifted to a more modern perspective.
The Caricature Museum is located in an 18th-century Baroque building in the historic center of Mexico City. It was opened in 1987 to preserve and promote the history of Mexican cartooning, done for both political and entertainment purposes. The historic building it occupies was originally the home of Cristo College, a royal college established in 1612.
Colegio de San Ildefonso, currently is a museum and cultural center in Mexico City, considered to be the birthplace of the Mexican muralism movement. San Ildefonso began as a prestigious Jesuit boarding school, and after the Reform War it gained educational prestige again as National Preparatory School. This school and the building closed completely in 1978, then reopened as a museum and cultural center in 1992. The museum has permanent and temporary art and archeological exhibitions in addition to the many murals painted on its walls by José Clemente Orozco, Fernando Leal, Diego Rivera, and others. The complex is located between San Ildefonso Street and Justo Sierra Street in the historic center of Mexico City.
Federico Heraclio Cantú Garza was a Mexican painter, engraver and sculptor. While considered to be a member of the Mexican muralism movement, his style was noticeably different, mostly for adhering to older and more academic forms of painting and sculpture. He had his most success exhibiting in the United States and Europe, but he did murals and sculptures in Mexico. His best known work is a sculpture called La maternidad which was adapted as the logo of the Instituto Mexicano de Seguro Social (IMSS).
The Palace of the Inquisition stands on the corner of República de Brasil and República de Venezuela streets in Mexico City, Mexico. As neither side of the building faces Santo Domingo Plaza, the entrance is placed at a canted corner to face the plaza. Its long association with the Inquisition, which ended during the Mexican War of Independence, made it difficult to convert to other purposes. However, it eventually became the School of Medicine for the reconstructed National University. When UNAM moved to the Ciudad Universitaria in the 1950s, it retained ownership of this building, eventually converting the structure in what is today the Museum of Mexican Medicine.
The Museo Nacional del Virreinato is located in the former College of San Francisco Javier in Tepotzotlán, Mexico State, Mexico. It belongs to Consejo Nacional para la Cultura y las Artes. The complex was built by the Aztecs, and used by the Jesuits starting in the 1580s. Three centers of learning were founded in the complex: a school to teach indigenous languages to Jesuit evangelists, a school for native boys, and the College of San Francisco Javier, to train Jesuit priests. The complex comprises three sections: the college area, with dormitories, a library, a kitchen, and a domestic chapel; the Church of San Francisco Javier; and the Church of San Pedro Apostol. The former college and the Church of San Francisco Javier have been converted into the Museo del Virreinato, with the former college area housing a large collection of art and ordinary objects from the colonial era, and the Church of San Francisco Javier housing one of the most important collections of Churrigueresque altarpieces in Mexico. The Church of San Pedro Apostol is the only part of the entire complex that is still used for religious purposes.
Various types of visual arts developed in the geographical area now known as Mexico. The development of these arts roughly follows the history of Mexico, divided into the prehispanic Mesoamerican era, the colonial period, with the period after Mexican War of Independence, the development Mexican national identity through art in the nineteenth century, and the florescence of modern Mexican art after the Mexican Revolution (1910-1920).
Xavier Guerrero was one of the pioneers of the Mexican muralism movement in the early 20th century. He was introduced to painting through working with his father, who worked in masonry and decorating. However, there is evidence that his ability was mostly self-taught. In 1912, he moved to Guadalajara and began painting murals, then to Mexico City in 1919 just as the muralism movement was about to begin. Most of his work was in collaboration with or subordinate to other painters such as Diego Rivera and David Alfaro Siqueiros, working at the San Ildefonso College, the Secretaría de Educación Pública building and the Universidad Autónoma de Chapingo; however, much of his other work has been lost. While best known for his mural work, his later canvas work is considered to be better.
Museo Nacional de las Culturas Populares is a museum in Mexico City dedicated to Mexico's ethnic and cultural diversity. This diversity not only includes that of its indigenous peoples, but also those of its regions and socioeconomic strata. It was founded in 1982 by anthropologist Guillermo Bonfil Batalla at a time when the country was accepting and promoting its cultural diversity. The museum does not have a large permanent collection but rather focuses on temporary exhibits, concerts, workshops and other cultural and educational events as well as promoting the creation of museums in Mexico to promote local cultures. The museum is also home to the Centro de Información y Documentación Alberto Beltrán, founded in 1971 to promote research and knowledge about Mexican handcrafts and folk art and indigenous ethnicities.
The Museum of Light is a science museum dedicated to the phenomena of light, located in the former San Ildefonso College in the historic center of Mexico City. It was opened in 1996 originally in the former church of the San Pedro y San Pablo College. However, this building was closed in 2010 in order to convert it into the Museum of the Constitutions. The Museum of Light was moved to its current and larger location, but it remains an extension of the Universum museum, the general science museum of the Universidad Nacional Autónoma de México.
{{cite book}}
: |last=
has generic name (help)