The Church and Hospital of Jesús Nazareno buildings are located in the Historic center of Mexico City, in México, D. F., Mexico. The hospital is still in operation, housed in a Modernist building, located in front of the original one, and beside the former church. Both historic buildings and their courtyards are 17th-century Spanish colonial era architecture.
The historic center of Mexico City, also known as the Centro or Centro Histórico, is the central neighborhood in Mexico City, Mexico, focused on Zócalo or main plaza and extending in all directions for a number of blocks, with its farthest extent being west to the Alameda Central. The Zocalo is the largest plaza in Latin America. It can hold up to nearly 100,000 people.
Santo Domingo in Mexico City refers to the Church of Santo Domingo and its Plaza, also called Santo Domingo. Both are located three blocks north of the Mexico City Metropolitan Cathedral following República de Brasil Street with Belisario Dominguez Street separating the two.
The Church of San Bernardo stands at the corner of Avenida 20 de Noviembre and Venustiano Carranza Street just south of the Zocalo or main plaza of Mexico City. It was part of a convent of the same name that was founded in 1636, but was closed along with all convents and monasteries during the La Reforma period in 1861. Currently, only the church remains of the convent complex.
The Mexico City administrative buildings are two buildings on the south side of the Zócalo in Mexico City divided by the avenue Avenida 20 de Noviembre. They house offices of the governing authority of Mexico City. The building to the west of 20 de Noviembre is the older one and has been the site of city administration since the Conquest. The one to the east is newer, built in the 20th century.
The Palace of Iturbide is a large palatial residence located in the historic center of Mexico City at Madero Street #17. It was built by the Count of San Mateo Valparaíso as a wedding gift for his daughter. It gained the name “Palace of Iturbide” because Agustín de Iturbide lived there and accepted the crown of the First Mexican Empire at the palace after independence from Spain. Today, the restored building houses the Fomento Cultural Banamex; it has been renamed the Palacio de Cultura Banamex.
Santa Teresa la Antigua is a former convent located in the historic center of Mexico City on Licenciado Primo de Verdad #6 just northeast of the city's main plaza. The complex ceased to be a convent in the latter part of the 19th century and has housed the Santa Teresa la Antigua Alternative Art Center since 1989.
La Santísima Church is located 12 La Santísima Street at corner of Emiliano Zapata Street in the historic center of Mexico City. Its full name is Church and Hospital of the Most Holy Trinity. The church was built between 1755 and 1783 as a temple for the adjoining hospital/hospice for priests. The hospital functioned until 1859, when the Reform Laws nationalized much of Church's property in Mexico. The church still retains its original function but the adjoining hospital and office sites have since moved into private hands with only parts of the original structures still intact and preserved.
The Convent of Nuestra Señora de La Merced was a Roman Catholic colonial religious complex in present-day Historic center of Mexico City, that was destroyed to give more space to future buildings. The cloister is all that is left of a monastery complex built in the late 16th and early 17th century by the Mercedarian order. It is located on Uruguay and Talavera Streets in the historic downtown of Mexico City. The complex lent its name to the area around it, La Merced, which in turn, inspired the name of the metro station and the well-known neighborhood Market.
La Enseñanza Church (1772-1778) is located on 104 Donceles Street in the historic center of Mexico City. The Mexican Churrigueresque style of this church, especially that of its altarpieces, is upheld as the pinnacle of the Baroque period in Mexico, as this style soon gave way to the Neoclassic shortly after this church was built. The church’s official name is Iglesia de Nuestra Señora del Pilar. The former convent was called El Convento de la Enseñanza La Antigua, from which is derived the church’s popular name. After the Reform War, the convent was disbanded. The complex has had various uses, but the church has been returned to its sacred function.
The Caricature Museum is located in an 18th-century Baroque building in the historic center of Mexico City. It was opened in 1987 to preserve and promote the history of Mexican cartooning, done for both political and entertainment purposes. The historic building it occupies was originally the home of Cristo College, a royal college established in 1612.
Old Portal de Mercaderes in the historic center of Mexico City was and is the west side of the main plaza. This side of the plaza has been occupied by commercial structures since the Spanish Conquest of the Aztec Empire in 1521. Today the west side of the square is dominated by two sets of buildings with Madero Street dividing them as it runs west from the Zocalo to the Palace of Bellas Artes. The buildings on the north side of Madero is occupied by offices on the upper floors and shops at ground level. The southside buildings are dominated on the ground floor by fine jewelry stores, marking the beginning of the "Centro Joyero Zocalo." This center extends west for two block engulfing Palma Street between Madero and 16 de Septiembre streets. Most of the upper floors of the buildings here are occupied by rooms associated with the Hotel de Ciudad de Mexico and the Hotel Majestic.
Colegio de San Ildefonso, currently is a museum and cultural center in Mexico City, considered to be the birthplace of the Mexican muralism movement. San Ildefonso began as a prestigious Jesuit boarding school, and after the Reform War it gained educational prestige again as National Preparatory School. This school and the building closed completely in 1978, then reopened as a museum and cultural center in 1992. The museum has permanent and temporary art and archeological exhibitions in addition to the many murals painted on its walls by José Clemente Orozco, Fernando Leal, Diego Rivera and others. The complex is located between San Ildefonso Street and Justo Sierra Street in the historic center of Mexico City.
The Palace of the Inquisition stands on the corner of República de Brasil and República de Venezuela streets in Mexico City, Mexico. As neither side of the building faces Santo Domingo Plaza, the entrance is placed at a canted corner to face the plaza. Its long association with the Inquisition, which ended during the Mexican War of Independence, made it difficult to convert to other purposes. However, it eventually became the School of Medicine for the reconstructed National University. When UNAM moved to the Ciudad Universitaria in the 1950s, it retained ownership of this building, eventually converting the structure in what is today the Museum of Mexican Medicine.
The Old Customs Building is located on the east side of Santo Domingo Plaza between Republica de Venezuela and Luis Gonzalez Obregon Streets just to the north of the main plaza of Mexico City. The land here originally belonged to several nobles, including the Marquis of Villamayor. The Royal Customs office was in charge of the regulation of imported merchandise into New Spain and taxing the same, becoming the largest source of revenue for the government. The office originally was on 5 de febrero Street but was moved into the Villamayor house in 1676 because of its location next to Santo Domingo Plaza. Eventually, the government bought the house and rebuilt it in 1730, which is the building that survives today. Eventually, the Customs office in Mexico City closed and it was taken over by the Secretariat of Public Education in the early part of the 20th century. It remains as offices of this government agency.
The House of the Marquis of Uluapa is located on 5 de Febrero Street in the historic center of Mexico City, Mexico. No one knows who originally owned the house but it has been proven that it never belonged to the Marquis of Uluapa. For this reason, it is officially archived only as “the house at number 18, 5 de Febrero Street.” However, the house remains popularly known as the House of the Marquis of Uluapa.
The house of the Counts of la Torre Cosío y la Cortina, located on 94 Republica de Uruguay Street in the historic center of Mexico City was built in 1781 and the scene for one of Mexico City's legends. The house is considered to be a fine example of civil architecture of the 18th century, shortly after the First Count De la Cortina received his noble title in 1773. The most notable member of this family would be Justo Gómez de la Cortina who was an important social and political figure in New Spain at the beginning of the 19th century.
The Secretariat of Public Education Main Headquarters building is on the northeast corner of San Ildefonso and República de Argentina streets in the historic center of Mexico City, and used to be part of the largest and most sumptuous convents in New Spain. It was secularized in the 19th century and then taken over by the then-new Secretariat of Public Education after the Mexican Revolution in the early 20th century. The new agency did extensive remodeling work on the building, including covering nearly all the walls of the two inner courtyards with murals. These murals include Diego Rivera’s first large-scale mural project, which he completed in 1928.
The Palace of the Marquis del Apartado is a historic residence located in Mexico City, just to the northeast of the city's Zocalo in the Historic center of Mexico City.
The Borda House, located on 27, 29 and 33 Madero Street, and 26-28 Bolivar streets in the historic center of Mexico City, originally belonged to the Frenchman José de la Borda who was one of the richest men in New Spain in the 18th century. It stands out due to its notable architectural features such as the sculpted stone decorative details on the ground floor. The original building encompassed the entire city block. It had various inner courtyards, and Borda had an ironwork balcony built all the way around the building, supported by angles in the shape of rooster feet. This allowed one to walk all the way around the building on the outside.
