Former name | Prince of Wales Museum of Western India |
---|---|
Established | 10 January 1922 |
Location | Mahatma Gandhi Road, Fort, Mumbai, India |
Coordinates | 18°55′36″N72°49′56″E / 18.926667°N 72.832222°E |
Type | Archaeology, Art and Natural history museum |
Collection size | Approx. 50,000 artefacts [1] |
Director | Sabyasachi Mukherjee [2] |
Architect | George Wittet |
Public transit access | Chhatrapati Shivaji Terminus; Churchgate |
Website | csmvs |
Criteria | Cultural: (ii) (iv) |
Designated | 2018 (43rd session) |
Part of | Victorian Gothic and Art Deco Ensembles of Mumbai |
Reference no. | 1480 |
Chhatrapati Shivaji Maharaj Vastu Sangrahalaya, (CSMVS) formerly named the Prince of Wales Museum of Western India, is a museum in Mumbai (Bombay) which documents the history of India from prehistoric to modern times. [3]
It was founded during British rule of India in the early years of the 20th century by prominent citizens of the city then called Bombay, with the help of the government, to commemorate the visit of the Prince of Wales (later George V, king of the United Kingdom and emperor of India). It is located in the heart of South Mumbai near the Gateway of India. The museum was renamed in 1998 after Shivaji, the founder of the Maratha Kingdom.
The building is built in the Indo-Saracenic style of architecture, incorporating elements of other styles of architecture like the Mughal, Maratha and Jain. The museum building is surrounded by a garden of palm trees and formal flower beds.
The museum houses approximately 50,000 exhibits of ancient Indian history as well as objects from foreign lands, categorised primarily into three sections: Art, Archaeology and Natural History. The museum houses Indus Valley Civilization artefacts, and other relics from ancient India from the time of the Guptas, Mauryas, Chalukyas and Rashtrakuta. [4]
In 1904, some leading citizens of Bombay decided to provide a museum to commemorate the visit of the Prince of Wales, the future King George V. On 14 August 1905, the committee passed a resolution saying:
"The museum building embodies the pomp and height at which the British raj was moving ahead with their ambitious plans, in building the great metropolis Bombay". "In keeping pace with the best style of local architecture, many buildings were built, among which, Bombay High Court building, and later, Gateway of India buildings were the most notable ones".
The foundation stone was laid by the Prince of Wales on 11 November 1905 and the museum was formally named "Prince of Wales Museum of Western India". [1] On 1 March 1907, the government of the Bombay Presidency granted the museum committee a piece of land called the "Crescent Site", where the museum now stands. Following an open design competition, in 1909 the architect George Wittet was commissioned to design the Museum building. Wittet had already worked on the design of the General Post Office and in 1911 would design one of Mumbai's most famous landmarks, the Gateway of India. [5]
The museum was funded by the Royal Visit (1905) Memorial Funds. Additionally, the Government and the Municipality granted Rs. 300,000 and Rs. 250,000 respectively. Sir Currimbhoy Ibrahim (first Baronet) donated another Rs. 300,000 and Sir Cowasji Jehangir gave Rs. 50,000. The Museum was established under Bombay Act No. III of 1909. The museum is now maintained by annual grants from the Government and the Bombay Municipal Corporation. The latter pays for these grants from the interest accruing on the funds at the disposal of the Trust of the Museum.
The museum building was completed in 1915, but was used as a Children's Welfare Centre and a Military Hospital during the First World War, before being handed over to the committee in 1920. The Prince of Wales Museum was inaugurated on 10 January 1922, by Lady Lloyd, the wife of George Lloyd, Governor of Bombay. [6]
The museum building is a Grade I Heritage Building of the city and was awarded first prize (Urban Heritage Award) by the Bombay Chapter of the Indian Heritage Society for heritage building maintenance in 1990. In 1998 the Museum was renamed Chhatrapati Shivaji Maharaj Vastu Sangrahalaya after the warrior king and founder of the Maratha Kingdom, Shivaji. [7] The museum was renamed after the renaming of the city in 1995, when the colonial name "Bombay" was replaced by the native "Mumbai". [8]
The museum building is situated in 3 acres (12,000 m2) area, having a built-up area of 12,142.23m sq. [1] It is surrounded by a garden of palm trees and formal flower beds. [9]
The museum building, built of locally quarried grey Kurla basalt and buff coloured trachyte Malad stone. [10] It is a three-storied rectangular structure, capped by a dome set upon a base, which adds an additional storey in the centre of the building. Built in the Western Indian and Indo-Saracenic style of architecture, the building accommodates a central entrance porch, above which rises a dome, tilled and modified well "tiled in white and blue flecks, supported on a lotus - petal base". A cluster of pinnacles, topped with miniature domes surround the central dome. The building incorporates features like Islamic dome with a finial along with protruding balconies and inlaid floors, inspired by Mughal palace architecture. The architect, George Wittet, modelled the dome on that of Golconda Fort and the inner vaulting arches on those at the Gol Gumbaz in Bijapur. [9] [11] The interior of the museum combines the columns, railings and balcony of an 18th-century Wada (a Maratha mansion) with Jain style interior columns, which form the main body of the central pavilion below the Maratha balcony. [11]
In its recent modernisation programme (2008), the museum created 30,000 sq ft (2,800 m2) space for installation of five new galleries, a conservation studio, a visiting exhibition gallery and a seminar room, in the East Wing of the museum. [1] The museum also houses a library. [1]
The museum collection comprises approximately 50,000 artefacts. [1] The collection of the museum is categorised primarily into three sections: art, archaeology and natural history. The museum also houses a forestry section, which has specimens of timbers grown in the Bombay Presidency (British India), and one exhibiting a small local geological collection of rocks, minerals and fossils. [6] The Maritime Heritage Gallery, which displays objects relating to navigation, is the "first of its kind in India". [12] In 2008, the museum installed two new galleries, displaying the "Karl and Meherbai Khandalavala collection" and "the Coins of India". [1]
The art section displays the collections of Sir Purushottam Mavji, acquired in 1915, and the art collections of Sir Ratan Tata and Sir Dorab Tata, donated in 1921 and 1933 respectively. [9]
The museum's miniature collection encompasses representations of the main schools of Indian painting namely, Mughal, Rajasthani, Pahari and Deccani. It features palm leaf manuscripts dating to the 11th-12th centuries to the early 19th century pahari paintings, as well as paintings from the Sultanate period. [9] Notable manuscripts housed in the museum include the Anwar-Suhayli painted in Mughal emperor Akbar’s studio and a 17th-century manuscript of the Hindu epic Ramayana from Mewar. [12]
The ivory section has artefacts dating as early as the Gupta era. [9] The museum also has decorative artefacts such as textiles, ivories, Mughal jades, silver, gold and artistic metal ware. It also has a collection of European paintings, Chinese and Japanese porcelain, ivory and jade artefacts. [9] The museum also has sections dedicated to arms and armour and another to Nepali and Tibetan art. The arms and armour section contains a finely decorated armour of Akbar dating to 1581 CE, consisting of a steel breastplate and a shield, the former inscribed with religious verses. [13]
Sculptures and coins transferred from the Poona Museum in Pune and the collections of the Bombay branch of the Royal Asiatic Society resulted in the development of an archaeological section, with precious sculptures and epigrams. [9] The Indus Valley Culture Gallery houses fishing hooks, weapons, ornaments and weights and measures from the Indus Valley civilization (2600–1900 BCE). [12] Artefacts from the excavation of the Buddhist stupa of Mirpurkhas, were housed in the Museum in 1919. [1] The sculpture collection holds Gupta (280 to 550 CE) terracotta figures from Mirpurkhas in Sind of the early 5th century, artefacts dating to the Chalukyan era (6th-12th century, Badami Chalukyas and Western Chalukyas), and sculptures of the Rashtrakuta period (753 – 982 CE) from Elephanta, near Mumbai. [9]
The Bombay Natural History Society aided the Museum Trust in creating the natural history section. [9] The museum's natural history section makes use of habitat group cases and dioramas, along with diagrams and charts, to illustrate Indian wildlife, including flamingoes, great hornbills, Indian bison, and tigers. [9]
An exhibition entitled Pravaha highlighting early phase of Sir J. J. School of Art and the Progressive Art Movement was launched on 24 July 2017. The exhibition covered a range of paintings from the 1880s to 1950s through works of Pestonji Bomanji, Rustom Siodia, Sawlaram Haldankar, António Xavier Trindade, S. N. Gorakshakar, Govind Mahadev Solegaonkar, G. H. Nagarkar, J. M. Ahivasi, Raghunath Dhondopant Dhopeshwarkar, Raghuveer Govind Chimulkar, Rasiklal Parikh and Y. K. Shukla, Abalal Rahiman, Keshav Bhavanrao Chudekar, Lakshman Narayan Taskar, Syed Haider Raza, and K. H. Ara. [14] [15]
A prints gallery was launched with an exhibition entitled Bombay to Mumbai - Door of the East with its face to the West on 29 January 2015. The gallery was inaugurated by Neil MacGregor, Director of the British Museum in London, who also gave an illustrated lecture on 'World Cultures' at the central foyer of the museum.
As part of the renovation project initiated in October 2008, the Krishna Gallery holding artworks related to the Hindu god Krishna, a Hindu deity of the preserver-god Vishnu, was opened in March 2009.
A textile gallery, the first gallery in the city, was opened in April 2010. It illustrates "various techniques of textile manufacturing, regional collections and traditional Indian costumes". [2]
Matrika Design Collaborative is currently designing the museum's Indian miniature painting gallery. The content developed for the gallery will be converted into Braille text and tactile labels for the blind with help from designers, fabricators and consultants from the Helen Keller Institute.
A new gallery on traditional Indian jewellery will be opening in 2020. At the gallery, there will be an exhibit on Golconda diamonds - replicas of which have been presented to the museum. [16]
CSMVS Museum has various galleries. They are related to Art, History, Natural History and Indian Culture. They are as follows:
The archaeological collections were originally started by pioneering archaeologists Sir Henry Cousens and Sir John Marshall. Amongst the important sculptures are the Gupta period terracottas and bricks from Mirpurkhas excavated by Cousens, a large number of Buddhist images from Gandhara and ceiling panels from a dilapidated temple at Aihole. The early examples are from Pauni and Pitalkhora. Mumbai itself has a rich tradition exemplified by the colossal Parel Relief of Shiva (represented here by a cast) and a Matrika from Baijanath Temple at Sewri near Parel belonging to the same phase as Elephanta. Other noteworthy images from Maharashtra are a Vishnu and a Ganesha of the eleventh century CE. Some well known sculptures are:
Chhatrapati Shivaji Terminus (officially Chhatrapati Shivaji Maharaj Terminus since 2017, formerly Victoria Terminus (VT), Bombay station code: CSMT (mainline)/ST (suburban)), is a historic railway terminus and UNESCO World Heritage Site in Mumbai, Maharashtra, India.
South Mumbai, colloquially SoBo from South Bombay in Indian English, administratively the Mumbai City District, is the city centre and the southernmost precinct of Greater Bombay. It extends from Colaba to Mahalaxmi, Byculla and Mazgaon neighbourhoods, and comprises the city's old and formerly main business localities, making it the wealthiest urban precinct in India. Property prices in South Mumbai are by far the highest in India and among the highest in the world. In terms of Maharashtra Legislative Assembly, the precinct consists of the constituencies of Colaba, Mumbadevi, Malabar Hill and Byculla.
Kala Ghoda is a crescent-shaped art district/neighborhood in Mumbai, India. It hosts several of the city's heritage buildings including museums, art galleries and educational institutions like the Chhatrapati Shivaji Maharaj Vastu Sangrahalaya, the Jehangir Art Gallery, the National Gallery of Modern Art, and The Arts Trust - Institute of Contemporary Indian Art.
A resident of Mumbai is called a Mumbaikar. People prefer to stay close to a railway station for easy access to the metropolis. Many city-dwellers lead a fast-paced life with very little time for other activities owing to a significant amount of time spent on daily commuting.
Chiplun ( [t͡ʃipɭuːɳ]) is a city in Ratnagiri district in the state of Maharashtra, India. It is one of the financial and commercial hubs of Ratnagiri district, and the headquarters of Chiplun taluka. It is about 250 km south of Mumbai and 90 km North of Ratnagiri in the Konkan region of Maharashtra, on the Mumbai–Goa highway (NH-66). It has a long history and a strong cultural background. Recent decades have seen much industrial development in it and its and surrounding areas.
Reena Saini Kallat is an Indian visual artist. She currently lives and works in Mumbai.
Panhala fort, is located in Panhala, 20 kilometres northwest of Kolhapur in Maharashtra, India. It is strategically located looking over a pass in the Sahyadri mountain range which was a major trade route from Bijapur in the interior of Maharashtra to the coastal areas. Due to its strategic location, it was the centre of several skirmishes in the Deccan involving the Marathas, the Mughals and the British the grand son's of chhatrapati shivaji maharaj East India Company, the most notable being the Battle of Pavan Khind. Here, the queen regent of Kolhapur, Tarabai Ranisaheb, spent her formative years. Several parts of the fort and the structures within are still intact. It is also called as the 'Fort of Snakes' as it is zigzagged in shape.
The architecture of Mumbai blends Gothic, Victorian, Art Deco, Indo-Saracenic & Contemporary architectural styles. Many buildings, structures and historical monuments remain from the colonial era. Mumbai, after Miami, has the second largest number of Art Deco buildings in the world.
Sir Ratanji Jamsetji Tata was an Indian industrialist and philanthropist during the British Raj. He was the younger son of Jamsetji Tata, the founder of the Tata Group.
Rahul Mehrotra is Founder Principal of architecture firm RMA Architects of Mumbai + Boston, and is Professor of Urban Design and Planning and Chair of the Department of Urban Planning and Design at the Harvard Graduate School of Design (GSD) in Cambridge, Massachusetts.
Maharashtra state in India is known for its Famous caves and cliffs. It is said that the varieties found in Maharashtra are wider than the caves and rock-cut architecture found in the rock cut areas of Egypt, Assyria, Persia and Greece. The Buddhist monks first started these caves in the 2nd century BC, in search of serene and peaceful environment for meditation, and they found these caves on the hillsides.
The Victorian Gothic and Art Deco Ensembles of Bombay is a collection of 19th-century Victorian Revival public and 20th-century Mumbai Art Deco private buildings in the Fort precinct of Mumbai. This ensemble was declared a UNESCO World Heritage Site in 2018.
The Maratha Navy was the naval wing of the armed forces of the Maratha Confederacy, which existed from around the mid-17th century to the mid-18th century in the Indian subcontinent.
Chhatrapati Shivaji Maharaj Museum of Indian History (CSMMIH) is a private historical museum founded by François Gautier in 2012 under the banner of his not-for-profit organization, the Foundation For Advancement of Cultural Ties (FACT). The first phase the museum was inaugurated by Ravi Shankar and endorsed by Ajit Pawar and Nitin Gadkari. In addition to various exhibits the museum also has a freely accessible digital library on their website that has hundreds of books on Indian history and culture.
The Chhatrapati Shivaji Maharaj Smarak or Chhatrapati Shivaji Maharaj Memorial is a proposed monument Shivaji, the founder of the Maratha Empire. The statue will be located in Mumbai's Back Bay. As of May 2024, construction of the monument has not yet started despite being expected to be completed by October 2022.
Govind Madhav Solegaonkar (1912–1986) was a versatile artist who created works on murals, portraits, landscapes and abstract paintings.
The Mughal Sarai is a caravanserai located in Surat, Gujarat, India.
The Parel Relief or Parel Shiva is an important monolithic relief of the Hindu god Shiva in seven forms that is dated by the Archaeological Survey of India (ASI) to the late Gupta period, in the 5th or 6th century AD.
Abha Narain Lambah is an Indian conservation architect whose eponymous architectural practice has restored several of India's UNESCO World Heritage Sites like the Ajanta Caves, Golconda Fort and Mahabodhi Temple, and Mumbai's Victorian buildings like the Crawford Market, Royal Opera House, Asiatic Society of Mumbai Town Hall and Knesset Eliyahoo Synagogue.
akbar armour mumbai museum.