The Parel Relief or Parel Shiva is an important monolithic relief of the Hindu god Shiva in seven forms that is dated by the Archaeological Survey of India (ASI) to the late Gupta period, in the 5th or 6th century AD. [1]
It was found in Parel, once one of the Seven Islands of Bombay, and now a neighbourhood of Mumbai, when a road was being constructed in 1931. It was moved to the nearby Baradevi Temple, where it remains in worship, in its own room. [2] There is a plaster cast on display in the Chhatrapati Shivaji Maharaj Vastu Sangrahalaya (formerly the Prince of Wales Museum) in Mumbai. [3]
The relief, carved in "white granite", [4] shows Shiva seven times, with a central image surrounded by six other Shiva images which overlap with each other; thus it is a saptamurti ("seven images") composition. All are two-armed except for the top figure which has ten arms. [5] The images exhibit different mudras or hand gestures and some carry attributes, not all now identifiable. There are also five gana or dwarf musicians (or three musicians and two guardians) in the lower area of the piece. The slab is about 3.06 metres high (10.0 ft), [6] or about 3.5 metres (11 ft), [7] with the Shiva figures about three-quarter life-size. It appears to be unfinished, for example in the ganas at lower right. [8]
More precise estimates of the date (all are based on the style) are "around 600", [9] or around 525–530. [10]
Apart from being an imposing sculpture of great quality, and in generally good condition, the relief is of special interest because it comes from a similar period to the iconic reliefs at the Elephanta Caves, only a few miles away across Mumbai Harbour. Despite sharing "both the style and the type of metaphysical concept of the great [trimurti] image at Elephanta", [11] they appear to be by different workshops. There are also similarities to two reliefs from the Shamlaji Caves in Gujarat (very near the Buddhist site of Devni Mori), though in these the central Shiva is three-headed, like the famous trimurti image at Elephanta, and one has twenty-three secondary images, rather than the six here. The less crowded composition in the Parel relief is perhaps more successful. A relief of Shiva and Vishnu combined in Harihara form at the Jogeshwari Caves in another Mumbai suburb is also comparable. [12] It has been suggested the Parel image was carved at Shamlaji (or by that workshop). [13]
The relief appears to be a version, with Shiva rather than the usual Vishnu or Krishna, of Hindu Vishvarupa ("Universal form", "Omni-form") imagery. The surrounding Shivas "emerge effortlessly" from the standing central figure, and the group should be thought of as a single figure showing typical Hindu multiplicity of form in an unusual fashion, [14] and "the god in cosmic form, expanding through multiple figures that extend upwards and outwards". [15]
The German Indologist Heinrich Zimmer (1890–1943) saw the group as a "transcendent Shiva linga", with the three figures one above the other on the central axis of the group also representing the trimurti of Brahma, Shiva and Vishnu, but here all as Shiva, as they are "ultimately only different aspects of the same primordial energy-being". [16] Zimmer wrote that "The giant granite slab seems to be expanding, both vertically and sideways, with the life-force of the athletic organisms that throb and heave across its surface". [17]
The relief was made a "nationally protected monument" (No. 2/3/75-M or N-MH-M5) by the Archaeological Survey of India in 1985. [18] Visitors report that the room is only open during the nine days of the Navaratri festival, but it appears it can be seen through metal screens at other times.
The Elephanta Caves are a collection of cave temples predominantly dedicated to the Hindu god Shiva, which have been designated a UNESCO World Heritage Site. They are on Elephanta Island, or Gharapuri, in Mumbai Harbour, 10 kilometres (6.2 mi) east of Mumbai in the Indian state of Mahārāshtra. The island, about 2 kilometres (1.2 mi) west of the Jawaharlal Nehru Port, consists of five Hindu caves, a few Buddhist stupa mounds that date back to the 2nd century BCE, and two Buddhist caves with water tanks.
Chhatrapati Shivaji Maharaj Vastu Sangrahalaya, (CSMVS) originally named Prince of Wales Museum of Western India, is a museum in Mumbai (Bombay) which documents the history of India from prehistoric to modern times.
Pattadakal, also called Raktapura, is a complex of 7th and 8th century CE Hindu and Jain temples in northern Karnataka, India. Located on the west bank of the Malaprabha River in Bagalkot district, this UNESCO World Heritage Site is 23 kilometres (14 mi) from Badami and about 9.7 kilometres (6 mi) from Aihole, both of which are historically significant centres of Chalukya monuments. The monument is a protected site under Indian law and is managed by the Archaeological Survey of India (ASI).
Parel is a neighbourhood of Mumbai. Parel used to have a number of textile mills, but these have been replaced by commercial office space development.
Hindu temple architecture as the main form of Hindu architecture has many varieties of style, though the basic nature of the Hindu temple remains the same, with the essential feature an inner sanctum, the garbha griha or womb-chamber, where the primary Murti or the image of a deity is housed in a simple bare cell. For rituals and prayers, this chamber frequently has an open space that can be moved in a clockwise direction. There are frequently additional buildings and structures in the vicinity of this chamber, with the largest ones covering several acres. On the exterior, the garbhagriha is crowned by a tower-like shikhara, also called the vimana in the south. The shrine building often includes an circumambulatory passage for parikrama, a mandapa congregation hall, and sometimes an antarala antechamber and porch between garbhagriha and mandapa. In addition to other small temples in the compound, there may be additional mandapas or buildings that are either connected or separate from the larger temples.
Shamlaji, also spelled Shamalaji, is a major Hindu pilgrimage centre in Aravalli district of Gujarat state of India. The Shamlaji temple is dedicated to Vishnu. Several other Hindu temples are located nearby.
A Hindu temple is a structure designed to bring Hindus and gods together through worship, sacrifice, and devotion, thought of as the house of the god to whom it is dedicated. The symbolism and structure of a Hindu temple are rooted in Vedic traditions, deploying circles and squares. It also represents recursion and the representation of the equivalence of the macrocosm and the microcosm by astronomical numbers, and by "specific alignments related to the geography of the place and the presumed linkages of the deity and the patron" etc. A temple incorporates all elements of the Hindu cosmos — presenting the good, the evil and the human, as well as the elements of the Hindu sense of cyclic time and the essence of life — symbolically presenting dharma, artha, kama, moksha, and karma.
Aihole (ಐಹೊಳೆ), also referred to as Aivalli, Ahivolal or Aryapura, is a historic site of ancient and medieval era Buddhist, Hindu and Jain monuments in Karnataka, India that dates from the sixth century through the twelfth century CE. Most of the surviving monuments at the site date from the 7th to 10th centuries. Located around an eponymous small village surrounded by farmlands and sandstone hills, Aihole is a major archaeological site featuring over one hundred and twenty stone and cave temples spread along the Malaprabha river valley, in Bagalakote district.
The Udayagiri Caves are twenty rock-cut caves near Vidisha, Madhya Pradesh primarily denoted to Hindu gods Vishnu and Shiva from the early years of the 3rd century CE to 5th century CE. They contain some of the oldest surviving Hindu temples and iconography in India. They are the only site that can be verifiably associated with a Gupta period monarch from its inscriptions. One of India's most important archaeological sites, the Udayagiri hills and its caves are protected monuments managed by the Archaeological Survey of India.
Pashupatinath Temple at Mandsaur, also referred to as the Mandsaur Shiva temple, is a Hindu temple dedicated to Lord Shiva in Mandsaur, Madhya Pradesh, India. It belongs to Pashupatinath tradition which is one of 6 major tradition within Shaivism. It is located on Shivna River, and is known for its eight-faced Shiva Linga. The temple sculpture is dated to the 5th or 6th century based on inscriptions, with some referring to the site as Dashapura. It is near the Rajasthan border in the historic region of Malwa, about 200 kilometres (120 mi) from Indore, about 340 kilometres (210 mi) west of Udaigiri Caves and about 220 kilometres (140 mi) east of Shamalaji ancient sites, both a significant source of Gupta Empire era archaeological discoveries. The site has been important to dating and the architectural studies of some distant sites such as the Elephanta Caves.
Sculpture in the Indian subcontinent, partly because of the climate of the Indian subcontinent makes the long-term survival of organic materials difficult, essentially consists of sculpture of stone, metal or terracotta. It is clear there was a great deal of painting, and sculpture in wood and ivory, during these periods, but there are only a few survivals. The main Indian religions had all, after hesitant starts, developed the use of religious sculpture by around the start of the Common Era, and the use of stone was becoming increasingly widespread.
The Badami cave temples are a complex of Hindu and Jain cave temples located in Badami, a town in the Bagalkot district in northern part of Karnataka, India. The caves are important examples of Indian rock-cut architecture, especially Badami Chalukya architecture, and the earliest date from the 6th century. Badami is a modern name and was previously known as "Vataapi", the capital of the early Chalukya dynasty, which ruled much of Karnataka from the 6th to the 8th century. Badami is situated on the west bank of a man-made lake ringed by an earthen wall with stone steps; it is surrounded on the north and south by forts built during Early Chalukya and in later times.
The Gudimallam Lingam is an ancient linga in the Parasurameswara Swamy Temple of Gudimallam, a small village near Tirupati city in the Yerpedu mandal of the Tirupati district of Andhra Pradesh, India. It is situated about 13 kilometers south-east of Tirupati city.
Ratnagiri is the site of a ruined mahavihara, once the major Buddhist monastery in modern Odisha, India. It is located on a hill in between the Brahmani and Birupa rivers in Jajpur district. It is close to other Buddhist sites in the area, including Lalitagiri and Udayagiri, and 100 km (62 mi) from the state capital Bhubaneswar and 70km from the former state capital Cuttack.
Hindu architecture is the traditional system of Indian architecture for structures such as temples, monasteries, statues, homes, market places, gardens and town planning as described in Hindu texts. The architectural guidelines survive in Sanskrit manuscripts and in some cases also in other regional languages. These texts include the Vastu shastras, Shilpa Shastras, the Brihat Samhita, architectural portions of the Puranas and the Agamas, and regional texts such as the Manasara among others.
The Bhutanatha group of temples are 7th to 12th century Hindu temples to the east of Agastya lake in Badami, Karnataka state, India. It consists of two subgroups – one called the East Bhutanatha group or Bhutanatha main group from 7th to 8th-century mostly in the Dravida architecture style; the other called the North Bhutanatha group or Mallikarjuna group from 11th to 12th-century mostly in the Nagara architecture. The former illustrates the Badami Chalukya architects, the latter along with the nearby Yellamma temple the Kalyani Chalukya architects.
The Bateshwar Hindu temples are a group of nearly 200 sandstone Hindu temples and their ruins in north Madhya Pradesh in post-Gupta, early Gurjara-Pratihara style of North Indian temple architecture. It is about 35 kilometres (22 mi) north of Gwalior and about 30 kilometres (19 mi) east of Morena town. The temples are mostly small and spread over about 25 acres (10 ha) site. They are dedicated to Shiva, Vishnu and Shakti - representing the three major traditions within Hinduism. The site is within the Chambal River valley ravines, on the north-western slope of a hill near Padavali known for its major medieval era Vishnu temple. The Bateshwar temples were built between the 8th and the 10th-century. The site is likely named after the Bhuteshvar Temple, the largest Shiva temple at the site. It is also referred to as Batesvar temples site or Batesara temples site.
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Sadashiv Vasantrao Gorakshkar was an Indian writer, art critic, historian, museologist and a director of the Chhatrapati Shivaji Maharaj Vastu Sangrahalaya, erstwhile Prince of Wales Museum, Mumbai. He is credited with the restoration of Lakshmibai Pitre Kalasangrahalaya, a museum in Devrukh, Maharashtra to its present state.
Gupta art is the art of the Gupta Empire, which ruled most of northern India, with its peak between about 300 and 480 CE, surviving in much reduced form until c. 550. The Gupta period is generally regarded as a classic peak and golden age of North Indian art for all the major religious groups. Gupta art is characterized by its "Classical decorum", in contrast to the subsequent Indian medieval art, which "subordinated the figure to the larger religious purpose".