Prithviraj Kapoor was an Indian actor who is also considered to be one of the founding figures of Hindi cinema. He was associated with IPTA as one of its founding members and established the Prithvi Theatres in 1944 as a travelling theatre company based in Bombay.
Vijaya Mehta is a noted Indian Marathi film and theatre director and also an actor in many films from the Parallel Cinema. She is a founder member of Mumbai-based theatre group, Rangayan with playwright Vijay Tendulkar, and actors Arvind Deshpande and Shriram Lagoo. She is most known for her acclaimed role in film Party (1984) and for her directorial ventures, Rao Saheb (1986) and Pestonjee (1988). As the founder member of theatre group, Rangayan, she became a leading figure in the experimental Marathi theatre of the 1960s.
Narayan Shripad Rajhans, popularly known as Bal Gandharva, was a famous Marathi singer and a stage actor. He was known for his roles in female characters in Marathi plays, since women were not allowed to act on stage during his time.
Sangeet Natak Akademi is the national level academy for performing arts set up by the Government of India.
Zia Fariduddin Dagar was an Indian classical vocalist belonging to the Dhrupad tradition, the oldest existing form of north Indian classical music. He was part of the Dagar family of musicians.
Arundhati Nag is an Indian actress. She has been involved with multilingual Theatre in India, for over 25 years, first in Mumbai where she got involved with Indian People's Theatre Association (IPTA), and did various productions in Gujarati, Marathi, and Hindi theatre, and then in Kannada, Tamil, Malayalam and English, in Bangalore.
Ratan Thiyam is an Indian playwright and theatre director, and the winner of Sangeet Natak Akademi Award in 1987, one of leading figures of the "theatre of roots" movement in Indian theatre, which started in the 1970s. Also known as Thiyam Nemai, Ratan Thiyam is known for writing and staging plays that use ancient Indian theatre traditions and forms in a contemporary context. A former painter, and proficient in direction, design, script and music, Thiyam is often considered one of leading contemporary theatre gurus.
The Sangeet Natak Akademi Fellowship, also known as Akademi Ratna Sadasyata, is an Indian honour for the performing arts presented by Sangeet Natak Academy. It is "the most prestigious and rare honour" conferred by the Academy and is "restricted to 40 individuals at any given time".
Manohar Singh was an Indian theatre actor-director and character actor in Hindi films. He is best known for his performances in films such as Party (1984) and Daddy (1989). Starting his acting career from theatre, he went on to become a theatre director and later the chief of National School of Drama Repertory Company, 1976 to 1988, before switching to cinema. As a theatre actor his best known performances were in Tughlaq, directed by Ebrahim Alkazi; Himmat Mai and Begum Barve by Nissar and Amal Allana.
Sarita Joshi is an Indian stage, television and film actress and is a veteran actress of Gujarati theatre and Marathi theatre and also Marathi cinema. In 2020, she was awarded the Padma Shri, the fourth highest civilian award, by the Government of India for her contribution to arts. She is widely remembered for her role as Godavari Labhshankar Thakkar a.k.a. Baa in the Star Plus hit dramedy Baa Bahoo Aur Baby, for which she won many awards. She is known for her Gujarati plays done with her husband Pravin Joshi in the 1970s.
Leela Samson is a Bharatanatyam dancer, choreographer, instructor, writer and actress from India. As a soloist, she is known for her technical virtuosity and has taught Bharatanatyam at Shriram Bhartiya Kala Kendra in Delhi for many years.
Uttara Baokar is an Indian stage, film and television actress. She acted in several notable plays, like as Padmavati in Mukyhamantri, Mena in Mena Gurjari, Desdemona in Shakespeare's Othello, the mother in playwright Girish Karnad's Tughlaq, the nautch girl in Chhote Saiyad Bade Saiyad and the lead role of Umrao in Umrao Jaan. In 1978, she also directed Jaywant Dalvi's play Sandhya Chhaya, in Hindi translation by Kusum Kumar.
Sangeet Natak in Marathi language literally means Musical Drama. As the name suggests, this form of drama combines prose as well as poetry in form of songs to convey the story. In a manner, they are very much similar to Musicals. Sangeet Natakas played a vital role in the development of Marathi theater and thus the Marathi cinema as well as Indian film industry. Sangeet Natak start with praise of Lord Natraja which is called as Naandi or Mangalaacharan or Suchakpad usually the famous one "Panchatunda Nararundamaldhar" from Sangeet Shakuntal. They are popular for use of Indian classical music. The "Dramatic Music" is called Natya Sangeet, one of the two popular forms of vocal arts in Maharashtra and surrounding states. The other is Bhavageet.
Kuldeep Singh is a music director for Hindi theatre and Hindi films, most known for composing ghazals such as Tumko Dekha To Ye Khayal AayaSaath Saath (1982) and Itni Shakti Hame Dena Daata (Ankush).
Sulabha Deshpande was an Indian actress and theatre director. Apart from Marathi theatre and Hindi theatre in Mumbai, she acted in over 73 mainstream Bollywood films. She also performed in art house cinema such as Bhumika (1977), Arvind Desai Ki Ajeeb Dastaan (1978), and Gaman (1978) as a character actor, along with numerous TV series and plays. A leading figure in experimental theatre movement of the 1960s, she was associated with Rangayan, and personalities like Vijay Tendulkar, Vijaya Mehta, and Satyadev Dubey. In 1971, she co-founded the theatre group Awishkar with her husband Arvind Deshpande, and also started its children's wing, Chandrashala, which continues to perform professional children theatre. In later years, she acted in serials such as Jee Ley Zara, Ek Packet Umeed, Asmita and in films such as English Vinglish.
Tapas Sen was a noted Indian stage lighting designer, who was an important figure in 20th-century Indian theatre. He started working with Bengali theatre movement in Kolkata in the late 1940s, along with noted directors, Utpal Dutt and Shambhu Mitra. Later he became a founding member of the Indian People's Theatre Association's (IPTA), Delhi chapter, and worked closely with Hindi theatre. Through his career stretching five decades he worked theatre directors, Ebrahim Alkazi, Vijay Tendulkar, and also dancers Sadhana Bose, Chandralekha, Birju Maharaj and Kelucharan Mahapatra. He was known not only for his creative stage lighting, but also had a significant impact on the work of leading theatre director of the time.
Krishnarao Ganpatrao Sable, popularly known as Shahir Sable, was a Marathi language folk artist from Maharashtra, India. He was an accomplished singer, writer, playwright, performer and Loknatya producer-director.
Yamunabai Waikar, née Yamunabai Vikram Jawle was an Indian folk artist, known for her expertise in the Marathi folk traditions of Lavani and Tamasha, folk art forms involving music and dance and reported to be one of the leading exponents of the art genres. A recipient of the Sangeet Natak Akademi Award, she was honored by the Government of India, in 2012, with the fourth highest Indian civilian award of Padma Shri.
Daji Bhatawadekar, was an Indian theatre personality and film and television actor. He was credited with the revival of Sanskrit and Marathi theatre in India. A winner of the Sangeet Natak Akademi award in 1965, he was honoured by the Government of India in 1967, with the award of Padma Shri, the fourth highest Indian civilian award for his contributions to the society.
Govind Ram Nirmalkar (1935–2014) was an Indian actor and folk theatre artist, known for his contributions to the Nacha folk theatre of Chhattisgarh. His portrayal of the protagonist in Charan Das Chor, an award winning play by Habib Tanveer, won him critical acclaim. The Government of India awarded him the fourth highest civilian honour of the Padma Shri, in 2009, for his contributions to Arts. He was also a recipient of the 2012 Sangeet Natak Akademi Award.
