Related Research Articles
Kenneth Noland was an American painter. He was one of the best-known American color field painters, although in the 1950s he was thought of as an abstract expressionist and in the early 1960s as a minimalist painter. Noland helped establish the Washington Color School movement. In 1977, he was honored with a major retrospective at the Solomon R. Guggenheim Museum in New York that then traveled to the Hirshhorn Museum and Sculpture Garden in Washington, D.C., and Ohio's Toledo Museum of Art in 1978. In 2006, Noland's Stripe Paintings were exhibited at the Tate in London.
Abstract expressionism in the United States emerged as a distinct art movement in the immediate aftermath of World War II and gained mainstream acceptance in the 1950s, a shift from the American social realism of the 1930s influenced by the Great Depression and Mexican muralists. The term was first applied to American art in 1946 by the art critic Robert Coates. Key figures in the New York School, which was the center of this movement, included such artists as Arshile Gorky, Jackson Pollock, Franz Kline, Mark Rothko, Norman Lewis, Willem de Kooning, Adolph Gottlieb, Clyfford Still, Robert Motherwell, Theodoros Stamos and Lee Krasner among others.
Visual art of the United States or American art is visual art made in the United States or by U.S. artists. Before colonization, there were many flourishing traditions of Native American art, and where the Spanish colonized Spanish Colonial architecture and the accompanying styles in other media were quickly in place. Early colonial art on the East Coast initially relied on artists from Europe, with John White the earliest example. In the late 18th and early 19th centuries, artists primarily painted portraits, and some landscapes in a style based mainly on English painting. Furniture-makers imitating English styles and similar craftsmen were also established in the major cities, but in the English colonies, locally made pottery remained resolutely utilitarian until the 19th century, with fancy products imported.
John Walker is an English painter and printmaker. He has been called "one of the standout abstract painters of the last 50 years."
Helen Frankenthaler was an American abstract expressionist painter. She was a major contributor to the history of postwar American painting. Having exhibited her work for over six decades, she spanned several generations of abstract painters while continuing to produce vital and ever-changing new work. Frankenthaler began exhibiting her large-scale abstract expressionist paintings in contemporary museums and galleries in the early 1950s. She was included in the 1964 Post-Painterly Abstraction exhibition curated by Clement Greenberg that introduced a newer generation of abstract painting that came to be known as color field. Born in Manhattan, she was influenced by Greenberg, Hans Hofmann, and Jackson Pollock's paintings. Her work has been the subject of several retrospective exhibitions, including a 1989 retrospective at the Museum of Modern Art in New York City, and been exhibited worldwide since the 1950s. In 2001, she was awarded the National Medal of Arts.
Hard-edge painting is painting in which abrupt transitions are found between color areas. Color areas often consist of one unvarying color. The Hard-edge painting style is related to Geometric abstraction, Op Art, Post-painterly Abstraction, and Color Field painting.
Morris Louis Bernstein, known professionally as Morris Louis, was an American painter. During the 1950s he became one of the earliest exponents of Color Field painting. While living in Washington, D.C., Louis, along with Kenneth Noland and other Washington painters, formed an art movement that is known today as the Washington Color School.
Color field painting is a style of abstract painting that emerged in New York City during the 1940s and 1950s. It was inspired by European modernism and closely related to abstract expressionism, while many of its notable early proponents were among the pioneering abstract expressionists. Color field is characterized primarily by large fields of flat, solid color spread across or stained into the canvas creating areas of unbroken surface and a flat picture plane. The movement places less emphasis on gesture, brushstrokes and action in favor of an overall consistency of form and process. In color field painting "color is freed from objective context and becomes the subject in itself."
Paul Jenkins was an American abstract expressionist painter.
Shaped canvases are paintings that depart from the normal flat, rectangular configuration. Canvases may be shaped by altering their outline, while retaining their flatness. An ancient, traditional example is the tondo, a painting on a round panel or canvas: Raphael, as well as some other Renaissance painters, sometimes chose this format for madonna paintings. Alternatively, canvases may be altered by losing their flatness and assuming a three-dimensional surface. Or they can do both. That is, they can assume shapes other than rectangles, and also have surface features that are three-dimensional. Arguably, changing the surface configuration of the painting transforms it into a sculpture. But shaped canvases are generally considered paintings.
Al Held was an American Abstract expressionist painter. He was particularly well known for his large scale Hard-edge paintings. As an artist, multiple stylistic changes occurred throughout his career, however, none of these occurred at the same time as any popular emerging style or acted against a particular art form. In the 1950s his style reflected the abstract expressionist tone and then transitioned to a geometric style in the 1960s. During the 1980s, there was a shift into painting that emphasized bright geometric space that's deepness reflected infinity. From 1963 to 1980 he was a professor of art at Yale University.
The Jane Voorhees Zimmerli Art Museum is located on the Voorhees Mall of the campus of Rutgers University in New Brunswick, New Jersey. The museum houses more than 60,000 works, including Russian and Soviet Nonconformist Art from the acclaimed Dodge Collection, American art from the eighteenth century to the present, and six centuries of European art with a particular focus on nineteenth-century French art. The museum also is noted for its holdings of works on paper, including prints, drawings, photographs, original illustrations for children's books, and rare books.
Jack Hamilton Bush was a Canadian abstract painter. A member of Painters Eleven, his paintings are associated with the Color Field movement and Post-painterly Abstraction. Inspired by Henri Matisse and American abstract expressionist painters such as Helen Frankenthaler and Morris Louis, Bush encapsulated joyful yet emotional feelings in his vibrant paintings, comparing them to jazz music. Clement Greenberg described him as a "supreme colorist", along with Kenneth Noland in 1984. Bush explained that capturing the feeling of a subject rather than its likeness was
a hard step for the art loving public to take, not to have the red look like a side of a barn but to let it be the red for its own sake and how it exists in the environment of that canvas.
Robert Kelly is an American artist. He is based in New York City.
Irving Sandler was an American art critic, art historian, and educator. He provided numerous first hand accounts of American art, beginning with abstract expressionism in the 1950s. He also managed the Tanager Gallery downtown and co-ordinated the New York Artists Club of the New York School from 1955 to its demise in 1962 as well as documenting numerous conversations at the Cedar Street Tavern and other art venues. Al Held named him, "Our Boswell of the New York scene," and Frank O'Hara immortalized him as the "balayeur des artistes" because of Sandler's constant presence and habit of taking notes at art world events. Sandler saw himself as an impartial observer of this period, as opposed to polemical advocates such as Clement Greenberg and Harold Rosenberg.
Jack Roth (1927–2004), also known as "Rodney Jack Roth", was an American painter who developed a style as an Abstract Expressionist, and as a Color Field painter.
David Simpson is an American abstract painter and educator, who lives in Berkeley, California. His work is associated with the minimalist, monochrome, and color field movements. Since 1958, Simpson has had more than 70 solo exhibitions of his paintings in galleries and museums worldwide. His paintings have been included in hundreds of group exhibitions throughout the United States and Europe. During the early 1960s Simpson was included in two seminal group exhibitions: Americans 1963 at the Museum of Modern Art in New York curated by Dorothy Canning Miller and Post-Painterly Abstraction curated by Clement Greenberg in 1964; that traveled to the Los Angeles County Museum of Art the Walker Art Center and the Art Gallery of Toronto.
Angelo Ippolito was an American painter best known for color field oils on canvas that have been exhibited and collected internationally, as well as for his central role in inaugurating the downtown art scene of postwar New York.
Norman Carton was an American artist and educator known for abstract expressionist art. He was born in Ukraine, at the time part of the Russian Empire and moved to the United States in 1922 where he spent most of his adult life.
Hugh Mesibov was an American abstract expressionist artist who began his career as a federal artist for the Works Progress Administration during the Great Depression and later became a member of the 10th Street galleries and part of the New York School during the 1940s-60s. His work has elements of the mid-20th-century New York artistic experience such as Surrealist and Abstract Expressionist and figurative aspects across several media such as watercolor, oil, and acrylic as well as etchings, lithographs and monoprints. His work has received a global reputation and is included in many collections in the United States and worldwide.
References
- ↑ "Bhavsar, Natvar (American, born India 1934)". Metropolitan Museum of Art. Retrieved May 14, 2013.
- ↑ "Indian- American artist Natvar Bhavsar reveals the essence of his art". YouTube. September 20, 2017. Retrieved January 1, 2021.
- 1 2 "Natvar Bhavsar: The Dimensions of Color". Jane Voorhees Zimmerli Art Museum. July 2007. Retrieved May 14, 2013.
- 1 2 "Monumental Love". The Times of India . October 8, 2011. Archived from the original on January 10, 2014.
- ↑ "Biography". Basvar website. Retrieved May 14, 2013.
- ↑ "Guj painter too pricey for India!". The Times of India . January 5, 2011. Archived from the original on June 29, 2013. Retrieved May 14, 2013.
- ↑ Genocchio, Benjamin, The Details Are in the Beauty , Art Review, New York Times, May 6, 2007
- ↑ "Bhavsar, Natvar" . Retrieved February 24, 2018.
- ↑ "Indian colours on American soil". The Times of India . April 4, 2011. Archived from the original on June 29, 2013. Retrieved May 14, 2013.
