Nelly Montiel | |
|---|---|
 Montiel in 1939. | |
| Born | 1919 |
| Died | 14 September 1951 |
| Occupation | Actress |
| Years active | 1936 - 1951 (film) |
Nelly Montiel (1919–1951) was an Argentine film actress. [1] Having made her debut in Argentine films, Montiel moved to Mexico which had the largest Spanish-speaking film industry in the world.
She died in a car accident at the age of thirty two.
John Alton, born Johann Jacob Altmann, in Sopron, Kingdom of Hungary, was an American cinematographer of Hungarian-German origin. Alton photographed some of the most famous films noir of the classic period and won an Academy Award for the cinematography of An American in Paris (1951), becoming the first Hungarian-born person to do so in the cinematography category.
Nelly Adamson Landry was a tennis player from Belgium who became a French citizen after marriage. She was the 1948 women's singles champion at the French Championships where she was seeded third, beating Shirley Fry in a three-set final. She had been a finalist in 1938, losing to Simonne Mathieu, and reached again the final in 1949, losing to Margaret Osborne duPont.
Mecha Ortiz was a classic Argentine actress who appeared in films between 1937 and 1981, during the Golden Age of Argentine Cinema. At the 1944 Argentine Film Critics Association Awards, Ortiz won the Silver Condor Award for Best Actress for her performance in Safo, historia de una pasión (1943), and won it again in 1946 for her performance in El canto del cisne (1945). She was known as the Argentine Greta Garbo and for playing mysterious characters, who suffered by past misfortunes in love, mental disorders, or forbidden love. Safo, historia de una pasión was the first erotic Argentine film, though there was no nudity. She also played in the first film in which a woman struck a man and the first film with a lesbian romance. In 1981, she was awarded the Grand Prize for actresses from the National Endowment for the Arts.
Luis Bayón Herrera was a Spanish film director and screenwriter who worked in Argentine film of the 1940s and 1950s. He was "one of the most important directors of the golden age of Argentine cinema".
Carlos Schlieper was an Argentine film director and screenwriter of the classic era.
Luis César Amadori was an Italian-Argentine film director and screenwriter and one of the most influential directors in the cinema of Argentina of the classic era. He directed over 60 films between 1936 and 1967, writing the scripts to over 50 pictures.
Roque Funes was the most prolific Argentine cinematographer in the history of the Cinema of Argentina whose career spanned over 40 years of cinema.
Guillermo Battaglia was a prolific Argentine film actor of the classic era of Argentine cinema.
Galeazzo Benti was an Italian actor. He appeared in more than 70 films between 1942 and 1991.
Per Buckhøj was a Danish film actor. He appeared in 36 films between 1942 and 1958.
Folco Lulli was an Italian partisan and film actor. He appeared in more than 100 films between 1946 and 1970. He was the elder brother of actor Piero Lulli.
Suevia Films was a Spanish film production and distribution company. It was founded in 1941 by entrepreneur Cesáreo González with his brother Arturo Gonzalez. During the 1940s–1960s they were one of Spain biggest studios and were responsible for more than 130 films, averaging five per year.
The Golden Boat is a 1947 Mexican musical comedy drama film directed by Joaquín Pardavé and starring Sofía Álvarez, Pedro Infante and Carlos Orellana. It was shot at the Azteca Studios in Mexico City. The film's sets were designed by the art director Edward Fitzgerald. It was in the tradition of Ranchera films, popular during the Golden Age of Mexican Cinema.
Mariella Lotti was an Italian film actress. Lotti made her film debut in 1939, and played leading ladies in a number of Fascist era and post-war films. She was one of many actors employed on the anthology film The Ten Commandments, made following the overthrow of Benito Mussolini. She made her final film Carmen in 1954. During the war she was involved in a passionate love story with King Michael of Romania.
George Andreani, pseudonym Josef Dvořáček (born as Josef Kumok; 28 February 1901 in Warsaw, Poland – 2 April 1979 in Buenos Aires, Argentina) was a Polish composer, film score composer, pianist, conductor, and actor. He was noted for his scores of some 75 Argentine films during the Golden Age of Argentine cinema from 1937 to 1959. Aside from his prolific work as a score composer, he was also conductor of the Orquesta Sinfónica Schenley in the 1940s.
Antonio Momplet was a Spanish film director and screenwriter. He worked in Spain, France, Argentina and Mexico.
Melodies of America is a 1941 Argentinian musical comedy film directed by Eduardo Morera and starring José Mojica, Silvana Roth and June Marlowe. It was intended as an Argentine response to the Latin-American themed films produced by Hollywood as part of the Good Neighbor policy.
Aurelia Ferrer was an Argentine film actress. She appeared in around forty films, generally in supporting roles.
Víctor Manuel Mendoza (1913–1995) was a Mexican film actor.
Tender Pumpkins or Tender Little Pumpkins is a 1949 Mexican comedy film directed by Gilberto Martínez Solares and starring Germán Valdés, Rosita Quintana and Nelly Montiel. This film marked the acting debut of Ramón Valdés, known mainly for portraying Don Ramón in the 1970s sitcom El Chavo del Ocho.
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