Jagmo, born Nels Jacobson, is a US artist and poster art historian born in Chicago in 1949. He moved to Austin, Texas in 1978 and began creating rock posters in 1981. For three years during the early 1980s Jacobson served as bar manager and promotional director for Austin's Club Foot. He has designed posters for live-music venues such as Liberty Lunch, Cain's Ballroom and The Fillmore, and for performers such as Stevie Ray Vaughan, the Ramones, Divine, Roky Erickson, Etta James, Dead Kennedys, the B-52's, Bonnie Raitt, Joe Ely, Los Lobos, the Pixies, Iggy Pop, Willie Nelson, Fela Kuti, Jimmie Dale Gilmore and Jerry Jeff Walker. In 1987, Jacobson helped organize the Texas-U.S.S.R. Musicians' Exchange tour of the Soviet Union and accompanied the performers to Leningrad, Moscow and Kyiv. He was art director for South by Southwest (SXSW) during its first six years, designing the original logo, and in 1998 founded the SXSW Continuing Legal Education program, which he continues to oversee in 2019. Jacobson has served on the packaging Grammy Award committees for the Texas and San Francisco chapters of the National Academy of Recording Arts and Sciences, and is a founding Director of the American Poster Institute and the South Austin Museum of Popular Culture, and a board member of The Rock Poster Society (TRPS).
"Art Laws and Outlaws: Legal Issues in Music Graphics" from SXSW 2015 (course materials for Continuing Legal Education Program) Art Laws and Outlaws
Introductory essay "Colorful Tales and Early Techniques" in Homegrown: Austin Music Posters, 1967 to 1982 (Alan Schaefer, ed., University of Texas Press 2015) ISBN 978-0-292-76819-2
"Art of Rock and Roll" from the 24th Annual Entertainment Law Institute course book (TexasBarCLE and the Entertainment and Sports Law Section of the State Bar of Texas 2014)
Introduction to chapter about Flatstock 4 in Rock Poster Show: Flatstock Volume One (Soundscreen Design 2010) ISBN 978-0-9843028-0-2
“Rock Music Posters and the Law” from Entertainment and Sports Lawyer Volume 23/Number 1 (American Bar Association Spring 2005) ISSN 0732-1880 http://www.jagmo.com/articles/Posters_Law.pdf
”Foreword,” with Dirk Fowler, to Swag 2: Rock Posters of the '90s and Beyond by Spencer Drate and Judith Salavetz, (Harry N. Abrams, Inc. 2005) ISBN 0-8109-9235-3
“Armadillos, Peccadillos, and the Maverick Posterists of Austin, Texas” from Prints and Printmakers of Texas: Proceedings of the Twentieth Annual North American Print Conference (Ron Tyler ed., Texas State Historical Association 1997) ISBN 0-87611-137-1
“Faith, Hope & Parody: Campbell v. Acuff-Rose, ‘Oh, Pretty Woman,’ and Parodists' Rights” from the Houston Law Review Volume 31/Number 3 (1994) ISSN 0018-6694
"The Maverick Tradition: Postering in Austin, Texas, Part II" from OFFtheWALL Volume No. 1/Issue No. 3 (1992) http://www.jagmo.com/articles/index.html
"The Maverick Tradition: Postering in Austin, Texas, Part I" from OFFtheWALL Volume No. 1/Issue No. 2 (1991) http://www.jagmo.com/articles/index.html
“Austin Poster Art” from The Austin Chronicle Vol. III/No.23 (July 13, 1984) ISSN 1074-0740
"The Request" (a poem) from Rolling Stone Issue No. 292 (May 31, 1979) ISSN 0035-791X
Aziz Nesin was a Turkish writer, humorist and the author of more than 100 books. Born in a time when Turks did not have official surnames, he had to adopt one after the Surname Law of 1934 was passed. Although his family carried the epithet "Topalosmanoğlu", after an ancestor named "Topal Osman", he chose the surname "Nesin".
Split-fount inking also known as Split-fountain inking is a printing technique which allows for subtle gradations of multiple colors without the use of more complex and costly methods such as color separation.
Douglas Wayne Sahm was an American musician, singer-songwriter and multi-instrumentalist born in San Antonio, Texas. Sahm is regarded as one of the main figures of Tex-Mex music, and as an important performer of Texan Music. He gained fame along with his band, the Sir Douglas Quintet, with a top-twenty hit in the United States and the United Kingdom with "She's About a Mover" (1965). Sahm was influenced by the San Antonio music scene that included conjunto and blues, and later by the hippie scene of San Francisco. With his blend of music, he found success performing in Austin, Texas, as the hippie counterculture soared in the 1970s.
Frank Kozik was an American graphic artist best known for his posters for alternative rock bands. With his prolific output and connections in the music industry, Kozik helped revitalize rock poster art in the late 1980s and 1990s, and is regarded as a founder of the modern art print scene. His album cover work included the bands Queens of the Stone Age and the Offspring. Later in his career he became a toy designer with Kidrobot.
Armadillo World Headquarters was an influential Texas music hall and beer garden in Austin at 5251⁄2 Barton Springs Road – at South First Street – just south of the Colorado River and downtown Austin. The 'Dillo flourished from 1970 to 1980. The structure that housed it, an old National Guard Armory, was demolished in 1981 and replaced by a 13-story office building.
William De White, better known as Guy Juke, is a Austin, Texas–based graphic artist and musician. As a poster artist he created memorable imagery for nightclubs such as Armadillo World Headquarters and was one of the 'Armadillo Art Squad'. His work is recognized for its blocky, sharp-edged figures on angular, geometric settings. Often darkly detailed, his work include shadowy and angular figures inspired by horror films, haunting western landscapes, and loopy cartoon characters.
Marshall Scot Allman is an American actor. He is known to television audiences for his role as L. J. Burrows on the Fox television series Prison Break. He is also known for playing Tommy Mickens on True Blood.
The H.M. Gousha Company was one of the "Big Three" major producers of road maps and atlases in the United States during the 25 years following World War II, making maps for free distribution by oil companies and auto clubs. Following the end of the free-road-map era, Gousha distributed maps through retailers, and published a number of travel guides and other travel-related books.
The American Poster Institute (API) is a California nonprofit corporation dedicated to promoting poster art and serving poster artists. Among the API's stated goals are: (1) support for the community of artists creating entertainment-related posters; (2) fostering interaction and communication between these artists: (3) constantly improving standards in the field; and (4) furthering public awareness and appreciation of the art form. Based in San Francisco, the API was formed in 2002 by a small group of poster artists and supporters.
Jim Franklin is an artist, illustrator, and underground cartoonist best known for his poster art created for the Armadillo World Headquarters, a former Austin, Texas, music hall. He is also known for his detailed, surrealistic illustrations of armadillos.
The Austin Museum of Popular Culture (AusPop) is a Texas 501(c)(3) nonprofit organisation dedicated to collecting, preserving, and exhibiting art and memorabilia that reflect Austin's eclectic contributions to popular culture worldwide.
Casey Burns is an American-born graphic illustrator, screen printer, rock poster artist, musician, and advertising art director. He was a founding member of The Nein, a member of LD Beghtol's LD&CO and was at one time a member of The Rosebuds.
The Texas Music Office (TMO) is a state-funded business promotion office and information clearinghouse for the Texas music industry. It is headquartered in the State Insurance Building in Austin.
A Music Gym is membership-based club or cooperative community where musicians share common resources in a shared facility. Such resources are related to music production, music rehearsal, movie production, art galleries, and tools useful for networking with other creative artists. Typically members of the community share the cost of property through some sort of fee, or make some exchange of services live performance, goods or labor to be members of the community.
Nick Egan is a British visual design artist and director of music videos, commercials and film. He graduated from the Watford College of Art and Design with a DGA in 1976. While attending college, he created cover art for the singles "White Man In Hammersmith Palais" and "Tommy Gun" for The Clash and T-shirt design for the single "Sheena is A Punk Rocker" for The Ramones. His first chart topping album cover was Dexys Midnight Runners' 'Searching For The Young Soul Rebels'. He collaborated with former Sex Pistols manager and fashion entrepreneur Mr. Malcolm McLaren, for whom he designed the album cover for Bow Wow Wow's 'See Jungle'. His longtime partnership with McLaren McLaren led the art direction of McLaren's own inventive albums; Duck Rock and 'Fans'. Egan relocated from Britain to New York, where he created cover art for legendary artists like Bob Dylan and Iggy Pop. Egan also art directed books; John Lennon Listen To These Pictures by Rock-n-Roll photographer Bob Gruen and Bob Dylan's Drawn Blank.
SaulPaul is an American artist and rapper from Houston, Texas. He has garnered much attention with his freestyles. SaulPaul's music has been considered unique, in comparison to mainstream rappers.
Lions were an American rock band from Austin, Texas, formed in 2005. The lineup consists of singer Matt Drenik, guitarist Austin Kalman and drummer Jake Perlman. Trevor Sutcliffe was Lions' bassist from their formation until his departure in 2009, where he was replaced by Mike Sellman. The band formed following the breakup of The Good Looks, the previous band of both Drenik and Perlman.
Just Like Being There is a 2012 documentary film on the American gig poster scene, directed by Scout Shannon.
Scrojo is an American poster artist, illustrator and graphic designer. He is particularly known for his prolific work in the music industry and the surf and skate community. He has illustrated over 2,000 posters to date for concerts and other music events. Many of those for the Belly Up Aspen in Aspen, Colorado, as well as the Belly Up Tavern in Solana Beach, California, where he has been the resident artist for 30 years, beginning at the age of 19. Scrojo has also regularly worked for such notable venues as The Fillmore, The Casbah, Alamo Drafthouse (Austin), The Troubadour and House of Blues.
Groover's Paradise is an album by Doug Sahm, produced by musician Doug Clifford and released on Warner Records in 1974. Following his return to Texas after his success with the Sir Douglas Quintet in California, Sahm settled in Austin, Texas. As the local music scene thrived, he was featured as the main attraction in local clubs and he recorded his debut album for Atlantic Records.
"Putting Images to Music: The Poster Design of Nels Jacobson" by Luke Torn from SXSWORLD (March 2017) ISSN 1935-1496
"Legal Panels Celebrate 20 Years at SXSW" from SXSWORLD (March 2017) ISSN 1935-1496
Homegrown: Austin Music Posters, 1967 to 1982 (Alan Schaefer, ed., University of Texas Press 2015) ISBN 978-0-292-76819-2
Rock Poster Art by Didier Maiffredy (Groupe Eyrolles 2013) ISBN 978-2-212-13470-4
"Nels Jacobson (Jagmo): Music for Eyes" by Michalis Limnios for Blues.Gr (March 10, 2016) http://blues.gr
A Fistful of Rock & Roll: Real Rock for Real Rock Bands by Sal Canzonieri (BGT ENT 2013) ISBN 978-1482385755
Rock Poster Show: Flatstock Volume One (Soundscreen Design 2010) ISBN 978-0-9843028-0-2
Swag 2: Rock Posters of the '90s and Beyond by Spencer Drate and Judith Salavetz, (Harry N. Abrams, Inc. 2005) ISBN 0-8109-9235-3
Art of Modern Rock by Paul Grushkin and Dennis King (Chronicle Books 2004) ISBN 0-8118-4529-X
“Art Rock: Nels ‘Jagmo’ Jacobson” by Patty Gopez for The Live Buzz (October 7, 2010)
“Poster Art: Nels ‘Jagmo’ Jacobson's fortuitous relocation” by Liza Rush from Design Bureau by Alarm Press (June 23, 2010) http://alarmpress.com
“60 Concert Posters from Ten Amazing Artists” by Robert Bowen from Smashing Magazine (September 28, 2008) http://www.smashingmagazine.com
“Concert Poster Art: Austin, Texas Style” by Rush Evans from Discoveries Issue 94 (March 1996) ISSN 0896-8322
“A portrait of Austin’s past: Posters depict musical history since 1960s” by Pete Szilagyi from the Austin-American Statesman (July 4, 1992) ISSN 0199-8560
“Tradition and Texas posters: ‘Jagmo’ fills the space between art, ads” by Don McLeese from the Austin-American Statesman (September 19, 1991) ISSN 0199-8560
“Signs of the Times” by Jill Becker from Texas Monthly (June 1991) ISSN 0148-7736
“Ten Days that Shook My World: Part II Kiev: On John Lennon’s Birthday” by Tom Chamberlain from Current: San Antonio’s Newsweekly (November 19–25, 1987)
“Ten Days that Shook My World: Part I Leningrad: City that Peter the Great Built” by Tom Chamberlain from Current: San Antonio’s Newsweekly (November 12–18, 1987)
“Local artists to act as ambassadors of good music” by Michael Point from the Austin-American Statesman (September 24, 1987) ISSN 0199-8560
“An Artist Against Apartheid” by Greg Stephens from The Austin Chronicle (August 15, 1986) ISSN 1074-0740