Neues Bachisches Collegium Musicum | |
---|---|
Chamber orchestra | |
Founded | 1979 |
Location | Leipzig |
Neues Bachisches Collegium Musicum (NBCM, New Bach's Collegium Musicum) is a German chamber orchestra, founded in Leipzig, Saxony. It follows the tradition of collegia musica, developed by Johann Sebastian Bach, also in Leipzig. The orchestra is dedicated to historically informed performances, based on the latest research.
Neues Bachisches Collegium Musicum was founded in 1979 by Max Pommer and Walter Heinz Bernstein. [1] All musicians are members of the Gewandhausorchester. [2] The ensemble collaborates with the Bach Archive in applying historical research to performances with modern instruments. [3]
The name refers to the Collegium Musicum which Georg Philipp Telemann founded in 1701 at the Leipzig University, and which Bach directed from 1729. The ensemble, subsequently called Bachisches Collegium, played Bach's works regularly at Zimmermannsches Kaffeehaus, including secular cantatas and instrumental works such as the Coffee Cantata, which Bach had composed for the ensemble. [3]
Pommer was the first musical director of the NBCM. They produced many recordings and won international recognition and awards such as the 1985 Preis der Deutschen Schallplattenkritik for a recording of Bach's Brandenburg Concertos . [4] They have recorded with Ludwig Güttler, the harpsichordist Christine Schornsheim and the Thomanerchor, among others. [5]
Pommer was succeeded in 1988 by the oboist Burkhard Glaetzner. He added to the repertory, including works of the Classical period. From 2003 to 2013, the violinist and academic Albrecht Winter directed the NBCM, returning to the Baroque repertory, including works by Vivaldi, Corelli, Telemann, Bach's sons, and composers from the early days of the Gewandhaus. In a concert series from 2009 to 2011, the NBCM played the Gewandhaus programs which had been given 225 years earlier in the same hall, based on historic Programmzettel. [6] The first such concert had been held in 2006 when the NBCM played the program of the first concert in the Gewandhaus in 1781, as the final concert of the Gewandhaus-Festwochen for the 225th anniversary of the house. [6]
From 2013, the NBCM has had no single artistic director, but has worked with conductors such as Georg Kallweit and Stephan Mai (Akademie für Alte Musik Berlin) and Nadja Zwiener [7] (The English Concert). They perform the series Bachische Abend-Musicken, in collaboration with the town's historic museum Stadtgeschichtliches Museum Leipzig in the hall (Festsaal) of the Old Town Hall . [8]
The Collegium Musicum was one of several types of musical societies that arose in German and German-Swiss cities and towns during the Reformation and thrived into the mid-18th century.
Schweigt stille, plaudert nicht, BWV 211, also known as the Coffee Cantata, is a secular cantata by Johann Sebastian Bach. He composed it probably between 1732 and 1735. Although classified as a cantata, it is essentially a miniature comic opera. In a satirical commentary, the cantata amusingly tells of an addiction to coffee.
Angenehmes Wiederau, freue dich in deinen Auen, BWV 30.1, is a 1737 secular cantata by Johann Sebastian Bach, on a libretto by Christian Friedrich Henrici (Picander). Bach reused some of its music in later works, including Freue dich, erlöste Schar, BWV 30.2, one of his church cantatas, which was nearly entirely modelled after the secular composition.
Klaus Mertens is a German bass and bass-baritone singer who is known especially for his interpretation of the complete works of Johann Sebastian Bach for bass voice.
Jan Kobow is a German classical tenor in concert, Lied, and Baroque opera.
The Monteverdi-Chor Hamburg is a mixed choir in Hamburg, the chamber choir of the University of Hamburg since 1961. Founded in 1955 by Jürgen Jürgens and directed by him until 1994, it is one of Germany's most famous concert choirs. The choir is well known for its interpretations of Baroque and Renaissance music, but covers choral music from the Renaissance to contemporary music. Since 1994, the conductor has been Gothart Stier.
Lobe den Herrn, meine Seele, BWV 143, is an early cantata by Johann Sebastian Bach. He appears to have composed the cantata for New Year's Day, probably when he was in his 20s, but whether it was first performed in Mühlhausen or Weimar is not known: the date of composition is unclear. Bach's authorship has been doubted because the cantata has several unusual features; one of these is the scoring, it is the only Bach cantata to combine three corni da caccia with timpani.
The Café Zimmermann, or Zimmermannsches Kaffeehaus, was the coffeehouse of Gottfried Zimmermann in Leipzig which formed the backdrop to the first performances of many of Bach's secular cantatas, e.g. the Coffee Cantata, and instrumental works.
Georg Melchior Hoffmann was a Baroque composer who was influential as the leader at the Collegium Musicum in Leipzig. Some of his compositions have been mistaken for those of Johann Sebastian Bach.
Siegfried Lorenz was a German baritone who performed opera, oratorio and Lied. A member of the Komische Oper Berlin and later the Berlin State Opera, he made award-winning recordings and appeared as a guest internationally. He was also an academic voice teacher at the Musikhochschule Hamburg and the Universität der Künste Berlin.
Max Pommer is a German musicologist and conductor, a director of the Leipziger Universitätschor and the founder and conductor of the Neues Bachisches Collegium Musicum.
Leipziger Universitätsmusik refers to music education and performance at the University of Leipzig. Music at the university dates back to its founding of the university in the 15th century. At present, Leipziger Universitätsmusik is the name of several musical ensembles formed by students and professors, and supported by professional musicians, the choir Leipziger Universitätschor, an orchestra, two smaller instrumental ensembles, and a big band.
Siegfried Pank is a German cellist and viol player. He was a member of the Gewandhausorchester in Leipzig from 1962 to 1980, and toured with the Neues Bachisches Collegium Musicum. He turned to playing the viol in historically informed performance, and lectured cello and viol at the Musikhochschule Leipzig from 1984, as professor from 1988 to 2001. He was a co-founder of the International Telemann Association in 1991, serving as its president from 2012.
The Magnificat in A minor, BWV Anh. 21, TWV 1:1748, is Melchior Hoffmann's musical setting of a German version of the Song of Mary from the Gospel of Luke. The composition originated around 1707, when the composer was director musices and organist of the Neue Kirche in Leipzig. Composed in A minor, the Magnificat is scored for soprano and small orchestra. The work was first published in the 1950s, and it was recorded by Magda László, by Joshua Rifkin, by Wolfgang Helbich, and by Deborah York, among others.
Anne Bierwirth is a German contralto, focused on concerts and recordings of sacred music, appearing internationally. Besides the standard repertoire such as Bach's Christmas Oratorio, she has explored rarely performed Baroque music such as Bach's St Mark Passion and Reinhard Keiser's Passion oratorio Der blutige und sterbende Christus.
Bach composed Wie schön leuchtet der Morgenstern, BWV 1, as chorale cantata for the Marian feast of the Annunciation, for a first performance in a church service in Leipzig on 25 March 1725. The cantata, for soprano, tenor and bass soloists, four-part choir and Baroque orchestra, takes around 25 minutes to perform.
Cornelia Osterwald is a German harpsichordist and docent for early music.
The Oper am Brühl was the first opera house in Leipzig. It existed from 1693 to 1720 and was the second municipal music theatre in Germany, after the Oper am Gänsemarkt in Hamburg. It was initiated by Nicolaus Adam Strungk who saw a potential audience during the three annual trade fairs in Leipzig. An opera house was built, and opened on 8 May 1693. The house flourished when Georg Philipp Telemann directed the opera from 1703 to 1705. Among his operas for the house is Germanicus, premiered in 1704. A collection of 100 excerpts from the operas, Musicalische Rüstkammer, has been explored for background. The building was found in a dangerous state in 1719, was closed in 1720 and demolished in 1729.
Albrecht Winter is a German violinist, Kapellmeister and academic teacher.
Věnceslava Hrubá-Freiberger is a Czech-German soprano.