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The Collegium Musicum was one of several types of musical societies that arose in German and German-Swiss cities and towns during the Reformation and thrived into the mid-18th century.
Schweigt stille, plaudert nicht, BWV 211, also known as the Coffee Cantata, is a secular cantata by Johann Sebastian Bach. He composed it probably between 1732 and 1735. Although classified as a cantata, it is essentially a miniature comic opera. In a satirical commentary, the cantata amusingly tells of an addiction to coffee.
Angenehmes Wiederau, freue dich in deinen Auen, BWV 30.1, is a 1737 secular cantata by Johann Sebastian Bach, on a libretto by Christian Friedrich Henrici (Picander). Bach reused some of its music in later works, including Freue dich, erlöste Schar, BWV 30.2, one of his church cantatas, which was nearly entirely modelled after the secular composition.
Klaus Mertens is a German bass and bass-baritone singer who is known especially for his interpretation of the complete works of Johann Sebastian Bach for bass voice.
Jan Kobow is a German classical tenor in concert, Lied, and Baroque opera.
Gotthold Schwarz is a German bass-baritone singer and conductor. Based in Leipzig, he started as a member of the Thomanerchor and has conducted the Gewandhausorchester. He is the 17th Thomaskantor after Johann Sebastian Bach.
Lobe den Herrn, meine Seele, BWV 143, is an early cantata by Johann Sebastian Bach. He appears to have composed the cantata for New Year's Day, probably when he was in his 20s, but whether it was first performed in Mühlhausen or Weimar is not known: the date of composition is unclear. Bach's authorship has been doubted because the cantata has several ununusual features; one of these is the scoring, it is the only Bach cantata to combine three corni da caccia with timpani.
The Café Zimmermann, or Zimmermannsches Kaffeehaus was the coffeehouse of Gottfried Zimmermann in Leipzig which formed the backdrop to the first performances of many of Bach's secular cantatas, e.g. the Coffee Cantata, and instrumental works.
Georg Melchior Hoffmann was a Baroque composer who was influential as the leader at the Collegium Musicum in Leipzig. His compositions have been mistaken for those of Johann Sebastian Bach.
Siegfried Lorenz is a German baritone who performs opera, oratorio and Lied. A member of the Komische Oper Berlin and later the Staatsoper Unter den Linden, he made award-winning recordings and appeared as a guest internationally. He has been an academic voice teacher in Berlin and Hamburg.
Max Pommer is a German musicologist and conductor, a director of the Leipziger Universitätschor and the founder and conductor of the Neues Bachisches Collegium Musicum.
Leipziger Universitätsmusik refers to music education and performance at the University of Leipzig. Music at the university dates back to its founding of the university in the 15th century. At present, Leipziger Universitätsmusik is the name of several musical ensembles formed by students and professors, and supported by professional musicians, the choir Leipziger Universitätschor, an orchestra, two smaller instrumental ensembles, and a big band.
Anne Schumann is a German violinist and docent in Baroque music.
Siegfried Pank is a German cellist and viol player. He was a member of the Gewandhausorchester in Leipzig from 1962 to 1980, and toured with the Neues Bachisches Collegium Musicum. He turned to playing the viol in historically informed performance, and lectured cello and viol at the Musikhochschule Leipzig from 1984, as professor from 1988 to 2001. He was a co-founder of the International Telemann Association in 1991, serving as its president from 2012.
The Magnificat in A minor, BWV Anh. 21, TWV 1:1748, is Melchior Hoffmann's musical setting of a German version of the Song of Mary from the Gospel of Luke. The composition originated around 1707, when the composer was director musices and organist of the Neue Kirche in Leipzig. Composed in A minor, the Magnificat is scored for soprano and small orchestra. The work was first published in the 1950s, and it was recorded by Magda László, by Joshua Rifkin, by Wolfgang Helbich, and by Deborah York, among others.
Bach composed Wie schön leuchtet der Morgenstern, BWV 1, as chorale cantata for the Marian feast of the Annunciation, for a first performance in a church service in Leipzig on 25 March 1725. The cantata, for soprano, tenor and bass soloists, four-part choir and Baroque orchestra, takes around 25 minutes to perform.
Cornelia Osterwald is a German harpsichordist and docent for early music.
Georg Philipp Telemann composed the church cantata Ich will den Kreuzweg gerne gehen, TWV 1:884, for bass, violin and continuo for the 21st Sunday after Trinity. He used a text by Erdmann Neumeister.
Albrecht Winter is a German violinist, Kapellmeister and academic teacher.
Věnceslava Hrubá-Freiberger is a Czech-German soprano.
References
- ↑ Walter Heinz Bernstein (Harpsichord, Clavichord, Organ) (Bach Cantatas Website)
- ↑ "Neues Bachisches Collegium Musicum Leipzig". Deutsches Musikinformationszentrum (in German). Archived from the original on 8 February 2018. Retrieved 7 February 2018.
- 1 2 "Collegium Musicum". Collegium Musicum Hamburg (in German). Archived from the original on 8 February 2018. Retrieved 7 February 2018.
- ↑ "Collegium Musicum". Eckart Haupt (in German). Archived from the original on 1 March 2018. Retrieved 7 February 2018.
- ↑ "Neues Bachisches Collegium Musicum Leipzig". muziekweb.nl (in Dutch). Archived from the original on 8 February 2018. Retrieved 7 February 2018.
- 1 2 "Nr. 65, 2009/10 / Zeitschrift, Gewandhausmagazin, Leipzig". antiquariat-artemis.de (in German). 2009. Archived from the original on 9 February 2018. Retrieved 8 February 2018.
- ↑ Nadja Zwiener englishconcert.co.uk
- ↑ "Bachische Abend Musicken". Leipzig (in German). Archived from the original on 8 February 2018. Retrieved 7 February 2018.
