Categories | Literary magazine |
---|---|
Format | Paperback |
Founded | 1951 |
Final issue | 1964 |
Company | New American Library (1951-1960) J. B. Lippincott & Co. (1960-1964) |
Country | United States |
Based in | New York City |
Language | English |
New World Writing was a paperback magazine, a literary anthology series published by New American Library's Mentor imprint from 1951 until 1960, then J. B. Lippincott & Co.'s Keystone from volume/issue 16 (1960) to the last volume, 22, in 1964. [1]
Rare Library described it as "one of the longest running and very significant paperback magazines in American literature. An institution that sprang up in the 1950s, showcasing original and first appearance of stories, poems, essays, etc. of leading writers from around the world. It has sometimes lapsed, but then returned to life, outlasting imitators in nearly every decade."
The fourth issue had two contributions by Gore Vidal, who had helped found New World Writing. [2]
The seventh issue (1955) included the first chapter of Catch-22 (named Catch-18 originally) and "Jazz of the Beat Generation" by "Jean-Louis" (actually an excerpt from Jack Kerouac's On the Road ). That issue also included work by Heinrich Böll and Dylan Thomas. The eighth issue (1955) featured Flannery O'Connor, Federico García Lorca and Thomas Berger. The first Lippincott volume, 16, was led off by Tillie Olsen's most famous story "Tell Me a Riddle" and included Thomas Pynchon's "Low-Lands"; New World Writing 17 (1960) included John Updike's "The Sea's Green Sameness", James Purdy's "Daddy Wolf", an essay by Otto Friedrich on Ezra Pound and Louise W. King's first published story, "The Day We Were Mostly Butterflies."
Other contributors included W. H. Auden, Samuel Beckett, Saul Bellow, Jorge Luis Borges, E. E. Cummings, William Gaddis, Jean Genet, André Gide, Eugène Ionesco, Christopher Isherwood, Shirley Jackson, Norman Mailer, Pablo Picasso, Henry Miller, Robert Motherwell, Octavio Paz, Kenneth Rexroth, Upton Sinclair, Tennessee Williams and William Carlos Williams.
The editors were Stewart Richardson and Corlies M. Smith. The cover design was by Ernst Reichl. It was succeeded in 1967 by New American Review , edited by Ted Solotaroff.
A purchase of the anthology was described in Frank O'Hara's poem "The Day Lady Died":
Eugene Luther Gore Vidal was an American writer and public intellectual known for his epigrammatic wit. His novels and essays interrogated the social and cultural sexual norms he perceived as driving American life. Beyond literature, Vidal was heavily involved in politics. He unsuccessfully sought office twice as a Democratic Party candidate, first in 1960 to the U.S. House of Representatives, and later in 1982 to the U.S. Senate.
The Objectivist poets were a loose-knit group of second-generation Modernists who emerged in the 1930s. They were mainly American and were influenced by, among others, Ezra Pound and William Carlos Williams. The basic tenets of objectivist poetics as defined by Louis Zukofsky were to treat the poem as an object, and to emphasize sincerity, intelligence, and the poet's ability to look clearly at the world. While the name of the group is similar to Ayn Rand's school of philosophy, the two movements are not affiliated.
The New American Poetry 1945–1960 is a poetry anthology edited by Donald Allen and published in 1960. It aimed to pick out the "third generation" of American modernist poets, and included quite a number of poems fresh from the little magazines of the late 1950s. In the longer term it attained a classic status, with critical approval and continuing sales. It was reprinted in 1999. As of 2023, Edward Field and Gary Snyder are the only contributors still living.
Rudolf John Frederick Lehmann was an English poet and man of letters. He founded the periodicals New Writing and The London Magazine, and the publishing house of John Lehmann Limited.
The Evergreen Review is a U.S.-based literary magazine. Its publisher is John Oakes and its editor-in-chief is Dale Peck. The Evergreen Review was founded by Barney Rosset, publisher of Grove Press. It existed in print from 1957 until 1984, and was re-launched online in 1998, and again in 2017. Its lasting impact can be seen in the March–April 1960 issue, which included work by Albert Camus, Lawrence Ferlinghetti, Bertolt Brecht and Amiri Baraka, as well as Edward Albee's first play, The Zoo Story (1958). The Camus piece was a reprint of "Reflections on the Guillotine", first published in English in the Review in 1957 and reprinted on this occasion as the magazine's "contribution to the worldwide debate on the problem of capital punishment and, more specifically, the case of Caryl Whittier Chessman." Its commitment to the progressive side of the political spectrum has been consistent, with early stance for civil rights and against the Vietnam War. The image of Che Guevara that first appeared on the cover of its February 1968 issue, designed by Paul Davis and based on a photograph by Alberto Korda, became a popular symbol of resistance.
Jay Parini is an American writer and academic. He is known for novels, poetry, biography, screenplays and criticism. He has published novels about Leo Tolstoy, Walter Benjamin, Paul the Apostle, and Herman Melville.
Eugene Ferdinand Walter, Jr. was an American screenwriter, poet, short-story author, actor, puppeteer, gourmet chef, cryptographer, translator, editor, costume designer and well-known raconteur. During his years in Paris, he was nicknamed Tum-te-tum. His friend Pat Conroy observed that Walter had lived a "pixilated wonderland of a life." Walter was labeled "Mobile's Renaissance Man" because of his diverse activities in many areas of the arts. In later life, he maintained a connection with Mobile by carrying a shoebox of Alabama red clay around Europe.
Frances Browne was an Irish poet and novelist, best remembered for her collection of short stories for children, Granny's Wonderful Chair.
Eileen Tabios is a Filipino-American poet, fiction writer, conceptual/visual artist, editor, anthologist, critic, and publisher.
Transatlantic Review was a literary journal founded in 1959 by Joseph F. McCrindle, who remained its editor until he closed the magazine in 1977. Published quarterly, at first in Rome and then in London and New York, TR was known for its eclectic mix of short stories and poetry—by both young, previously unpublished writers and prominent authors such as Samuel Beckett, Iris Murdoch, Grace Paley and John Updike—as well as drawings, essays, and interviews with writers and theater and film directors.
Gay pulp fiction, or gay pulps, refers to printed works, primarily fiction, that include references to male homosexuality, specifically male gay sex, and that are cheaply produced, typically in paperback books made of wood pulp paper; lesbian pulp fiction is similar work about women. Michael Bronski, the editor of an anthology of gay pulp writing, notes in his introduction, "Gay pulp is not an exact term, and it is used somewhat loosely to refer to a variety of books that had very different origins and markets". People often use the term to refer to the "classic" gay pulps that were produced before about 1970, but it may also be used to refer to the gay erotica or pornography in paperback book or digest magazine form produced since that date.
Epoch is a triannual American literary magazine founded in 1947 and published by Cornell University. It has published well-known authors and award-winning work including stories reprinted in The Best American Short Stories series and poems later included in The Best American Poetry series. It publishes fiction, poetry, essays, graphic art, and sometimes cartoons and screenplays, but no literary criticism or book reviews.
Edward Field is an American poet and author.
William Stanley Beaumont Braithwaite was an African-American writer, poet, literary critic, anthologist, and publisher in the United States. His work as a critic and anthologist was widely praised and important in the development of East Coast poetry styles in the early 20th century. He was awarded the Spingarn Medal in 1918.
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Shenandoah: The Washington and Lee Review is a literary magazine published Washington and Lee University.
Reginald Gibbons is an American poet, fiction writer, translator, literary critic. He is a Frances Hooper Professor of Arts and Humanities at Northwestern University. Gibbons has published numerous books, as well as poems, short stories, essays, reviews and art in journals and magazines, has held Guggenheim Foundation and NEA fellowships in poetry and a research fellowship from the Center for Hellenic Studies in Washington D.C. For his novel, Sweetbitter, he won the Anisfield-Wolf Book Award; for his book of poems, Maybe It Was So, he won the Carl Sandburg Prize. He has won the Folger Shakespeare Library's O. B. Hardison, Jr. Poetry Prize, and other honors, among them the inclusion of his work in Best American Poetry and Pushcart Prize anthologies. His book Creatures of a Day was a Finalist for the 2008 National Book Award for poetry. His other poetry books include Sparrow: New and Selected Poems, Last Lake and Renditions, his eleventh book of poems. His has also published two collections of very short fiction, Five Pears or Peaches and An Orchard in the Street.
Floyd Skloot is an American poet, novelist, and memoirist. Some of his work concerns his experience with neurological damage caused by a virus contracted in 1988.
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